Sufjan_Stevens-The_Avalanche_Outtakes_and_Extras_From_The_Illinois_Album-2006-DeBT_iNT
- Section
-
MP3/FLAC
- Group
- DeBT_iNT
- Size
- 0 B
- Files
- 0
- Date
- 2011-04-27
NFO
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▄▄░▀████████▄▄▄║D e B T i s S l a V 3 r Y S T u P i D║░▄▄▄████████▀░ ▀
░▓█████▓░░░ ░ ╚═════╗ ╔════════╝▀ ░ ░░░▓█████▓░
▄▄███░▓████▓░░▀▀ ▀ ║DuBi0uSlY EnDoWs YoU WiTh║ ▀ ▀▀░░▓████▓░███▄▄
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▐░ ▀▓████║ Sufjan_Stevens-The_Avalanche_Outtakes_and_Extras_From_The_Illinois_ ║████▓▀ ░▌
▀ ░████╚════════════════════════════════════════════════════════════════════════════╝████░ ▀
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▄░▓███████▄▄▄░ ARTiST.... Sufjan Stevens ░▄▄▄███████▓░▀
░▓█████▄░░ ▄ ▀ TiTLE..... The Avalanche: Outtakes & Extras from █████▓░
▀░████▓░░▀ ░ ▀ LABEL..... Asthmatic Kitty Records ▀ ░ ▀░░▓████░▀
░▓███▓▓░ ▀ ▄▓▄ GENRE..... Indie ▄▓▄ ▀ ░▓▓███▓░
▀▀░███▓░▄▄░ RiP.DATE.. 2011-04-23 ░▄▄░▓███░▀▀
▀ ▄███▀░░ STOREDATE. 2006-07-11 ░░▀███▄ ▀
░░▄▄██▀▀▀ SOURCE.... CD ▀▀▀██▄▄░░
░░▄▄██▀▀▀ QUALiTY... 241 kbps / 4410kHz / Joint Stereo ▀▀▀██▄▄░░
▄ ▄███▀░░ TRACKS.... 21 / 75:47 ░░▀███▄ ▄
▄▄░███▓░▄ ░ SIZE...... 137.95 MB ░ ▄░▓███░▄▄
░▓███▓▓░ ▄ ▄▓▄ RIPPER.... EAC Secure with LAME 3.98.4 ▄▓▄ ▄ ░▓▓███▓░
▄░████▓░░▄ ░ ▀ URL....... ░▓████░▄
░▓█████▄░░ ▄ ▄ ░░▄█████▓░
▄░▓███████▄▄▄░ ░▄▄▄███████▓░▀
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▀ ▄ ░░▓█▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀████▓░░ ▄
▄░███ NR. TRACKNAME TiME ████░▄
▄ ░████ ████░ ▄
░ ▄▓████ 1 The Avalanche 3:14 ████▓▄ ░
░ ▄▓████ 2 Dear Mr. Supercomputer 4:20 ████▓▄ ░
░ ▄▓████ 3 Adlai Stevenson 2:34 ████▓▄ ░
░ ▄▓████ 4 The Vivian Girls Are Visited in the Night 1:49 ████▓▄ ░
░ ▄▓████ by Saint Dargarius and His Squadron of ████▓▄ ░
░ ▄▓████ Benevolent Butterflies ████▓▄ ░
░ ▄▓████ 5 Chicago (Acoustic Version) 4:40 ████▓▄ ░
░ ▄▓████ 6 The Henney Buggy Band 3:16 ████▓▄ ░
░ ▄▓████ 7 Saul Bellow 2:53 ████▓▄ ░
░ ▄▓████ 8 Carlyle Lake 3:15 ████▓▄ ░
░ ▄▓████ 9 Springfield, Or Bobby Got a Shadfly Caught 4:17 ████▓▄ ░
░ ▄▓████ in His Hair ████▓▄ ░
░ ▄▓████ 10 The Mistress Witch from McClure (Or, The 3:24 ████▓▄ ░
░ ▄▓████ Mind That Knows Itself) ████▓▄ ░
░ ▄▓████ 11 Kaskaskia River 2:15 ████▓▄ ░
░ ▄▓████ 12 Chicago (Adult Contemporary Easy Listening 6:06 ████▓▄ ░
░ ▄▓████ Version) ████▓▄ ░
░ ▄▓████ 13 Inaugural Pop Music for Jane Margaret 1:25 ████▓▄ ░
░ ▄▓████ Byrne ████▓▄ ░
░ ▄▓████ 14 No Man's Land 4:45 ████▓▄ ░
░ ▄▓████ 15 The Palm Sunday Tornado Hits Crystal Lake 1:38 ████▓▄ ░
░ ▄▓████ 16 The Pick-up 3:24 ████▓▄ ░
░ ▄▓████ 17 The Perpetual Self, Or "What Would Saul 2:24 ████▓▄ ░
░ ▄▓████ Alinsky Do?" ████▓▄ ░
░ ▄▓████ 18 For Clyde Tombaugh 3:43 ████▓▄ ░
░ ▄▓████ 19 Chicago (Multiple Personality Disorder 4:35 ████▓▄ ░
░ ▄▓████ Version) ████▓▄ ░
░ ▄▓████ 20 Pittsfield 6:51 ████▓▄ ░
░ ▄▓████ 21 The Undivided Self (For Eppie and Popo) 4:59 ████▓▄ ░
░ ▄▓████ ---------------------------------------------------------████▓▄ ░
▀▄░████▓ ████░▄▀
░▓████▓▄ TOTAL TiME: 75:47 MIN ████▓░
░▓███████▄ TOTAL SIZE: 137.95 MB▄█████▓░
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░▓█████▓░╟─────────────────────────────────────RELEASE NOTES╢░▓█████▓░
░▓████▓░░║ ║░░▓████▓░
▄▀░████▓░▀║ Sufjan Stevens' Come on Feel the Illinoise was a ║▀░▓████░▀▄
▄▀░████▓░▀║ long, gorgeous, and occasionally convoluted ║▀░▓████░▀▄
▄▀░████▓░▀║ kaleidoscope of folk, pop, and orchestral rock ║▀░▓████░▀▄
▄▀░████▓░▀║ fused with personal regional history that somehow ║▀░▓████░▀▄
▄▀░████▓░▀║ managed to lure listeners of all ages and genre ║▀░▓████░▀▄
▄▀░████▓░▀║ allegiances into its pompon-wielding arms. Like ║▀░▓████░▀▄
▄▀░████▓░▀║ Illinois, The Avalanche -- leave it to Stevens to ║▀░▓████░▀▄
▄▀░████▓░▀║ release a 21-track collection of outtakes and ║▀░▓████░▀▄
▄▀░████▓░▀║ extras from a record that boasted 22 -- is ║▀░▓████░▀▄
▄▀░████▓░▀║ stuffed with a surplus of unnecessary and ║▀░▓████░▀▄
▄▀░████▓░▀║ pretentiously titled instrumental Band-Aids like ║▀░▓████░▀▄
▄▀░████▓░▀║ "Vivian Girls Are Visited in the Night by Saint ║▀░▓████░▀▄
▄▀░████▓░▀║ Dargarius and His Squadron of Benelovent ║▀░▓████░▀▄
▄▀░████▓░▀║ Butterflies," "The Mistress Witch from McClure ║▀░▓████░▀▄
▄▀░████▓░▀║ (Or, the Mind That Knows Itself)," and "The Palm ║▀░▓████░▀▄
▄▀░████▓░▀║ Sunday Tornado Hits Crystal Lake" that would ║▀░▓████░▀▄
▄▀░████▓░▀║ serve more purpose on an early-'70s Yes album ║▀░▓████░▀▄
▄▀░████▓░▀║ than they do here, but they're augmented by some ║▀░▓████░▀▄
▄▀░████▓░▀║ truly noteworthy songs that prove Stevens' ║▀░▓████░▀▄
▄▀░████▓░▀║ prolificacy is as much a byproduct of his obvious ║▀░▓████░▀▄
▄▀░████▓░▀║ gifts as a writer as it is by his need to record ║▀░▓████░▀▄
▄▀░████▓░▀║ every idea that pops into his head. Opening with ║▀░▓████░▀▄
▄▀░████▓░▀║ the title cut, a loose, banjo-driven ballad that ║▀░▓████░▀▄
▄▀░████▓░▀║ develops into a pulsing day drive from the East ║▀░▓████░▀▄
▄▀░████▓░▀║ Coast to the Midwest (The Avalanche is named for ║▀░▓████░▀▄
▄▀░████▓░▀║ a car, not the terrifying mass of ice, snow, ║▀░▓████░▀▄
▄▀░████▓░▀║ earth, and rock that swallows numerous skiers ║▀░▓████░▀▄
▄▀░████▓░▀║ each year), Stevens constructed an alternate ║▀░▓████░▀▄
▄▀░████▓░▀║ version of Illinois that is almost as good as the ║▀░▓████░▀▄
▄▀░████▓░▀║ original. Shades of Stereolab pepper both the ║▀░▓████░▀▄
▄▀░████▓░▀║ manic "Dear Mr. Supercomputer" and the nostalgic ║▀░▓████░▀▄
▄▀░████▓░▀║ "Adlai Stevenson," while the elegiac "No Man's ║▀░▓████░▀▄
▄▀░████▓░▀║ Land" echoes the sense of discovery that fueled ║▀░▓████░▀▄
▄▀░████▓░▀║ Illinois' "Chicago," the latter of which appears ║▀░▓████░▀▄
▄▀░████▓░▀║ three times in various disguises throughout the ║▀░▓████░▀▄
▄▀░████▓░▀║ record. The Avalanche slows down considerably ║▀░▓████░▀▄
▄▀░████▓░▀║ near the record's end, but so did Illinois, ║▀░▓████░▀▄
▄▀░████▓░▀║ making an even better case for the "Super ║▀░▓████░▀▄
▄▀░████▓░▀║ Director's Cut" that would fuse both albums into ║▀░▓████░▀▄
▄▀░████▓░▀║ one mammoth slice of esoteric Americana pie. ║▀░▓████░▀▄
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▄ ░░▓███╠════════════════════════════════════════════QUOTES╢╣███▓░░ ▄ ▄
░▄▄ ▀▀██████║ ║██████▀▀ ▄▄░
▀░▓███████▄▄║ What is the appropriate behavior for a man or a ║▄▄███████▓░▀
▀░▓███████▄▄║ woman in the midst of this world, where each ║▄▄███████▓░▀
▀░▓███████▄▄║ person is clinging to his piece of debris? What's ║▄▄███████▓░▀
▀░▓███████▄▄║ the proper salutation between people as they pass ║▄▄███████▓░▀
▀░▓███████▄▄║ each other in this flood? ║▄▄███████▓░▀
▀░▓███████▄▄║ ║▄▄███████▓░▀
▀░▓███████▄▄║ -- Buddha ║▄▄███████▓░▀
░▓█████▄░░ ▄║ ║▄ ░░▄█████▓░
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▄░▓███████▄║ DeBT is in need of SECURE affils ║▄▄███████▓░▀
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▄ ░░▓███║ you the best of the old, new and forgotten in a ║███▓░░ ▄ ▄
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▀ ▄███▀░║ ║░░▀███▄ ▀
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▄▄░▀█████║ C O N T A C T D e B T ║██████▀░▄▀
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