VA-Bangs_And_Works_Vol._1_(A_Chicago_Footwork_Compilation)-(Retail)-2010-CFD
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- Date
- 2011-05-03
NFO
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▒ . .. C F D . a k a . C R O S S F A D E R . p r e s e n t s .. .
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VA-Bangs_And_Works_Vol._1_(A_Chicago_Footwork_Compilation)-2010-CFD
ARtiSt...... : VA
AlbUM....... : Bangs And Works Vol. 1 (A Chicago Footwork Compilation)
GENRE....... : Electronic
lAbEl....... : Planet Mu Records
CAtNR....... : ZIQ290CD
SoURcE...... : CDDA
RiP.dAtE.... : 03-05-2011
StREEt.dAtE. : 06-12-2010
QUAlitY..... : VBR/44.1kHz/Joint Stereo
URl......... : http://www.amazon.co.uk/Bangs-Works-Chicago-Footworks-Compilation/dp/B00480MPC4/
SiZE........ : 97.90MB
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01. DJ Elmoe - Whea Yo Ghost At, Whea Yo Dead Man 2:29
02. DJ Rashad - Teknitian 2:43
03. Tha Pope - Jungle Juke 2:00
04. DJ Rashad - Itz Not Rite 3:19
05. DJ Roc - Fuck Dat 2:13
06. RP Boo - Total Darkness 3:56
07. DJ Spinn - 2020 3:01
08. Tha Pope - All The Things 1:36
09. DJ Killa E - Star Wars 2:00
10. DJ Roc - One Blood 2:48
11. RP Boo - Eraser 3:18
12. DJ Lil Rome And DJ Yung Tellem - Kill Da Circle 1:31
13. DJ Trouble - Bangs And Works 3:00
14. DJ Trouble - Fuck Um Up Jus Basics 2:55
15. DJ Elmoe - Yo Shit Fucked Up 2:24
16. DJ Yung Tellem - Freddy Vs Jason 2:40
17. DJ Trouble - Mosh Pit 2:55
18. Traxman - Compute Funk 2:49
19. DJ Lil Rome - I Go Hard 2:13
20. DJ Diamond - Ready Mother Fucka 1:54
21. DJ Diamond - Freakazoid 3:13
22. DJ Nate - Ima Dog 2:54
23. DJ Clent - I Love You 3:48
24. DJ Nate - He Ain't Bout It 2:28
25. Traxman - The Comeback 2:34
Runtime..: 66:41 min
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▄▓▄ █ █▓ ▀ .. R E L E A S E .. ▀ ▓▓ █ ▄▓▄
▀ █ █▓ ▄ .. i N F O .. ▄ █▓ █ ▀
█ █▓ █▓ █
█ █▓ █▓ █
█ █▓ █▓ █
█ █▓ Let's be clear: footwork, or █▓ █
█ █▓ footwurk, or footwerk is not █▓ █
█ █▓ blowing up. Not like dubstep or █▓ █
█ █▓ electroclash or hyphy blew up. █▓ █
█ █▓ Footwork is really more of a lit █▓ █
█ █▓ fuse at this point, and one of █▓ █
█ █▓ those painfully slow, Wile E. █▓ █
█ █▓ Coyote-style fuses at that. █▓ █
█ █▓ Roughly, footwork pits sharp, █▓ █
█ █▓ repetitive samples of soul, █▓ █
█ █▓ hip-hop, and reggae against █▓ █
█ █▓ limping, junkyard-dog 808s. It is █▓ █
█ █▓ music composed, at least █▓ █
█ █▓ theoretically, to encourage a █▓ █
█ █▓ specific kind of dancing, but the █▓ █
█ █▓ strangeness of the tracks suggests █▓ █
█ █▓ the producers have ulterior █▓ █
█ █▓ motives. (The dancing looks a bit █▓ █
█ █▓ like breakdancing, but using your █▓ █
█ █▓ arms is discouraged.) Bangs & █▓ █
█ █▓ Works, Vol. 1 is the first widely █▓ █
█ █▓ available compilation of footwork █▓ █
█ █▓ music, released by London-based █▓ █
█ █▓ Planet Mu, whose founder, Mike █▓ █
█ █▓ Paradinas, is relentless in his █▓ █
█ █▓ quest for new sounds. █▓ █
█ █▓ █▓ █
█ █▓ There is little question why █▓ █
█ █▓ footwork evolved in Chicago: House █▓ █
█ █▓ music birthed the raunchier, █▓ █
█ █▓ uptempo ghetto house (or "juke"), █▓ █
█ █▓ which in turn led to the █▓ █
█ █▓ stripped-for-parts footwork sound. █▓ █
█ █▓ Like ghetto house, tracks usually █▓ █
█ █▓ settle in around 160 bpm; at 140 █▓ █
█ █▓ you've found yourself a ballad. █▓ █
█ █▓ There are hip-hop roots too: the █▓ █
█ █▓ sound's genesis is rooted in RP █▓ █
█ █▓ Boo's "Baby Come On", a track that █▓ █
█ █▓ prominently features an Ol' Dirty █▓ █
█ █▓ Bastard sample (sadly not included █▓ █
█ █▓ here). Other tracks owe a debt to █▓ █
█ █▓ hip-hop's vulgar confidence. Kanye █▓ █
█ █▓ West is said to have been █▓ █
█ █▓ influenced by the scene's early █▓ █
█ █▓ progenitors. █▓ █
█ █▓ █▓ █
█ █▓ Chicago-based journalist and DJ █▓ █
█ █▓ Dave Quam called footwork "more or █▓ █
█ █▓ less the gum under the shoe of █▓ █
█ █▓ mainstream electronic music," which █▓ █
█ █▓ is a fantastic visual that also █▓ █
█ █▓ speaks to the tuff pliability of █▓ █
█ █▓ the sound. Footwork is not █▓ █
█ █▓ expansive. Unlike, say, house █▓ █
█ █▓ music, which has been refracted █▓ █
█ █▓ into a million directions, Bangs & █▓ █
█ █▓ Works will sound homogenous and █▓ █
█ █▓ alien on first listen (remember █▓ █
█ █▓ back to your first listen to Run █▓ █
█ █▓ the Road or Favela Booty Beats; █▓ █
█ █▓ shit's going to start off a little █▓ █
█ █▓ annoying). Repeated listens will █▓ █
█ █▓ parcel the tracks into three or so █▓ █
█ █▓ basic categories: short, styled █▓ █
█ █▓ dance numbers; novelty tracks; and █▓ █
█ █▓ slyly artful tracks. █▓ █
█ █▓ █▓ █
█ █▓ Regarding that third category: it's █▓ █
█ █▓ probably fair to say that ghetto █▓ █
█ █▓ house never spawned tracks that █▓ █
█ █▓ sought as obviously to transcend █▓ █
█ █▓ their club context as DJ Elmoe's █▓ █
█ █▓ "Whea Yo Ghost At, Whea Yo Dead █▓ █
█ █▓ Man" or DJ Trouble's "Bangs & █▓ █
█ █▓ Works". Tracks like DJ Roc's "One █▓ █
█ █▓ Blood" and DJ Nate's "Ima Dog" █▓ █
█ █▓ remind me of anyone's first █▓ █
█ █▓ experience with a sampler: They █▓ █
█ █▓ invariably mash a single pad, █▓ █
█ █▓ rhythmically restarting the sample █▓ █
█ █▓ again and again. █▓ █
█ █▓ █▓ █
█ █▓ The core element of footwork █▓ █
█ █▓ appears to be contrast: between the █▓ █
█ █▓ sharp drums and the melodic █▓ █
█ █▓ samples, between art and novelty. █▓ █
█ █▓ "Ima Dog" pits its ripping, █▓ █
█ █▓ staccato title sample against what █▓ █
█ █▓ sounds like a new age elegy. RP █▓ █
█ █▓ Boo's "Eraser" feigns Armageddon, █▓ █
█ █▓ but its ascendant soul diva exposes █▓ █
█ █▓ it as something more optimistic. DJ █▓ █
█ █▓ Nate's "He Ain't Bout It" mixes █▓ █
█ █▓ banal trash talk with soothing █▓ █
█ █▓ chants. "Jungle Juke" goofily █▓ █
█ █▓ steals from "The Lion Sleeps █▓ █
█ █▓ Tonight", and "Freddy vs. Jason" is █▓ █
█ █▓ a horror-movie mashup. █▓ █
█ █▓ █▓ █
█ █▓ Footwork seems like it should be a █▓ █
█ █▓ young man's game, but it's not, █▓ █
█ █▓ really. It's been fermenting in █▓ █
█ █▓ Chicago for at least a decade, if █▓ █
█ █▓ not longer, and many of its █▓ █
█ █▓ principals-- RP Boo, DJ Rashad, DJ █▓ █
█ █▓ Roc, DJ Spinn-- are hardly fresh █▓ █
█ █▓ faces. Footwork reminds me █▓ █
█ █▓ spiritually of the blues that █▓ █
█ █▓ artists like Junior Kimbrough used █▓ █
█ █▓ to play: raunchy, fun music that █▓ █
█ █▓ knowingly sacrificed complexity for █▓ █
█ █▓ rhythm (the ramshackle clubs this █▓ █
█ █▓ music was played in: juke joints). █▓ █
█ █▓ And like some strains of blues, █▓ █
█ █▓ footwork appears to be catching on █▓ █
█ █▓ overseas before it finds larger █▓ █
█ █▓ audiences stateside. Bristol-based █▓ █
█ █▓ dubstep producer Addison Groove's █▓ █
█ █▓ "Footcrab", one of the year's dance █▓ █
█ █▓ music smashes, is an obvious homage █▓ █
█ █▓ and would be even if its █▓ █
█ █▓ mantra-like, goofball refrain █▓ █
█ █▓ didn't sound like a G-rated version █▓ █
█ █▓ of DJ Roc's "Fuck Dat". █▓ █
█ █▓ █▓ █
█ █▓ At this point, it's not worth █▓ █
█ █▓ speculating about the future █▓ █
█ █▓ prospects of the footwork scene. If █▓ █
█ █▓ dubstep and house long ago left the █▓ █
█ █▓ club in search of other musical █▓ █
█ █▓ terrains, footwork is only just █▓ █
█ █▓ peeking out the door. The real █▓ █
█ █▓ promise of Bangs & Works isn't an █▓ █
█ █▓ international footwork movement per █▓ █
█ █▓ se, but a generation of resourceful █▓ █
█ █▓ and creative producers-- heretofore █▓ █
█ █▓ ignored-- redefining dance music █▓ █
█ █▓ for themselves. Here's hoping the █▓ █
█ █▓ size of their audience matches █▓ █
█ █▓ their appetites for the goofy, the █▓ █
█ █▓ melancholy, and the left-field. █▓ █
▓ █▓ █▓ ▓
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▀ ██▄ ▄█▓ █▓ --------- █▓ ██▄ ▄█▓ ▀
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████▓ ▓▄▄ ████▓ : ███▓ ████▓ ████▓
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