Tied_And_Tickled_Trio_And_Billy_Hart--La_Place_Demon-(MORR100CD)-2011-OMA

Section
MP3/FLAC
Group
OMA
Size
0 B
Files
0
Date
2011-05-05

NFO

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 ████    ■    ███▓█                                          █▓███    ■    ████
 ████    ·  ▄▓███▓          OPEN MUSiC ASSOCiATiON            ▓███▓▄  ·    ████
 █████  ▄▄▓█▀▀▀│ ▓        .···. P R E S E N T S .···.         ▓ │▀▀▀█▓▄▄  █████
 ██████▓▀      ▀                                                ▀      ▀▓██████
 █████▀        Tied + Tickled Trio + Billy Hart - La Place Demon         ▀█████
 ████▀                                                                    ▀████
 ███▀                                                                      ▀███
 █▓▓▓▓    ARTiST..[ Tied + Tickled Trio + Billy Hart                      ▓▓▓▓█
 █▓▓▓▓    TiTLE...[ La Place Demon                                        ▓▓▓▓█
 ████     GENRE...[ Jazz                    GRABBER.[ EAC                  ████
 ████     LABEL...[ Morr Music              ENCODER.[ Lame 3.98.4          ████
 ████     YEAR....[ 2011                    QUALiTY.[ vbr 235kbps          ████
 ████     SOURCE..[ CDDA                    MODE....[ Joint-Stereo         ████
 ████     PLAYTIME[ 56:02 min               REL.DATE[ 05.05.2011           ████
 ████     TRACKS..[ 09                      RiPPER..[ TEAM OMA             ████
 ████     SiZE....[ 94,2 MB                 SUPPLiER[ TEAM OMA             ████
 ████                                                                      ████
 ████                                                                      ████
 ████     ▄▀▀███▓▄                                            ▄▓███▀▀▄     ████
 ████    ■    ███▓█      .···. T R A C K  L i S T .···.      █▓███    ■    ████
 ████    ·  ▄▓███▓                                            ▓███▓▄  ·    ████
 █████  ▄▄▓█▀▀▀│ ▓                                            ▓ │▀▀▀█▓▄▄  █████
 ██████▓▀      ▀                                                ▀      ▀▓██████
 █████▀                                                                  ▀█████
 ████▀                                                                    ▀████
 ███▀     NR. TRACK.                                             TiME.     ▀███
 █▓▓▓▓    ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙    ▓▓▓▓█
 █▓▓▓▓                                                                    ▓▓▓▓█
 ████     01  The End Is The Same As The Beginning              02:24      ████
 ████     02  The Three Doors Pt. 1                             10:46      ████
 ████     03  Calaca                                            05:48      ████
 ████     04  Violent Collaborations Pt. 1                      05:49      ████
 ████     05  The Three Doors Pt. 2                             06:28      ████
 ████     06  Violent Collaborations Pt. 2                      02:25      ████
 ████     07  Lonely Woman - Exit La Place Demon - The          11:14      ████
 ████         Electronic Family                                            ████
 ████     08  The Three Doors Pt. 3                             05:30      ████
 ████     09  Ghost Allaround                                   05:38      ████
 ████                                                    ∙∙∙∙∙∙∙∙∙∙∙∙      ████
 ████                                                    TOTAL: 56:02      ████
 ████                                                                      ████
 ████                                                                      ████
 ████     ▄▀▀███▓▄                                            ▄▓███▀▀▄     ████
 ████    ■    ███▓█   .···. R E L E A S E  N O T E S .···.   █▓███    ■    ████
 ████    ·  ▄▓███▓                                            ▓███▓▄  ·    ████
 █████  ▄▄▓█▀▀▀│ ▓                                            ▓ │▀▀▀█▓▄▄  █████
 ██████▓▀      ▀                                                ▀      ▀▓██████
 █████▀                                                                  ▀█████
 ████▀                                                                    ▀████
 ███▀                                                                      ▀███
 █▓▓▓▓                                                                    ▓▓▓▓█
 █▓▓▓▓                                                                    ▓▓▓▓█
 ████            With versatility comes the risk of spreading              ████
 ████            oneself too thin. Musical versatility is                  ████
 ████            especially nice, but it can be a burden.                  ████
 ████            Especially if the musician feels the urge to              ████
 ████            actually realize all their many ideas. For                ████
 ████            then you are adding massive organisational                ████
 ████            demands to the problem of channelling a                   ████
 ████            sprawling creative drive which simultaneously             ████
 ████            meanders in many different directions.                    ████
 ████            Tackling and mastering this seething cluster              ████
 ████            of possibilities and tasks has become part of             ████
 ████            the everyday work of some musicians. The                  ████
 ████            Brothers Markus and Micha Acher have made the             ████
 ████            best out of their abilities. They are key                 ████
 ████            figures in the now internationally recognised             ████
 ████            trademark that is the äWeilheim Sceneô. Every             ████
 ████            one of their projects, be it The Notwist,                 ████
 ████            13&God or Tied & Tickled Trio has grown to                ████
 ████            become a working cosmos each of its own while             ████
 ████            remaining open on all sides. Their new album              ████
 ████            comes thanks to their preference for creative             ████
 ████            collaborations as Tied & Tickled Trio have                ████
 ████            really had a thrilling artistic liaison this              ████
 ████            time. The drummer Billy Hart is among one of              ████
 ████            the most accomplished contemporary jazz                   ████
 ████            drummers in the world. Along with his                     ████
 ████            recordings as band leader Hart, who celebrated            ████
 ████            his 70th birthday in 2010, can be heard                   ████
 ████            drumming on more than 600 albums. Among other             ████
 ████            groups he was a long running member of the                ████
 ████            Herbie Hancock and Stan Getz bands. Hart was              ████
 ████            highly involved with the composition and                  ████
 ████            arrangements on La Place Demon. The permanent             ████
 ████            members of the Tied & Tickled Trio also                   ████
 ████            occupied themselves intensively with Billy                ████
 ████            Harts music prior to and during the                       ████
 ████            composition of the album. Over the course of              ████
 ████            his discography he has covered everything from            ████
 ████            spiritual jazz to free music and electronic               ████
 ████            music. This album charts this development in              ████
 ████            broad strokes and as such is something like a             ████
 ████            biographical album. The Tied & Tickled Trio               ████
 ████            play jazz music from an indie perspective and             ████
 ████            so are by definition not afraid of contact.               ████
 ████            Its amazing that a project which practically              ████
 ████            has a new approach for every composition can              ████
 ████            still have a unified sound. And the guys from             ████
 ████            Weilheim have an instantly recognisable sound             ████
 ████            - regardless whether their playing crazy free             ████
 ████            jazz, static drones or complex patterns.                  ████
 ████            Perhaps it's something to do with their love              ████
 ████            of wood-wind and rather melancholy harmonies,             ████
 ████            which one knows well from The Notwist. La                 ████
 ████            Place Demon never gives us too much of a sense            ████
 ████            of security. Even in harmonically and                     ████
 ████            rhythmically simple passages one senses the               ████
 ████            abyss which surrounds these temporary islands             ████
 ████            of order. Something seems to warn us that the             ████
 ████            apparent clarity is nothing more than                     ████
 ████            ambiguity and that this order can at any                  ████
 ████            moment descend into freedom and chaos.                    ████
 ████            Everything is always in limbo, light and                  ████
 ████            feathery, but at the same time unfathomable. A            ████
 ████            flurry of trills on the flute and thin yet                ████
 ████            threatening string parts see to it that any               ████
 ████            feeling of homely comfort is left behind. Out             ████
 ████            of this abstract sound-scape, driven by dark              ████
 ████            percussion and electronic effects comes a                 ████
 ████            masterfully arranged piece of chamber music.              ████
 ████            Woodwind instruments in part manipulated with             ████
 ████            effects and strings interweave to form quietly            ████
 ████            pacing figures. One could relax in this                   ████
 ████            sound-scenery, if not for those nervously                 ████
 ████            beating drums. In the end the chamber music               ████
 ████            descends into a whirlpool of free-jazz,                   ████
 ████            dominated by drums and saxophone. Often                   ████
 ████            sounding cinematic, tension is indeed built up            ████
 ████            in the way that soundtracks do. Although with             ████
 ████            Tied & Ticked Trio this tension might suddenly            ████
 ████            turn into a slow bebop riff. In which case                ████
 ████            there is an all-pervading atmosphere of                   ████
 ████            coolness, like in a 70s detective film. We                ████
 ████            hear bold and moving harmonies with a seamless            ████
 ████            group improvisation over the top. Or                      ████
 ████            threatening expanses with no rhythmic pulse,              ████
 ████            which after seven minutes mutates into a cool             ████
 ████            slow-motion groove. And complex fugue-like                ████
 ████            structures with clear melodies in swing-time              ████
 ████            played on brass, strings and glockenspiel. One            ████
 ████            constantly has a sense that these are                     ████
 ████            musicians so masterful that they no longer                ████
 ████            need to prove anything either to each other or            ████
 ████            anyone else. The core members of the ôTrioö               ████
 ████            are Markus and Micha Acher, the drummer Casper            ████
 ████            Brandner as well as the visual artist and                 ████
 ████            electronic musician Andreas Gerth. There are              ████
 ████            also compositions by Johannes Enders and Carl             ████
 ████            Oesterhelt, who recently released their                   ████
 ████            wonderful album äDivertimento fⁿr                         ████
 ████            Tenorsaxophon und kleines Ensembleô on Alien              ████
 ████            Transistor. In total 14 musicians have worked             ████
 ████            on La Place Demon. For their studio work the              ████
 ████            ensemble have done without any spectacular                ████
 ████            effects. Nothing is overloaded, nobody is                 ████
 ████            playing in the foreground. No particular                  ████
 ████            musical event really has to happen as the                 ████
 ████            players have just taken their time. The pieces            ████
 ████            unfold themselves with a pleasant calmness and            ████
 ████            all the parts simply fall into place, as if by            ████
 ████            their own accord. At the same time this album             ████
 ████            is so multifaceted and diverse that even                  ████
 ████            within a single piece, one really never knows             ████
 ████            quite what to expect. Of course Tied & Tickled            ████
 ████            Trio follow a classic pattern of theme and                ████
 ████            variation. But their DIY jazz is neither                  ████
 ████            markedly eclectic nor does it depend on                   ████
 ████            music-historical references. Tied & Tickled               ████
 ████            Trio were founded in 1994 by Markus Acher and             ████
 ████            Casper Brandner, at the time purely as a                  ████
 ████            drumming duo. Now the band can look back on 7             ████
 ████            albums including a remix record and a DVD.                ████
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 ████    ■    ███▓█          .···. G R O U P .···.           █▓███    ■    ████
 ████    ·  ▄▓███▓                                            ▓███▓▄  ·    ████
 █████  ▄▄▓█▀▀▀│ ▓         MAiL:  oma@never-ever.com          ▓ │▀▀▀█▓▄▄  █████
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 ████▀            The only thing that really matters is music!!!          ▀████
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