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████ ■ ███▓█ █▓███ ■ ████
████ · ▄▓███▓ OPEN MUSiC ASSOCiATiON ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ .···. P R E S E N T S .···. ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
█████▀ Tied + Tickled Trio + Billy Hart - La Place Demon ▀█████
████▀ ▀████
███▀ ▀███
█▓▓▓▓ ARTiST..[ Tied + Tickled Trio + Billy Hart ▓▓▓▓█
█▓▓▓▓ TiTLE...[ La Place Demon ▓▓▓▓█
████ GENRE...[ Jazz GRABBER.[ EAC ████
████ LABEL...[ Morr Music ENCODER.[ Lame 3.98.4 ████
████ YEAR....[ 2011 QUALiTY.[ vbr 235kbps ████
████ SOURCE..[ CDDA MODE....[ Joint-Stereo ████
████ PLAYTIME[ 56:02 min REL.DATE[ 05.05.2011 ████
████ TRACKS..[ 09 RiPPER..[ TEAM OMA ████
████ SiZE....[ 94,2 MB SUPPLiER[ TEAM OMA ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. T R A C K L i S T .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
█████▀ ▀█████
████▀ ▀████
███▀ NR. TRACK. TiME. ▀███
█▓▓▓▓ ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ ▓▓▓▓█
█▓▓▓▓ ▓▓▓▓█
████ 01 The End Is The Same As The Beginning 02:24 ████
████ 02 The Three Doors Pt. 1 10:46 ████
████ 03 Calaca 05:48 ████
████ 04 Violent Collaborations Pt. 1 05:49 ████
████ 05 The Three Doors Pt. 2 06:28 ████
████ 06 Violent Collaborations Pt. 2 02:25 ████
████ 07 Lonely Woman - Exit La Place Demon - The 11:14 ████
████ Electronic Family ████
████ 08 The Three Doors Pt. 3 05:30 ████
████ 09 Ghost Allaround 05:38 ████
████ ∙∙∙∙∙∙∙∙∙∙∙∙ ████
████ TOTAL: 56:02 ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. R E L E A S E N O T E S .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
█████▀ ▀█████
████▀ ▀████
███▀ ▀███
█▓▓▓▓ ▓▓▓▓█
█▓▓▓▓ ▓▓▓▓█
████ With versatility comes the risk of spreading ████
████ oneself too thin. Musical versatility is ████
████ especially nice, but it can be a burden. ████
████ Especially if the musician feels the urge to ████
████ actually realize all their many ideas. For ████
████ then you are adding massive organisational ████
████ demands to the problem of channelling a ████
████ sprawling creative drive which simultaneously ████
████ meanders in many different directions. ████
████ Tackling and mastering this seething cluster ████
████ of possibilities and tasks has become part of ████
████ the everyday work of some musicians. The ████
████ Brothers Markus and Micha Acher have made the ████
████ best out of their abilities. They are key ████
████ figures in the now internationally recognised ████
████ trademark that is the äWeilheim Sceneô. Every ████
████ one of their projects, be it The Notwist, ████
████ 13&God or Tied & Tickled Trio has grown to ████
████ become a working cosmos each of its own while ████
████ remaining open on all sides. Their new album ████
████ comes thanks to their preference for creative ████
████ collaborations as Tied & Tickled Trio have ████
████ really had a thrilling artistic liaison this ████
████ time. The drummer Billy Hart is among one of ████
████ the most accomplished contemporary jazz ████
████ drummers in the world. Along with his ████
████ recordings as band leader Hart, who celebrated ████
████ his 70th birthday in 2010, can be heard ████
████ drumming on more than 600 albums. Among other ████
████ groups he was a long running member of the ████
████ Herbie Hancock and Stan Getz bands. Hart was ████
████ highly involved with the composition and ████
████ arrangements on La Place Demon. The permanent ████
████ members of the Tied & Tickled Trio also ████
████ occupied themselves intensively with Billy ████
████ Harts music prior to and during the ████
████ composition of the album. Over the course of ████
████ his discography he has covered everything from ████
████ spiritual jazz to free music and electronic ████
████ music. This album charts this development in ████
████ broad strokes and as such is something like a ████
████ biographical album. The Tied & Tickled Trio ████
████ play jazz music from an indie perspective and ████
████ so are by definition not afraid of contact. ████
████ Its amazing that a project which practically ████
████ has a new approach for every composition can ████
████ still have a unified sound. And the guys from ████
████ Weilheim have an instantly recognisable sound ████
████ - regardless whether their playing crazy free ████
████ jazz, static drones or complex patterns. ████
████ Perhaps it's something to do with their love ████
████ of wood-wind and rather melancholy harmonies, ████
████ which one knows well from The Notwist. La ████
████ Place Demon never gives us too much of a sense ████
████ of security. Even in harmonically and ████
████ rhythmically simple passages one senses the ████
████ abyss which surrounds these temporary islands ████
████ of order. Something seems to warn us that the ████
████ apparent clarity is nothing more than ████
████ ambiguity and that this order can at any ████
████ moment descend into freedom and chaos. ████
████ Everything is always in limbo, light and ████
████ feathery, but at the same time unfathomable. A ████
████ flurry of trills on the flute and thin yet ████
████ threatening string parts see to it that any ████
████ feeling of homely comfort is left behind. Out ████
████ of this abstract sound-scape, driven by dark ████
████ percussion and electronic effects comes a ████
████ masterfully arranged piece of chamber music. ████
████ Woodwind instruments in part manipulated with ████
████ effects and strings interweave to form quietly ████
████ pacing figures. One could relax in this ████
████ sound-scenery, if not for those nervously ████
████ beating drums. In the end the chamber music ████
████ descends into a whirlpool of free-jazz, ████
████ dominated by drums and saxophone. Often ████
████ sounding cinematic, tension is indeed built up ████
████ in the way that soundtracks do. Although with ████
████ Tied & Ticked Trio this tension might suddenly ████
████ turn into a slow bebop riff. In which case ████
████ there is an all-pervading atmosphere of ████
████ coolness, like in a 70s detective film. We ████
████ hear bold and moving harmonies with a seamless ████
████ group improvisation over the top. Or ████
████ threatening expanses with no rhythmic pulse, ████
████ which after seven minutes mutates into a cool ████
████ slow-motion groove. And complex fugue-like ████
████ structures with clear melodies in swing-time ████
████ played on brass, strings and glockenspiel. One ████
████ constantly has a sense that these are ████
████ musicians so masterful that they no longer ████
████ need to prove anything either to each other or ████
████ anyone else. The core members of the ôTrioö ████
████ are Markus and Micha Acher, the drummer Casper ████
████ Brandner as well as the visual artist and ████
████ electronic musician Andreas Gerth. There are ████
████ also compositions by Johannes Enders and Carl ████
████ Oesterhelt, who recently released their ████
████ wonderful album äDivertimento fⁿr ████
████ Tenorsaxophon und kleines Ensembleô on Alien ████
████ Transistor. In total 14 musicians have worked ████
████ on La Place Demon. For their studio work the ████
████ ensemble have done without any spectacular ████
████ effects. Nothing is overloaded, nobody is ████
████ playing in the foreground. No particular ████
████ musical event really has to happen as the ████
████ players have just taken their time. The pieces ████
████ unfold themselves with a pleasant calmness and ████
████ all the parts simply fall into place, as if by ████
████ their own accord. At the same time this album ████
████ is so multifaceted and diverse that even ████
████ within a single piece, one really never knows ████
████ quite what to expect. Of course Tied & Tickled ████
████ Trio follow a classic pattern of theme and ████
████ variation. But their DIY jazz is neither ████
████ markedly eclectic nor does it depend on ████
████ music-historical references. Tied & Tickled ████
████ Trio were founded in 1994 by Markus Acher and ████
████ Casper Brandner, at the time purely as a ████
████ drumming duo. Now the band can look back on 7 ████
████ albums including a remix record and a DVD. ████
████ ████
████ ████
████ URL: n/a ████
████ ████
████ ████
████ ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. G R O U P .···. █▓███ ■ ████
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█████ ▄▄▓█▀▀▀│ ▓ MAiL: oma@never-ever.com ▓ │▀▀▀█▓▄▄ █████
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████▀ The only thing that really matters is music!!! ▀████
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.▀ │ ▀▀██▄▓▄ .···. G R E E T S .···. ▄▓▄██▀▀ │ ▀
. ▄▓▓▄ │ ▀▀▀█▄▄ ▄▄█▀▀▀ │ ▄▓▓▄ .
▀▀ ▀▀▄ FRiENDS / SiTEOPS / NUKENET ▄▀▀ ▀▀
▀ . ▄ ▄▓▓▄ ▀▄ RIP kHz ▄▀ ▄▓▓▄ ▄ . ▀
▀ ▀▓▀ ▀▀ ▀ . ▄.···. !kb^faa 08.MARCH 2009 .···.▄ . ▀ ▀▀ ▀▓▀ ▀ .