Chris_Connelly-Private_Education-2002-DeBT_iNT
- Section
-
MP3/FLAC
- Group
- DeBT_iNT
- Size
- 0 B
- Files
- 0
- Date
- 2011-05-05
NFO
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▄▄░▀████████▄▄▄║D e B T i s S l a V 3 r Y S T u P i D║░▄▄▄████████▀░ ▀
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▄▄███░▓████▓░░▀▀ ▀ ║DuBi0uSlY EnDoWs YoU WiTh║ ▀ ▀▀░░▓████▓░███▄▄
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▐░ ▀▓████║ Chris_Connelly-Private_Education-2002-DeBT_iNT ║████▓▀ ░▌
▀ ░████╚════════════════════════════════════════════════════════════════════════════╝████░ ▀
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▄░▓███████▄▄▄░ ARTiST.... Chris Connelly ░▄▄▄███████▓░▀
░▓█████▄░░ ▄ ▀ TiTLE..... Private Education █████▓░
▀░████▓░░▀ ░ ▀ LABEL..... Underground, Inc. ▀ ░ ▀░░▓████░▀
░▓███▓▓░ ▀ ▄▓▄ GENRE..... Industrial ▄▓▄ ▀ ░▓▓███▓░
▀▀░███▓░▄▄░ RiP.DATE.. 2011-04-27 ░▄▄░▓███░▀▀
▀ ▄███▀░░ STOREDATE. 2002-05-28 ░░▀███▄ ▀
░░▄▄██▀▀▀ SOURCE.... CD ▀▀▀██▄▄░░
░░▄▄██▀▀▀ QUALiTY... 215 kbps / 4410kHz / Joint Stereo ▀▀▀██▄▄░░
▄ ▄███▀░░ TRACKS.... 8 / 47:08 ░░▀███▄ ▄
▄▄░███▓░▄ ░ SIZE...... 76.44 MB ░ ▄░▓███░▄▄
░▓███▓▓░ ▄ ▄▓▄ RIPPER.... EAC Secure with LAME 3.98.4 ▄▓▄ ▄ ░▓▓███▓░
▄░████▓░░▄ ░ ▀ URL....... ░▓████░▄
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▄░███ NR. TRACKNAME TiME ████░▄
▄ ░████ ████░ ▄
░ ▄▓████ 1 Harbour Days 8:32 ████▓▄ ░
░ ▄▓████ 2 Samaratin 6:09 ████▓▄ ░
░ ▄▓████ 3 You Versus Miracle 4:50 ████▓▄ ░
░ ▄▓████ 4 About the Beauty of Laura 5:00 ████▓▄ ░
░ ▄▓████ 5 Fortune Strikes Again 4:32 ████▓▄ ░
░ ▄▓████ 6 Lipstick in Labyrinth Park 5:59 ████▓▄ ░
░ ▄▓████ 7 No One is Scared 5:45 ████▓▄ ░
░ ▄▓████ 8 The Last Hit Man in Heaven 6:21 ████▓▄ ░
░ ▄▓████ ---------------------------------------------------------████▓▄ ░
▀▄░████▓ ████░▄▀
░▓████▓▄ TOTAL TiME: 47:08 MIN ████▓░
░▓███████▄ TOTAL SIZE: 76.44 MB▄█████▓░
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░▓█████▓░╟─────────────────────────────────────RELEASE NOTES╢░▓█████▓░
░▓████▓░░║ ║░░▓████▓░
▄▀░████▓░▀║ Private Education is nearly Chris Connelly's ║▀░▓████░▀▄
▄▀░████▓░▀║ ultimate do-it-yourself statement. While old ║▀░▓████░▀▄
▄▀░████▓░▀║ friends do pop up to provide engineering help and ║▀░▓████░▀▄
▄▀░████▓░▀║ occasional background vocals, the album is ║▀░▓████░▀▄
▄▀░████▓░▀║ Connelly's baby from head to toe. His acrobatic, ║▀░▓████░▀▄
▄▀░████▓░▀║ high yet growling croon is set against his own ║▀░▓████░▀▄
▄▀░████▓░▀║ plaintive, evenly strummed acoustic guitar. Slow ║▀░▓████░▀▄
▄▀░████▓░▀║ lo-fi beats and distant electronic effects are ║▀░▓████░▀▄
▄▀░████▓░▀║ the only other accompaniment. Though he's been ║▀░▓████░▀▄
▄▀░████▓░▀║ compared again and again to David Bowie and Scott ║▀░▓████░▀▄
▄▀░████▓░▀║ Walker, Connelly has always flown his own flag. ║▀░▓████░▀▄
▄▀░████▓░▀║ His voice might have similar peaks and valleys to ║▀░▓████░▀▄
▄▀░████▓░▀║ those orchestral pop gods, but calling Connelly ║▀░▓████░▀▄
▄▀░████▓░▀║ an imitator in any way would never be right. The ║▀░▓████░▀▄
▄▀░████▓░▀║ Bowie comparison is becoming particularly hard to ║▀░▓████░▀▄
▄▀░████▓░▀║ justify, as Connelly strips his music of glam and ║▀░▓████░▀▄
▄▀░████▓░▀║ industrial pomp more and more with each new ║▀░▓████░▀▄
▄▀░████▓░▀║ album. Where Bowie strives to reclaim past ║▀░▓████░▀▄
▄▀░████▓░▀║ glories by seeking out old and new collaborators, ║▀░▓████░▀▄
▄▀░████▓░▀║ Connelly's muse is internal and unequivocally ║▀░▓████░▀▄
▄▀░████▓░▀║ subtle. He's showcasing the complexities of his ║▀░▓████░▀▄
▄▀░████▓░▀║ voice and its emotional delivery on highlights ║▀░▓████░▀▄
▄▀░████▓░▀║ like the soaring, pained "Harbour Days"; the ║▀░▓████░▀▄
▄▀░████▓░▀║ moody, echoing lounge number "Samaratin"; and the ║▀░▓████░▀▄
▄▀░████▓░▀║ rich mandolin-adorned "About the Beauty of ║▀░▓████░▀▄
▄▀░████▓░▀║ Laura." The album burns so slowly that Connelly's ║▀░▓████░▀▄
▄▀░████▓░▀║ voice can't help but move to the forefront and ║▀░▓████░▀▄
▄▀░████▓░▀║ shine with expressive, impressive artistry. ║▀░▓████░▀▄
▄▀░████▓░▀║ Private Education proves once again that Chris ║▀░▓████░▀▄
▄▀░████▓░▀║ Connelly is a remarkably gifted songwriter, while ║▀░▓████░▀▄
▄▀░████▓░▀║ showcasing his incredible vocal skills and range ║▀░▓████░▀▄
▄▀░████▓░▀║ as well as any album in his career as a solo ║▀░▓████░▀▄
▄▀░████▓░▀║ artist or collaborator. ║▀░▓████░▀▄
░ ▀▓████▀ ║ ║▄░████▓▀ ░
▀ ░████▓▄║ ║░▓████░ ▀
▀░████▓╟──────────────────────────────────────────────────╢▓████░▀
▄ ░░▓███╠════════════════════════════════════════════QUOTES╢╣███▓░░ ▄ ▄
░▄▄ ▀▀██████║ ║██████▀▀ ▄▄░
▀░▓███████▄▄║ If one has no affection for a person or a system, ║▄▄███████▓░▀
▀░▓███████▄▄║ one should feel free to give the fullest ║▄▄███████▓░▀
▀░▓███████▄▄║ expression to his disaffection so long as he does ║▄▄███████▓░▀
▀░▓███████▄▄║ not contemplate, promote, or incite violence. ║▄▄███████▓░▀
▀░▓███████▄▄║ ║▄▄███████▓░▀
▀░▓███████▄▄║ -- Gandhi ║▄▄███████▓░▀
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