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▄▄░▀████████▄▄▄║D e B T i s S l a V 3 r Y S T u P i D║░▄▄▄████████▀░ ▀
░▓█████▓░░░ ░ ╚═════╗ ╔════════╝▀ ░ ░░░▓█████▓░
▄▄███░▓████▓░░▀▀ ▀ ║DuBi0uSlY EnDoWs YoU WiTh║ ▀ ▀▀░░▓████▓░███▄▄
▄▀░████▓╔═══════════════════════╩═════════════════════════╩══════════════════════════╗▓████░▀▄
▐░ ▀▓████║ Chris_Connelly-Night_Of_Your_Life-2004-DeBT_iNT ║████▓▀ ░▌
▀ ░████╚════════════════════════════════════════════════════════════════════════════╝████░ ▀
▀ ▀▀█████▀░████ ▄ ▄ ░▓████░▀ ████▀▀ ▀
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▄▄▀▀███████████▀▀▀ ▀▀████████████▀▀ ░
▄░▓███████▄▄▄░ ARTiST.... Chris Connelly ░▄▄▄███████▓░▀
░▓█████▄░░ ▄ ▀ TiTLE..... Night of Your Life █████▓░
▀░████▓░░▀ ░ ▀ LABEL..... Underground, Inc. ▀ ░ ▀░░▓████░▀
░▓███▓▓░ ▀ ▄▓▄ GENRE..... Industrial ▄▓▄ ▀ ░▓▓███▓░
▀▀░███▓░▄▄░ RiP.DATE.. 2011-04-27 ░▄▄░▓███░▀▀
▀ ▄███▀░░ STOREDATE. 2004-05-11 ░░▀███▄ ▀
░░▄▄██▀▀▀ SOURCE.... CD ▀▀▀██▄▄░░
░░▄▄██▀▀▀ QUALiTY... 245 kbps / 4410kHz / Joint Stereo ▀▀▀██▄▄░░
▄ ▄███▀░░ TRACKS.... 10 / 47:01 ░░▀███▄ ▄
▄▄░███▓░▄ ░ SIZE...... 86.63 MB ░ ▄░▓███░▄▄
░▓███▓▓░ ▄ ▄▓▄ RIPPER.... EAC Secure with LAME 3.98.4 ▄▓▄ ▄ ░▓▓███▓░
▄░████▓░░▄ ░ ▀ URL....... ░▓████░▄
░▓█████▄░░ ▄ ▄ ░░▄█████▓░
▄░▓███████▄▄▄░ ░▄▄▄███████▓░▀
░▀▀ ▀▀████████████▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄████████████▀▀▀▀
▀ ▄ ░░▓█▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀████▓░░ ▄
▄░███ NR. TRACKNAME TiME ████░▄
▄ ░████ ████░ ▄
░ ▄▓████ 1 Too Long in My Mind 3:14 ████▓▄ ░
░ ▄▓████ 2 Don't Landslide Away From Me 4:02 ████▓▄ ░
░ ▄▓████ 3 Night of Your Life 7:02 ████▓▄ ░
░ ▄▓████ 4 Stella (Stand Up and Take Your Man) 4:07 ████▓▄ ░
░ ▄▓████ 5 Glass Rose 3:47 ████▓▄ ░
░ ▄▓████ 6 Nicola 6 2:51 ████▓▄ ░
░ ▄▓████ 7 Roulettescape 5:36 ████▓▄ ░
░ ▄▓████ 8 Respond to Beauty 7:42 ████▓▄ ░
░ ▄▓████ 9 Cartwheel Proposal 5:39 ████▓▄ ░
░ ▄▓████ 10 Stevie Smith 3:01 ████▓▄ ░
░ ▄▓████ ---------------------------------------------------------████▓▄ ░
▀▄░████▓ ████░▄▀
░▓████▓▄ TOTAL TiME: 47:01 MIN ████▓░
░▓███████▄ TOTAL SIZE: 86.63 MB▄█████▓░
▀░▀████████▄ ▄█████▀░▀▀
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▄▄░▀█████╔════════════════════════════════════════════════════╗██████▀░▄▀
░▓█████▓░╟─────────────────────────────────────RELEASE NOTES╢░▓█████▓░
░▓████▓░░║ ║░░▓████▓░
▄▀░████▓░▀║ While it's true that Chris Connelly's ║▀░▓████░▀▄
▄▀░████▓░▀║ contributions to Ministry, the Revolting Cocks, ║▀░▓████░▀▄
▄▀░████▓░▀║ and the Damage Manual have earned him a deserved ║▀░▓████░▀▄
▄▀░████▓░▀║ reputation as a squalid industrial rocker whose ║▀░▓████░▀▄
▄▀░████▓░▀║ love of all things darkly humorous and "tribal" ║▀░▓████░▀▄
▄▀░████▓░▀║ will go down in the history books documenting the ║▀░▓████░▀▄
▄▀░████▓░▀║ era. But in taking his solo recordings as ║▀░▓████░▀▄
▄▀░████▓░▀║ entities unto themselves, one can't help but ║▀░▓████░▀▄
▄▀░████▓░▀║ think he might wish it were otherwise. As early ║▀░▓████░▀▄
▄▀░████▓░▀║ as Whiplash Boychild there were traces of the ║▀░▓████░▀▄
▄▀░████▓░▀║ "other" Chris Connelly: the savvy, vulnerable, ║▀░▓████░▀▄
▄▀░████▓░▀║ and poetically astute singer/songwriter concealed ║▀░▓████░▀▄
▄▀░████▓░▀║ by an image of excess. The softer identity was ║▀░▓████░▀▄
▄▀░████▓░▀║ only given more weight by his late-'90s and early ║▀░▓████░▀▄
▄▀░████▓░▀║ 21st century work with the Bells, Blonde Exodus, ║▀░▓████░▀▄
▄▀░████▓░▀║ and Largo, and was underscored by his starkly ║▀░▓████░▀▄
▄▀░████▓░▀║ sculpted Private Education in 2002. Connelly is ║▀░▓████░▀▄
▄▀░████▓░▀║ often dubbed with the mantle of sounding a lot ║▀░▓████░▀▄
▄▀░████▓░▀║ like early David Bowie -- ¿ñ la Man Who Sold the ║▀░▓████░▀▄
▄▀░████▓░▀║ World. But the bottom line is that the Thin White ║▀░▓████░▀▄
▄▀░████▓░▀║ Duke should sound as consistently fine as ║▀░▓████░▀▄
▄▀░████▓░▀║ Connelly does! Night of Your Life is an ║▀░▓████░▀▄
▄▀░████▓░▀║ exquisitely crafted collection of off-kilter, ║▀░▓████░▀▄
▄▀░████▓░▀║ elegant, adult pop songs that are presented with ║▀░▓████░▀▄
▄▀░████▓░▀║ grace, elegance, and a wonderfully swaggering ║▀░▓████░▀▄
▄▀░████▓░▀║ nocturnal decadence. Whether Connelly is delving ║▀░▓████░▀▄
▄▀░████▓░▀║ into the androgynous pop of "Too Long in My ║▀░▓████░▀▄
▄▀░████▓░▀║ Mind," with its glimmering guitars strummed into ║▀░▓████░▀▄
▄▀░████▓░▀║ the heart of a mix dotted with single string ║▀░▓████░▀▄
▄▀░████▓░▀║ lines and washes of ambient sound, or popping off ║▀░▓████░▀▄
▄▀░████▓░▀║ with the desperate, edgy, angular slither of ║▀░▓████░▀▄
▄▀░████▓░▀║ "Don't Landslide Away From Me," the effect is the ║▀░▓████░▀▄
▄▀░████▓░▀║ same: a protagonist who seems to be looking out ║▀░▓████░▀▄
▄▀░████▓░▀║ from the end of something, a relationship that is ║▀░▓████░▀▄
▄▀░████▓░▀║ about to crumble or exists only in memory. This ║▀░▓████░▀▄
▄▀░████▓░▀║ elegiac take on love and life and the scenics ║▀░▓████░▀▄
▄▀░████▓░▀║ surrounding them -- Connelly wonderfully captures ║▀░▓████░▀▄
▄▀░████▓░▀║ atmospheric details -- track further on the title ║▀░▓████░▀▄
▄▀░████▓░▀║ track with its gorgeously layered backing male ║▀░▓████░▀▄
▄▀░████▓░▀║ chorus (all voices are his own), as well as on ║▀░▓████░▀▄
▄▀░████▓░▀║ the jagged Baroque new wave of "Stella (Stand Up ║▀░▓████░▀▄
▄▀░████▓░▀║ for Your Man)." The pastoral glissando in "Glass ║▀░▓████░▀▄
▄▀░████▓░▀║ Rose" stands in stark contrast where the ║▀░▓████░▀▄
▄▀░████▓░▀║ shambolic protagonist holds his grief-laden view ║▀░▓████░▀▄
▄▀░████▓░▀║ at a cool distance. In the sprightly whistling ║▀░▓████░▀▄
▄▀░████▓░▀║ jaunt of "Nicola 6," Connelly offers a portrait ║▀░▓████░▀▄
▄▀░████▓░▀║ of a woman who moves "much too fast to wait for ║▀░▓████░▀▄
▄▀░████▓░▀║ high hells to collapse." It's a portrait of a ║▀░▓████░▀▄
▄▀░████▓░▀║ femme fatale who is so wildly out of control, one ║▀░▓████░▀▄
▄▀░████▓░▀║ can only love her for her lack of control. The ║▀░▓████░▀▄
▄▀░████▓░▀║ distorted electric guitars entwined with ringing ║▀░▓████░▀▄
▄▀░████▓░▀║ bells in "Roulettescape" offer an urgent, ║▀░▓████░▀▄
▄▀░████▓░▀║ insistent view of a world-ending vision. But ║▀░▓████░▀▄
▄▀░████▓░▀║ "Respond to Beauty" stands in sharp contrast, ║▀░▓████░▀▄
▄▀░████▓░▀║ with its spacious use of guitars and Connelly's ║▀░▓████░▀▄
▄▀░████▓░▀║ beautiful skewed croon making a stand in the ║▀░▓████░▀▄
▄▀░████▓░▀║ heart of chaos, wishing to "stand for beauty like ║▀░▓████░▀▄
▄▀░████▓░▀║ its name was never changed." And while two more ║▀░▓████░▀▄
▄▀░████▓░▀║ -- quite beautiful -- tracks remain, it is here ║▀░▓████░▀▄
▄▀░████▓░▀║ that Connelly splits the night wide open, etches ║▀░▓████░▀▄
▄▀░████▓░▀║ a line on the concrete, and hopes to draw down ║▀░▓████░▀▄
▄▀░████▓░▀║ the moon to fill the heartbreak, the emptiness ║▀░▓████░▀▄
▄▀░████▓░▀║ left by decadence and illusory pleasure, and ║▀░▓████░▀▄
▄▀░████▓░▀║ replace it with a single moment of possibility, ║▀░▓████░▀▄
▄▀░████▓░▀║ where everything isn't already in ruins. This is ║▀░▓████░▀▄
▄▀░████▓░▀║ why, simply, that recordings like this one mark ║▀░▓████░▀▄
▄▀░████▓░▀║ Connelly apart from his other musical personas ║▀░▓████░▀▄
▄▀░████▓░▀║ and make the listener look more critically and ║▀░▓████░▀▄
▄▀░████▓░▀║ appreciatively at his work as a songwriter. And ║▀░▓████░▀▄
▄▀░████▓░▀║ as fine as Night of Your Life is, it also makes ║▀░▓████░▀▄
▄▀░████▓░▀║ one wonder what heights Connelly might scale ║▀░▓████░▀▄
▄▀░████▓░▀║ aesthetically and poetically if he were able to ║▀░▓████░▀▄
▄▀░████▓░▀║ make his living by pursuing this path ║▀░▓████░▀▄
▄▀░████▓░▀║ exclusively. ║▀░▓████░▀▄
░ ▀▓████▀ ║ ║▄░████▓▀ ░
▀ ░████▓▄║ ║░▓████░ ▀
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▄ ░░▓███╠════════════════════════════════════════════QUOTES╢╣███▓░░ ▄ ▄
░▄▄ ▀▀██████║ ║██████▀▀ ▄▄░
▀░▓███████▄▄║ One thing we have endeavoured to observe most ║▄▄███████▓░▀
▀░▓███████▄▄║ scrupulously, namely, never to depart from the ║▄▄███████▓░▀
▀░▓███████▄▄║ strictest facts and, in dealing with the ║▄▄███████▓░▀
▀░▓███████▄▄║ difficult questions that have arisen during the ║▄▄███████▓░▀
▀░▓███████▄▄║ year, we hope that we have used the utmost ║▄▄███████▓░▀
▀░▓███████▄▄║ moderation possible under the circumstances. ║▄▄███████▓░▀
▀░▓███████▄▄║ ║▄▄███████▓░▀
▀░▓███████▄▄║ -- Gandhi ║▄▄███████▓░▀
░▓█████▄░░ ▄║ ║▄ ░░▄█████▓░
░▄▄ ▀▀██████╟──────────────────────────────────────────────────╢██████▀▀ ▄▄░
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▄▄▀▀██████╟────────────────────────────────────────GROUP NEWS╢██████▀▀ ▄▄░
▄░▓███████▄║ DeBT is in need of SECURE affils ║▄▄███████▓░▀
░▓█████▄░░ ║ ║▄ ░░▄█████▓░
░████▓░░▀ ║ pre-release suppliers, bookware ║░ ▀░░▓████░▀
░▓███▓▓░ ║ ║▄ ░▓▓███▓░
▀▀░███▓░▄▄║ suppliers, iNT rippers, shell accounts, ║░▄▄░▓███░▀▀
▀ ▄███▀░║ ║░░▀███▄ ▀
░░▄▄█║ coders, crackers and anything else ║██▄▄░░
▄▄░▀█████║ ║██████▀░▄▀
░▓█████▓░║ that may be of use to us. ║░▓█████▓░
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▄▀░████▓░▀║ ║▀░▓████░▀▄
░ ▀▓████▀ ║ ║▄░████▓▀ ░
▀ ░████▓▄║ DeBT is dedicated to bringing ║░▓████░ ▀
▀░████▓║ ║▓████░▀
▄ ░░▓███║ you the best of the old, new and forgotten in a ║███▓░░ ▄ ▄
▄▄▀▀██████║ ║██████▀▀ ▄▄░
▄░▓███████▄║ variety of sections. If you think you have ║▄▄███████▓░▀
░▓█████▄░░ ║ ║▄ ░░▄█████▓░
░████▓░░▀ ║ what it takes don't hesitate to contact us. ║░ ▀░░▓████░▀
░▓███▓▓░ ║ ║▄ ░▓▓███▓░
▀▀░███▓░▄▄║ Keep it scene. Keep it safe. ║░▄▄░▓███░▀▀
▀ ▄███▀░║ ║░░▀███▄ ▀
░░▄▄█║ ║██▄▄░░
▄▄░▀█████║ C O N T A C T D e B T ║██████▀░▄▀
░▓█████▓░║ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ║░▓█████▓░
░▓████▓░░║ ║░░▓████▓░
▄▀░████▓░▀║ DeBTisSlaV3rYSTuPiD@GMail.com ║▀░▓████░▀▄
░ ▀▓████▀ ║ ║▄░████▓▀ ░
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