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▄ █▀▀███████╔════════════════════█═══════════════════╗████████▀▀█░ ▄▓▄
▄▄░▀████████▄▄▄║D e B T i s S l a V 3 r Y S T u P i D║░▄▄▄████████▀░ ▀
░▓█████▓░░░ ░ ╚═════╗ ╔════════╝▀ ░ ░░░▓█████▓░
▄▄███░▓████▓░░▀▀ ▀ ║DuBi0uSlY EnDoWs YoU WiTh║ ▀ ▀▀░░▓████▓░███▄▄
▄▀░████▓╔═══════════════════════╩═════════════════════════╩══════════════════════════╗▓████░▀▄
▐░ ▀▓████║ Dizzee_Rascal-Tongue_N_Cheek-2009-DeBT_iNT ║████▓▀ ░▌
▀ ░████╚════════════════════════════════════════════════════════════════════════════╝████░ ▀
▀ ▀▀█████▀░████ ▄ ▄ ░▓████░▀ ████▀▀ ▀
▄ ░░▓████▀▀░ ░▀▀████▓░░ ▄ ▄
▄▄▀▀███████████▀▀▀ ▀▀████████████▀▀ ░
▄░▓███████▄▄▄░ ARTiST.... Dizzee Rascal ░▄▄▄███████▓░▀
░▓█████▄░░ ▄ ▀ TiTLE..... Tongue N' Cheek █████▓░
▀░████▓░░▀ ░ ▀ LABEL..... Dirtee Stank ▀ ░ ▀░░▓████░▀
░▓███▓▓░ ▀ ▄▓▄ GENRE..... Hip-Hop ▄▓▄ ▀ ░▓▓███▓░
▀▀░███▓░▄▄░ RiP.DATE.. 2011-04-29 ░▄▄░▓███░▀▀
▀ ▄███▀░░ STOREDATE. 2009-09-22 ░░▀███▄ ▀
░░▄▄██▀▀▀ SOURCE.... CD ▀▀▀██▄▄░░
░░▄▄██▀▀▀ QUALiTY... 251 kbps / 4410kHz / Joint Stereo ▀▀▀██▄▄░░
▄ ▄███▀░░ TRACKS.... 11 / 41:32 ░░▀███▄ ▄
▄▄░███▓░▄ ░ SIZE...... 78.57 MB ░ ▄░▓███░▄▄
░▓███▓▓░ ▄ ▄▓▄ RIPPER.... EAC Secure with LAME 3.98.4 ▄▓▄ ▄ ░▓▓███▓░
▄░████▓░░▄ ░ ▀ URL....... ░▓████░▄
░▓█████▄░░ ▄ ▄ ░░▄█████▓░
▄░▓███████▄▄▄░ ░▄▄▄███████▓░▀
░▀▀ ▀▀████████████▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄████████████▀▀▀▀
▀ ▄ ░░▓█▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀████▓░░ ▄
▄░███ NR. TRACKNAME TiME ████░▄
▄ ░████ ████░ ▄
░ ▄▓████ 1 Bonkers 2:57 ████▓▄ ░
░ ▄▓████ 2 Road Rage 3:14 ████▓▄ ░
░ ▄▓████ 3 Dance Wiv Me (Feat. Calvin Harris & 3:24 ████▓▄ ░
░ ▄▓████ Chrome) ████▓▄ ░
░ ▄▓████ 4 Freaky Freaky 3:42 ████▓▄ ░
░ ▄▓████ 5 Can't Tek Me No More 3:28 ████▓▄ ░
░ ▄▓████ 6 Chillin' Wiv Da Man Dem 4:39 ████▓▄ ░
░ ▄▓████ 7 Dirtee Cash 4:21 ████▓▄ ░
░ ▄▓████ 8 Money Money Money 3:23 ████▓▄ ░
░ ▄▓████ 9 Leisure 4:13 ████▓▄ ░
░ ▄▓████ 10 Holiday (Feat. Chrome) 3:40 ████▓▄ ░
░ ▄▓████ 11 Bad Behaviour 4:31 ████▓▄ ░
░ ▄▓████ ---------------------------------------------------------████▓▄ ░
▀▄░████▓ ████░▄▀
░▓████▓▄ TOTAL TiME: 41:32 MIN ████▓░
░▓███████▄ TOTAL SIZE: 78.57 MB▄█████▓░
▀░▀████████▄ ▄█████▀░▀▀
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░▓█████▓░╟─────────────────────────────────────RELEASE NOTES╢░▓█████▓░
░▓████▓░░║ ║░░▓████▓░
▄▀░████▓░▀║ Before 2007's Concert for Diana, Princes William ║▀░▓████░▀▄
▄▀░████▓░▀║ and Harry submitted to an interview with Fearne ║▀░▓████░▀▄
▄▀░████▓░▀║ Cotton, who asked them what kind of music they ║▀░▓████░▀▄
▄▀░████▓░▀║ liked. "Chart toppers í¡ poppy music í¡ good old ║▀░▓████░▀▄
▄▀░████▓░▀║ fashioned bands í¡ listen to anything," they ║▀░▓████░▀▄
▄▀░████▓░▀║ waffled, clearly men for whom music is just ║▀░▓████░▀▄
▄▀░████▓░▀║ something other people play in the background ║▀░▓████░▀▄
▄▀░████▓░▀║ when they happen to be in the room, which makes ║▀░▓████░▀▄
▄▀░████▓░▀║ events backstage at this years' Wireless festival ║▀░▓████░▀▄
▄▀░████▓░▀║ in Hyde Park seem even more incredible. In a ║▀░▓████░▀▄
▄▀░████▓░▀║ scene apparently scripted by Ricky Gervais, then ║▀░▓████░▀▄
▄▀░████▓░▀║ rejected for being too excruciating, Prince Harry ║▀░▓████░▀▄
▄▀░████▓░▀║ once more evinced his unique take on race ║▀░▓████░▀▄
▄▀░████▓░▀║ relations by striding into Dizzee Rascal's ║▀░▓████░▀▄
▄▀░████▓░▀║ dressing room offering a "street handshake". To ║▀░▓████░▀▄
▄▀░████▓░▀║ his credit, the rapper reacted in the way you ║▀░▓████░▀▄
▄▀░████▓░▀║ might hope a guy from one of east London's racier ║▀░▓████░▀▄
▄▀░████▓░▀║ areas would if a honking Hooray started making ║▀░▓████░▀▄
▄▀░████▓░▀║ with the what-up-blud?, and offered to thump him. ║▀░▓████░▀▄
▄▀░████▓░▀║ ║▀░▓████░▀▄
▄▀░████▓░▀║ Here was incontrovertible evidence of how ║▀░▓████░▀▄
▄▀░████▓░▀║ perception of the former Dylan Mills has shifted. ║▀░▓████░▀▄
▄▀░████▓░▀║ Even after winning the Mercury Prize for his ║▀░▓████░▀▄
▄▀░████▓░▀║ debut album Boy in da Corner, it still seemed as ║▀░▓████░▀▄
▄▀░████▓░▀║ if the only way Dizzee Rascal was likely to meet ║▀░▓████░▀▄
▄▀░████▓░▀║ a royal would be if the latter was on an official ║▀░▓████░▀▄
▄▀░████▓░▀║ visit to some kind of secure facility: his ║▀░▓████░▀▄
▄▀░████▓░▀║ lyrical image, after all, rested on being a ║▀░▓████░▀▄
▄▀░████▓░▀║ violent ¿C possibly mentally ill ¿C ║▀░▓████░▀▄
▄▀░████▓░▀║ trouble-magnet. Worse, it seemed very much ║▀░▓████░▀▄
▄▀░████▓░▀║ founded in reality. Every time he left his home, ║▀░▓████░▀▄
▄▀░████▓░▀║ his manager recently bemoaned, "guys would come ║▀░▓████░▀▄
▄▀░████▓░▀║ and attack him with concrete posts". And yet, ║▀░▓████░▀▄
▄▀░████▓░▀║ here he is, a regular chart-topper enjoying ¿C or ║▀░▓████░▀▄
▄▀░████▓░▀║ at least enduring ¿C the company of the third in ║▀░▓████░▀▄
▄▀░████▓░▀║ line to the throne. Understandably, his fourth ║▀░▓████░▀▄
▄▀░████▓░▀║ album is a kind of victory lap, a 45-minute revel ║▀░▓████░▀▄
▄▀░████▓░▀║ in the fact that no one wants to hit him with a ║▀░▓████░▀▄
▄▀░████▓░▀║ concrete post any more. It's Never Mind the ║▀░▓████░▀▄
▄▀░████▓░▀║ Bollards. ║▀░▓████░▀▄
▄▀░████▓░▀║ ║▀░▓████░▀▄
▄▀░████▓░▀║ It would seem less amazing if he'd achieved this ║▀░▓████░▀▄
▄▀░████▓░▀║ by cynically toning down his lyrics and ║▀░▓████░▀▄
▄▀░████▓░▀║ shamelessly popping up his sound. There are ║▀░▓████░▀▄
▄▀░████▓░▀║ certainly moments on Tongue'N'Cheek when it seems ║▀░▓████░▀▄
▄▀░████▓░▀║ that's exactly what he's done: Dirtee Cash is ║▀░▓████░▀▄
▄▀░████▓░▀║ based around an insanely radio-friendly sample of ║▀░▓████░▀▄
▄▀░████▓░▀║ the old Adventures of Stevie V hit, while on ║▀░▓████░▀▄
▄▀░████▓░▀║ Can't Tek No More, he employs the same ║▀░▓████░▀▄
▄▀░████▓░▀║ edge-of-hysteria voice he once used to announce ║▀░▓████░▀▄
▄▀░████▓░▀║ that he was going to steal your mobile then stab ║▀░▓████░▀▄
▄▀░████▓░▀║ you ¿C but this time it is to huffily complain ║▀░▓████░▀▄
▄▀░████▓░▀║ about the congestion charge. ║▀░▓████░▀▄
▄▀░████▓░▀║ ║▀░▓████░▀▄
▄▀░████▓░▀║ However, as his recent No 1 Bonkers proves, it's ║▀░▓████░▀▄
▄▀░████▓░▀║ usually more complicated and impressive than ║▀░▓████░▀▄
▄▀░████▓░▀║ that. If it's less wilfully uncommercial than his ║▀░▓████░▀▄
▄▀░████▓░▀║ earlier oeuvre, which frequently made the ║▀░▓████░▀▄
▄▀░████▓░▀║ listener feel like they were being mugged in the ║▀░▓████░▀▄
▄▀░████▓░▀║ middle of an amusement arcade, its distorted ║▀░▓████░▀▄
▄▀░████▓░▀║ synthesisers are still edgily thrilling. The ║▀░▓████░▀▄
▄▀░████▓░▀║ lyrics, meanwhile, return to topics of violence ║▀░▓████░▀▄
▄▀░████▓░▀║ and mental instability but sharpen the gags and ║▀░▓████░▀▄
▄▀░████▓░▀║ leaven the delivery until, unbelievably, they ║▀░▓████░▀▄
▄▀░████▓░▀║ successfully suggest being violent and mentally ║▀░▓████░▀▄
▄▀░████▓░▀║ unstable is an endearingly hilarious state of ║▀░▓████░▀▄
▄▀░████▓░▀║ affairs. It goes without saying this is a pretty ║▀░▓████░▀▄
▄▀░████▓░▀║ incredible feat, but he keeps repeating it, not ║▀░▓████░▀▄
▄▀░████▓░▀║ least on Road Rage, which improbably draws out ║▀░▓████░▀▄
▄▀░████▓░▀║ the humour from the legendarily hilarious topic ║▀░▓████░▀▄
▄▀░████▓░▀║ of dangerous driving. ║▀░▓████░▀▄
▄▀░████▓░▀║ ║▀░▓████░▀▄
▄▀░████▓░▀║ It doesn't always work. Freaky Freaky is nowhere ║▀░▓████░▀▄
▄▀░████▓░▀║ near as enchanting as it thinks it is. It's ║▀░▓████░▀▄
▄▀░████▓░▀║ clearly aiming for a lovable Carry On sauciness, ║▀░▓████░▀▄
▄▀░████▓░▀║ but there's something nasty and glum about its ║▀░▓████░▀▄
▄▀░████▓░▀║ tales of groupiedom, which means it recalls not ║▀░▓████░▀▄
▄▀░████▓░▀║ the charming exploits of Sid James and co, but ║▀░▓████░▀▄
▄▀░████▓░▀║ the films that superseded them, in which the ║▀░▓████░▀▄
▄▀░████▓░▀║ sight of Robin Askwith's heaving buttocks was ║▀░▓████░▀▄
▄▀░████▓░▀║ bizarrely expected to render audiences ║▀░▓████░▀▄
▄▀░████▓░▀║ simultaneously helpless with hilarity and lust: ║▀░▓████░▀▄
▄▀░████▓░▀║ it's Confessions of a Gully Skengman. In fact, he ║▀░▓████░▀▄
▄▀░████▓░▀║ often gets unstuck writing about sex. You can ║▀░▓████░▀▄
▄▀░████▓░▀║ understand why he decided to compare his penis to ║▀░▓████░▀▄
▄▀░████▓░▀║ a digeridoo, but it's an unsettling metaphor to ║▀░▓████░▀▄
▄▀░████▓░▀║ place in the listener's mind, not least because ║▀░▓████░▀▄
▄▀░████▓░▀║ you keep imagining Rolf Harris on the end of it. ║▀░▓████░▀▄
▄▀░████▓░▀║ ║▀░▓████░▀▄
▄▀░████▓░▀║ There are also what you might charitably call ║▀░▓████░▀▄
▄▀░████▓░▀║ inconsistencies in his lyrical approach. If you ║▀░▓████░▀▄
▄▀░████▓░▀║ write a song earnestly admonishing people for ║▀░▓████░▀▄
▄▀░████▓░▀║ "living for money", as he does on Dirtee Cash, ║▀░▓████░▀▄
▄▀░████▓░▀║ it's possibly not the best idea to immediately ║▀░▓████░▀▄
▄▀░████▓░▀║ follow it with a song called Money Money, on ║▀░▓████░▀▄
▄▀░████▓░▀║ which you brag about your íΩ850 jeans and your ║▀░▓████░▀▄
▄▀░████▓░▀║ trainer collection and keep shouting "I like ║▀░▓████░▀▄
▄▀░████▓░▀║ cash!", lest people come to the conclusion you're ║▀░▓████░▀▄
▄▀░████▓░▀║ a bit insincere. ║▀░▓████░▀▄
▄▀░████▓░▀║ ║▀░▓████░▀▄
▄▀░████▓░▀║ But at moments like that, the music usually stops ║▀░▓████░▀▄
▄▀░████▓░▀║ you from dwelling too long on the flaws. Can't ║▀░▓████░▀▄
▄▀░████▓░▀║ Tek No More boasts a great Aswad sample, Bad ║▀░▓████░▀▄
▄▀░████▓░▀║ Behaviour a gleefully frantic, fuzzy bassline. ║▀░▓████░▀▄
▄▀░████▓░▀║ Like Bonkers and the rest of Tongue'N'Cheek's ║▀░▓████░▀▄
▄▀░████▓░▀║ highlights, it's irresistible in a way that would ║▀░▓████░▀▄
▄▀░████▓░▀║ cause even a former adversary to put down his ║▀░▓████░▀▄
▄▀░████▓░▀║ concrete post and succumb, in a way that even a ║▀░▓████░▀▄
▄▀░████▓░▀║ dim posho who doesn't really like music would ║▀░▓████░▀▄
▄▀░████▓░▀║ get. ║▀░▓████░▀▄
░ ▀▓████▀ ║ ║▄░████▓▀ ░
▀ ░████▓▄║ ║░▓████░ ▀
▀░████▓╟──────────────────────────────────────────────────╢▓████░▀
▄ ░░▓███╠════════════════════════════════════════════QUOTES╢╣███▓░░ ▄ ▄
░▄▄ ▀▀██████║ ║██████▀▀ ▄▄░
▀░▓███████▄▄║ Any people anywhere being inclined and having the ║▄▄███████▓░▀
▀░▓███████▄▄║ power have the right to rise up and shake off the ║▄▄███████▓░▀
▀░▓███████▄▄║ existing government, and form a new one that ║▄▄███████▓░▀
▀░▓███████▄▄║ suits them better. ║▄▄███████▓░▀
▀░▓███████▄▄║ ║▄▄███████▓░▀
▀░▓███████▄▄║ -- Abraham Lincoln ║▄▄███████▓░▀
░▓█████▄░░ ▄║ ║▄ ░░▄█████▓░
░▄▄ ▀▀██████╟──────────────────────────────────────────────────╢██████▀▀ ▄▄░
▀░▓███████▄▄╠════════════════════════════════════════════════════╣▄▄███████▓░▀
▄▄▀▀██████╟────────────────────────────────────────GROUP NEWS╢██████▀▀ ▄▄░
▄░▓███████▄║ DeBT is in need of SECURE affils ║▄▄███████▓░▀
░▓█████▄░░ ║ ║▄ ░░▄█████▓░
░████▓░░▀ ║ pre-release suppliers, bookware ║░ ▀░░▓████░▀
░▓███▓▓░ ║ ║▄ ░▓▓███▓░
▀▀░███▓░▄▄║ suppliers, iNT rippers, shell accounts, ║░▄▄░▓███░▀▀
▀ ▄███▀░║ ║░░▀███▄ ▀
░░▄▄█║ coders, crackers and anything else ║██▄▄░░
▄▄░▀█████║ ║██████▀░▄▀
░▓█████▓░║ that may be of use to us. ║░▓█████▓░
░▓████▓░░║ ║░░▓████▓░
▄▀░████▓░▀║ ║▀░▓████░▀▄
░ ▀▓████▀ ║ ║▄░████▓▀ ░
▀ ░████▓▄║ DeBT is dedicated to bringing ║░▓████░ ▀
▀░████▓║ ║▓████░▀
▄ ░░▓███║ you the best of the old, new and forgotten in a ║███▓░░ ▄ ▄
▄▄▀▀██████║ ║██████▀▀ ▄▄░
▄░▓███████▄║ variety of sections. If you think you have ║▄▄███████▓░▀
░▓█████▄░░ ║ ║▄ ░░▄█████▓░
░████▓░░▀ ║ what it takes don't hesitate to contact us. ║░ ▀░░▓████░▀
░▓███▓▓░ ║ ║▄ ░▓▓███▓░
▀▀░███▓░▄▄║ Keep it scene. Keep it safe. ║░▄▄░▓███░▀▀
▀ ▄███▀░║ ║░░▀███▄ ▀
░░▄▄█║ ║██▄▄░░
▄▄░▀█████║ C O N T A C T D e B T ║██████▀░▄▀
░▓█████▓░║ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ║░▓█████▓░
░▓████▓░░║ ║░░▓████▓░
▄▀░████▓░▀║ DeBTisSlaV3rYSTuPiD@GMail.com ║▀░▓████░▀▄
░ ▀▓████▀ ║ ║▄░████▓▀ ░
▀ ░████▓▄║ ║░▓████░ ▀
▀░████▓╟──────────────────────────────────────────────────╢▓████░▀
▄ ░░▓███╚════════════════════════════════════════════════════╝███▓░░ ▄ ▄
▄▄▀▀████████████▀▀▄▄ ▄▄▀▀████████████▀▀ ▄▄░
▄░▓███████▄▄███████▓░▄ ▄░▓███████▄▄▄███████▓░▀
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░████▓░░▀ ▀░░▓████░ ░████▓░░▀ ░ ▀░░▓████░▀
░▓███▓▓░ ░▓▓███▓░ ░▓███▓▓░ ▄ ░▓▓███▓░
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▀ ▄███▀░░▀███▄ ▀ ▀ ▄███▀░░░▀███▄ ▀
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