Dizzee_Rascal-Maths_and_English-2007-DeBT_iNT
- Section
-
MP3/FLAC
- Group
- DeBT_iNT
- Size
- 0 B
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- 0
- Date
- 2011-05-06
NFO
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▄▄░▀████████▄▄▄║D e B T i s S l a V 3 r Y S T u P i D║░▄▄▄████████▀░ ▀
░▓█████▓░░░ ░ ╚═════╗ ╔════════╝▀ ░ ░░░▓█████▓░
▄▄███░▓████▓░░▀▀ ▀ ║DuBi0uSlY EnDoWs YoU WiTh║ ▀ ▀▀░░▓████▓░███▄▄
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▐░ ▀▓████║ Dizzee_Rascal-Maths_and_English-2007-DeBT_iNT ║████▓▀ ░▌
▀ ░████╚════════════════════════════════════════════════════════════════════════════╝████░ ▀
▀ ▀▀█████▀░████ ▄ ▄ ░▓████░▀ ████▀▀ ▀
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▄░▓███████▄▄▄░ ARTiST.... Dizzee Rascal ░▄▄▄███████▓░▀
░▓█████▄░░ ▄ ▀ TiTLE..... Maths and English █████▓░
▀░████▓░░▀ ░ ▀ LABEL..... XL ▀ ░ ▀░░▓████░▀
░▓███▓▓░ ▀ ▄▓▄ GENRE..... Hip-Hop ▄▓▄ ▀ ░▓▓███▓░
▀▀░███▓░▄▄░ RiP.DATE.. 2011-04-29 ░▄▄░▓███░▀▀
▀ ▄███▀░░ STOREDATE. 2007-06-04 ░░▀███▄ ▀
░░▄▄██▀▀▀ SOURCE.... CD ▀▀▀██▄▄░░
░░▄▄██▀▀▀ QUALiTY... 222 kbps / 4410kHz / Joint Stereo ▀▀▀██▄▄░░
▄ ▄███▀░░ TRACKS.... 14 / 48:46 ░░▀███▄ ▄
▄▄░███▓░▄ ░ SIZE...... 81.84 MB ░ ▄░▓███░▄▄
░▓███▓▓░ ▄ ▄▓▄ RIPPER.... EAC Secure with LAME 3.98.4 ▄▓▄ ▄ ░▓▓███▓░
▄░████▓░░▄ ░ ▀ URL....... ░▓████░▄
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▄░███ NR. TRACKNAME TiME ████░▄
▄ ░████ ████░ ▄
░ ▄▓████ 1 World Outside 3:07 ████▓▄ ░
░ ▄▓████ 2 Pussyole (Old Skool) 3:27 ████▓▄ ░
░ ▄▓████ 3 Sirens 3:30 ████▓▄ ░
░ ▄▓████ 4 Where's Da G's 4:54 ████▓▄ ░
░ ▄▓████ 5 Paranoid 2:36 ████▓▄ ░
░ ▄▓████ 6 Suk My Dick 2:58 ████▓▄ ░
░ ▄▓████ 7 Flex 3:31 ████▓▄ ░
░ ▄▓████ 8 Da Feelin' 3:56 ████▓▄ ░
░ ▄▓████ 9 Bubbles 3:29 ████▓▄ ░
░ ▄▓████ 10 Excuse Me Please 3:39 ████▓▄ ░
░ ▄▓████ 11 Hardback (Industry) 4:11 ████▓▄ ░
░ ▄▓████ 12 Temptation 2:34 ████▓▄ ░
░ ▄▓████ 13 Wanna Be 3:23 ████▓▄ ░
░ ▄▓████ 14 U Can't Tell Me Nuffin' 3:31 ████▓▄ ░
░ ▄▓████ ---------------------------------------------------------████▓▄ ░
▀▄░████▓ ████░▄▀
░▓████▓▄ TOTAL TiME: 48:46 MIN ████▓░
░▓███████▄ TOTAL SIZE: 81.84 MB▄█████▓░
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░▓█████▓░╟─────────────────────────────────────RELEASE NOTES╢░▓█████▓░
░▓████▓░░║ ║░░▓████▓░
▄▀░████▓░▀║ Until Definitive Jux got involved, physical ║▀░▓████░▀▄
▄▀░████▓░▀║ copies of Dizzee Rascal's third album were not ║▀░▓████░▀▄
▄▀░████▓░▀║ distributed in the U.S. The Definitive Jux ║▀░▓████░▀▄
▄▀░████▓░▀║ version of Maths and English followed roughly ten ║▀░▓████░▀▄
▄▀░████▓░▀║ months after the original U.K. release on XL -- ║▀░▓████░▀▄
▄▀░████▓░▀║ baffling since the album is more likely to appeal ║▀░▓████░▀▄
▄▀░████▓░▀║ to the average U.S. hip-hop fan than either ║▀░▓████░▀▄
▄▀░████▓░▀║ 2003's Boy in da Corner or 2004's Showtime, not ║▀░▓████░▀▄
▄▀░████▓░▀║ only due to an appearance from Texas underground ║▀░▓████░▀▄
▄▀░████▓░▀║ giants UGK on "Where's da G's." Another obstacle ║▀░▓████░▀▄
▄▀░████▓░▀║ is that, due to sample clearance issues in the ║▀░▓████░▀▄
▄▀░████▓░▀║ U.S., one of the album's most hip-hop tracks, ║▀░▓████░▀▄
▄▀░████▓░▀║ "Pussyole (Old Skool)" -- with its use of the ║▀░▓████░▀▄
▄▀░████▓░▀║ well-known break from Lyn Collins' "Think (About ║▀░▓████░▀▄
▄▀░████▓░▀║ It)" -- had to be left off Definitive Jux copies. ║▀░▓████░▀▄
▄▀░████▓░▀║ Even without it, the album is even more of a ║▀░▓████░▀▄
▄▀░████▓░▀║ grime disconnect than Showtime, often more rooted ║▀░▓████░▀▄
▄▀░████▓░▀║ in Southern bounce than anything else. Only "U ║▀░▓████░▀▄
▄▀░████▓░▀║ Can't Tell Me Nuffin'" resembles the Dizzee of ║▀░▓████░▀▄
▄▀░████▓░▀║ old from a production standpoint, its perturbed ║▀░▓████░▀▄
▄▀░████▓░▀║ bass thrums and synth-string stuns, chirps, and ║▀░▓████░▀▄
▄▀░████▓░▀║ sound-shards served up in a circular gait; it's ║▀░▓████░▀▄
▄▀░████▓░▀║ buried near the end of the album. At the other ║▀░▓████░▀▄
▄▀░████▓░▀║ end of the sequence, however, is "Sirens," a ║▀░▓████░▀▄
▄▀░████▓░▀║ tense narrative over a chaotic production that ║▀░▓████░▀▄
▄▀░████▓░▀║ throws neck-snapping percussion, head-banging ║▀░▓████░▀▄
▄▀░████▓░▀║ guitars, and sound effects into a whirlwind of ║▀░▓████░▀▄
▄▀░████▓░▀║ manic energy worthy of early agitated Cypress ║▀░▓████░▀▄
▄▀░████▓░▀║ Hill. That track, as well as the others mentioned ║▀░▓████░▀▄
▄▀░████▓░▀║ above, stand out most, with only a couple others ║▀░▓████░▀▄
▄▀░████▓░▀║ rivaling them. While Dizzee can still drop a ║▀░▓████░▀▄
▄▀░████▓░▀║ bewildering rhyme while being an MC of greater ║▀░▓████░▀▄
▄▀░████▓░▀║ skill than before, his developments are not ║▀░▓████░▀▄
▄▀░████▓░▀║ strictly for the better, as heard on "Hard Back ║▀░▓████░▀▄
▄▀░████▓░▀║ (Industry)" (where he dishes out tired wisdom ║▀░▓████░▀▄
▄▀░████▓░▀║ about the recording industry), the pointlessly ║▀░▓████░▀▄
▄▀░████▓░▀║ and relentlessly crude "Suk My Dik" (i.e., "I do ║▀░▓████░▀▄
▄▀░████▓░▀║ not care about haters, but here are some rhymes ║▀░▓████░▀▄
▄▀░████▓░▀║ about how much I dislike them and what they can ║▀░▓████░▀▄
▄▀░████▓░▀║ do"), and the Lily Allen feature "Wanna Be" (a ║▀░▓████░▀▄
▄▀░████▓░▀║ lighthearted, amusing track with no replay ║▀░▓████░▀▄
▄▀░████▓░▀║ value). It's Dizzee at his least unique and least ║▀░▓████░▀▄
▄▀░████▓░▀║ riveting, both sonically and lyrically, thus far. ║▀░▓████░▀▄
░ ▀▓████▀ ║ ║▄░████▓▀ ░
▀ ░████▓▄║ ║░▓████░ ▀
▀░████▓╟──────────────────────────────────────────────────╢▓████░▀
▄ ░░▓███╠════════════════════════════════════════════QUOTES╢╣███▓░░ ▄ ▄
░▄▄ ▀▀██████║ ║██████▀▀ ▄▄░
▀░▓███████▄▄║ These capitalists generally act harmoniously and ║▄▄███████▓░▀
▀░▓███████▄▄║ in concert to fleece the people, and now that ║▄▄███████▓░▀
▀░▓███████▄▄║ they have got into a quarrel with themselves, we ║▄▄███████▓░▀
▀░▓███████▄▄║ are called upon to appropriate the people's money ║▄▄███████▓░▀
▀░▓███████▄▄║ to settle the quarrel. ║▄▄███████▓░▀
▀░▓███████▄▄║ ║▄▄███████▓░▀
▀░▓███████▄▄║ -- Abraham Lincoln ║▄▄███████▓░▀
░▓█████▄░░ ▄║ ║▄ ░░▄█████▓░
░▄▄ ▀▀██████╟──────────────────────────────────────────────────╢██████▀▀ ▄▄░
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▄░▓███████▄║ DeBT is in need of SECURE affils ║▄▄███████▓░▀
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