Daft_Punk-Discovery-2001-DeBT_iNT
- Section
-
MP3/FLAC
- Group
- DeBT_iNT
- Size
- 0 B
- Files
- 0
- Date
- 2011-05-06
NFO
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▄▄░▀████████▄▄▄║D e B T i s S l a V 3 r Y S T u P i D║░▄▄▄████████▀░ ▀
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▄▄███░▓████▓░░▀▀ ▀ ║DuBi0uSlY EnDoWs YoU WiTh║ ▀ ▀▀░░▓████▓░███▄▄
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▐░ ▀▓████║ Daft_Punk-Discovery-2001-DeBT_iNT ║████▓▀ ░▌
▀ ░████╚════════════════════════════════════════════════════════════════════════════╝████░ ▀
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▄░▓███████▄▄▄░ ARTiST.... Daft Punk ░▄▄▄███████▓░▀
░▓█████▄░░ ▄ ▀ TiTLE..... Discovery █████▓░
▀░████▓░░▀ ░ ▀ LABEL..... Virgin ▀ ░ ▀░░▓████░▀
░▓███▓▓░ ▀ ▄▓▄ GENRE..... Electronic ▄▓▄ ▀ ░▓▓███▓░
▀▀░███▓░▄▄░ RiP.DATE.. 2011-04-30 ░▄▄░▓███░▀▀
▀ ▄███▀░░ STOREDATE. 2001-03-13 ░░▀███▄ ▀
░░▄▄██▀▀▀ SOURCE.... CD ▀▀▀██▄▄░░
░░▄▄██▀▀▀ QUALiTY... 243 kbps / 4410kHz / Joint Stereo ▀▀▀██▄▄░░
▄ ▄███▀░░ TRACKS.... 14 / 60:50 ░░▀███▄ ▄
▄▄░███▓░▄ ░ SIZE...... 112.13 MB ░ ▄░▓███░▄▄
░▓███▓▓░ ▄ ▄▓▄ RIPPER.... EAC Secure with LAME 3.98.4 ▄▓▄ ▄ ░▓▓███▓░
▄░████▓░░▄ ░ ▀ URL....... ░▓████░▄
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▄░███ NR. TRACKNAME TiME ████░▄
▄ ░████ ████░ ▄
░ ▄▓████ 1 One More Time 5:20 ████▓▄ ░
░ ▄▓████ 2 Aerodynamic 3:27 ████▓▄ ░
░ ▄▓████ 3 Digital Love 4:58 ████▓▄ ░
░ ▄▓████ 4 Harder, Better, Faster, Stronger 3:44 ████▓▄ ░
░ ▄▓████ 5 Crescendolls 3:31 ████▓▄ ░
░ ▄▓████ 6 Nightvision 1:44 ████▓▄ ░
░ ▄▓████ 7 Superheroes 3:57 ████▓▄ ░
░ ▄▓████ 8 High Life 3:21 ████▓▄ ░
░ ▄▓████ 9 Something About Us 3:51 ████▓▄ ░
░ ▄▓████ 10 Voyager 3:47 ████▓▄ ░
░ ▄▓████ 11 Verdis Quo 5:44 ████▓▄ ░
░ ▄▓████ 12 Short Circuit 3:26 ████▓▄ ░
░ ▄▓████ 13 Face to Face 4:00 ████▓▄ ░
░ ▄▓████ 14 Too Long 10:00 ████▓▄ ░
░ ▄▓████ ---------------------------------------------------------████▓▄ ░
▀▄░████▓ ████░▄▀
░▓████▓▄ TOTAL TiME: 60:50 MIN ████▓░
░▓███████▄ TOTAL SIZE: 112.13 MB▄█████▓░
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░▓█████▓░╟─────────────────────────────────────RELEASE NOTES╢░▓█████▓░
░▓████▓░░║ ║░░▓████▓░
▄▀░████▓░▀║ Four long years after their debut, Homework, Daft ║▀░▓████░▀▄
▄▀░████▓░▀║ Punk returned with a second full-length, also ║▀░▓████░▀▄
▄▀░████▓░▀║ packed with excellent productions and many of the ║▀░▓████░▀▄
▄▀░████▓░▀║ obligatory nods to the duo's favorite stylistic ║▀░▓████░▀▄
▄▀░████▓░▀║ speed bumps of the 1970s and '80s. Discovery is ║▀░▓████░▀▄
▄▀░████▓░▀║ by no means the same record, though. Deserting ║▀░▓████░▀▄
▄▀░████▓░▀║ the shrieking acid house hysteria of their early ║▀░▓████░▀▄
▄▀░████▓░▀║ work, the album moves in the same smooth filtered ║▀░▓████░▀▄
▄▀░████▓░▀║ disco circles as the European dance smashes ║▀░▓████░▀▄
▄▀░████▓░▀║ ("Music Sounds Better with You" and "Gym Tonic") ║▀░▓████░▀▄
▄▀░████▓░▀║ that were co-produced by DP's Thomas Bangalter ║▀░▓████░▀▄
▄▀░████▓░▀║ during the group's long interim. If Homework was ║▀░▓████░▀▄
▄▀░████▓░▀║ Daft Punk's Chicago house record, this is ║▀░▓████░▀▄
▄▀░████▓░▀║ definitely the New York garage edition, with ║▀░▓████░▀▄
▄▀░████▓░▀║ co-productions and vocals from Romanthony and ║▀░▓████░▀▄
▄▀░████▓░▀║ Todd Edwards, two of the brightest figures based ║▀░▓████░▀▄
▄▀░████▓░▀║ in New Jersey's fertile garage scene. Also in ║▀░▓████░▀▄
▄▀░████▓░▀║ common with classic East Coast dance and '80s ║▀░▓████░▀▄
▄▀░████▓░▀║ R&B, Discovery surprisingly focuses on ║▀░▓████░▀▄
▄▀░████▓░▀║ songwriting and concise productions, though the ║▀░▓████░▀▄
▄▀░████▓░▀║ pair's visions of bucolic pop on "Digital Love" ║▀░▓████░▀▄
▄▀░████▓░▀║ and "Something About Us" are delivered by an ║▀░▓████░▀▄
▄▀░████▓░▀║ androgynous, vocoderized frontman singing trite ║▀░▓████░▀▄
▄▀░████▓░▀║ (though rather endearing) love lyrics. "One More ║▀░▓████░▀▄
▄▀░████▓░▀║ Time," the irresistible album opener and first ║▀░▓████░▀▄
▄▀░████▓░▀║ single, takes Bangalter's "Music Sounds Better ║▀░▓████░▀▄
▄▀░████▓░▀║ with You" as a blueprint, blending sampled horns ║▀░▓████░▀▄
▄▀░████▓░▀║ with some retro bass thump and the gorgeous, ║▀░▓████░▀▄
▄▀░████▓░▀║ extroverted vocals of Romanthony going round and ║▀░▓████░▀▄
▄▀░████▓░▀║ round with apparently endless tweakings. Though ║▀░▓████░▀▄
▄▀░████▓░▀║ "Aerodynamic" and "Superheroes" have a bit of the ║▀░▓████░▀▄
▄▀░████▓░▀║ driving acid minimalism associated with Homework, ║▀░▓████░▀▄
▄▀░████▓░▀║ here Daft Punk is more taken with the glammier, ║▀░▓████░▀▄
▄▀░████▓░▀║ poppier sound of Eurodisco and late R&B. Abusing ║▀░▓████░▀▄
▄▀░████▓░▀║ their pitch-bend and vocoder effects as though ║▀░▓████░▀▄
▄▀░████▓░▀║ they were going out of style (about 15 years too ║▀░▓████░▀▄
▄▀░████▓░▀║ late, come to think of it), the duo loops nearly ║▀░▓████░▀▄
▄▀░████▓░▀║ everything they can get their sequencers on -- ║▀░▓████░▀▄
▄▀░████▓░▀║ divas, vocoders, synth-guitars, electric piano -- ║▀░▓████░▀▄
▄▀░████▓░▀║ and conjures a sound worthy of bygone electro-pop ║▀░▓████░▀▄
▄▀░████▓░▀║ technicians from Giorgio Moroder to Todd Rundgren ║▀░▓████░▀▄
▄▀░████▓░▀║ to Steve Miller. Daft Punk are such stellar, ║▀░▓████░▀▄
▄▀░████▓░▀║ meticulous producers that they make any sound ║▀░▓████░▀▄
▄▀░████▓░▀║ work, even superficially dated ones like spastic ║▀░▓████░▀▄
▄▀░████▓░▀║ early-'80s electro/R&B ("Short Circuit") or ║▀░▓████░▀▄
▄▀░████▓░▀║ faux-orchestral synthesizer baroque ("Veridis ║▀░▓████░▀▄
▄▀░████▓░▀║ Quo"). The only crime here is burying the ║▀░▓████░▀▄
▄▀░████▓░▀║ highlight of the entire LP near the end. "Face to ║▀░▓████░▀▄
▄▀░████▓░▀║ Face," a track with garage wunderkind Todd ║▀░▓████░▀▄
▄▀░████▓░▀║ Edwards, twists his trademarked split-second ║▀░▓████░▀▄
▄▀░████▓░▀║ samples and fully fragmented vision of garage ║▀░▓████░▀▄
▄▀░████▓░▀║ into a dance-pop hit that could've easily stormed ║▀░▓████░▀▄
▄▀░████▓░▀║ the charts in 1987. Daft Punk even manage a sense ║▀░▓████░▀▄
▄▀░████▓░▀║ of humor about their own work, closing with a ║▀░▓████░▀▄
▄▀░████▓░▀║ ten-minute track aptly titled "Too Long." ║▀░▓████░▀▄
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▀░▓███████▄▄║ better. ║▄▄███████▓░▀
▀░▓███████▄▄║ ║▄▄███████▓░▀
▀░▓███████▄▄║ -- Abraham Lincoln ║▄▄███████▓░▀
░▓█████▄░░ ▄║ ║▄ ░░▄█████▓░
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