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▄▄░▀████████▄▄▄║D e B T i s S l a V 3 r Y S T u P i D║░▄▄▄████████▀░ ▀
░▓█████▓░░░ ░ ╚═════╗ ╔════════╝▀ ░ ░░░▓█████▓░
▄▄███░▓████▓░░▀▀ ▀ ║DuBi0uSlY EnDoWs YoU WiTh║ ▀ ▀▀░░▓████▓░███▄▄
▄▀░████▓╔═══════════════════════╩═════════════════════════╩══════════════════════════╗▓████░▀▄
▐░ ▀▓████║ PJ_Harvey-White_Chalk-2007-DeBT_iNT ║████▓▀ ░▌
▀ ░████╚════════════════════════════════════════════════════════════════════════════╝████░ ▀
▀ ▀▀█████▀░████ ▄ ▄ ░▓████░▀ ████▀▀ ▀
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▄▄▀▀███████████▀▀▀ ▀▀████████████▀▀ ░
▄░▓███████▄▄▄░ ARTiST.... PJ Harvey ░▄▄▄███████▓░▀
░▓█████▄░░ ▄ ▀ TiTLE..... White Chalk █████▓░
▀░████▓░░▀ ░ ▀ LABEL..... Island ▀ ░ ▀░░▓████░▀
░▓███▓▓░ ▀ ▄▓▄ GENRE..... Alternative ▄▓▄ ▀ ░▓▓███▓░
▀▀░███▓░▄▄░ RiP.DATE.. 2011-04-29 ░▄▄░▓███░▀▀
▀ ▄███▀░░ STOREDATE. 2007-09-25 ░░▀███▄ ▀
░░▄▄██▀▀▀ SOURCE.... CD ▀▀▀██▄▄░░
░░▄▄██▀▀▀ QUALiTY... 201 kbps / 4410kHz / Joint Stereo ▀▀▀██▄▄░░
▄ ▄███▀░░ TRACKS.... 11 / 33:53 ░░▀███▄ ▄
▄▄░███▓░▄ ░ SIZE...... 51.49 MB ░ ▄░▓███░▄▄
░▓███▓▓░ ▄ ▄▓▄ RIPPER.... EAC Secure with LAME 3.98.4 ▄▓▄ ▄ ░▓▓███▓░
▄░████▓░░▄ ░ ▀ URL....... ░▓████░▄
░▓█████▄░░ ▄ ▄ ░░▄█████▓░
▄░▓███████▄▄▄░ ░▄▄▄███████▓░▀
░▀▀ ▀▀████████████▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄████████████▀▀▀▀
▀ ▄ ░░▓█▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀████▓░░ ▄
▄░███ NR. TRACKNAME TiME ████░▄
▄ ░████ ████░ ▄
░ ▄▓████ 1 The Devil 2:57 ████▓▄ ░
░ ▄▓████ 2 Dear Darkness 3:10 ████▓▄ ░
░ ▄▓████ 3 Grow Grow Grow 3:23 ████▓▄ ░
░ ▄▓████ 4 When Under Ether 2:25 ████▓▄ ░
░ ▄▓████ 5 White Chalk 3:13 ████▓▄ ░
░ ▄▓████ 6 Broken Harp 1:58 ████▓▄ ░
░ ▄▓████ 7 Silence 3:11 ████▓▄ ░
░ ▄▓████ 8 To Talk to You 4:00 ████▓▄ ░
░ ▄▓████ 9 The Piano 2:36 ████▓▄ ░
░ ▄▓████ 10 Before Departure 3:49 ████▓▄ ░
░ ▄▓████ 11 The Mountain 3:11 ████▓▄ ░
░ ▄▓████ ---------------------------------------------------------████▓▄ ░
▀▄░████▓ ████░▄▀
░▓████▓▄ TOTAL TiME: 33:53 MIN ████▓░
░▓███████▄ TOTAL SIZE: 51.49 MB▄█████▓░
▀░▀████████▄ ▄█████▀░▀▀
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░▓█████▓░╟─────────────────────────────────────RELEASE NOTES╢░▓█████▓░
░▓████▓░░║ ║░░▓████▓░
▄▀░████▓░▀║ The quiet ones are always the scariest. Polly ║▀░▓████░▀▄
▄▀░████▓░▀║ Jean Harvey's appearance on the cover of White ║▀░▓████░▀▄
▄▀░████▓░▀║ Chalk -- all wild black hair and ghostly white ║▀░▓████░▀▄
▄▀░████▓░▀║ dress -- could replace the dictionary definition ║▀░▓████░▀▄
▄▀░████▓░▀║ of eerie, and the album itself plays like a good ║▀░▓████░▀▄
▄▀░████▓░▀║ ghost story. It's haunted by British folk, ║▀░▓████░▀▄
▄▀░████▓░▀║ steeped in Gothic romance and horror, and almost ║▀░▓████░▀▄
▄▀░████▓░▀║ impossible to get out of your head, despite (but ║▀░▓████░▀▄
▄▀░████▓░▀║ really because of) how unsettling it becomes. ║▀░▓████░▀▄
▄▀░████▓░▀║ White Chalk is Harvey's darkest album yet -- ║▀░▓████░▀▄
▄▀░████▓░▀║ which, considering that she's sung about ║▀░▓████░▀▄
▄▀░████▓░▀║ dismembering a lover and drowning her daughter, ║▀░▓████░▀▄
▄▀░████▓░▀║ is saying something. It's also one of her most ║▀░▓████░▀▄
▄▀░████▓░▀║ beautiful albums, inspired by the fragility and ║▀░▓████░▀▄
▄▀░████▓░▀║ timelessness of chalk lines and her relative ║▀░▓████░▀▄
▄▀░████▓░▀║ newness to the piano, which dominates White ║▀░▓████░▀▄
▄▀░████▓░▀║ Chalk; it gives "Before Departure" funereal heft ║▀░▓████░▀▄
▄▀░████▓░▀║ and "Grow Grow Grow" a witchy sparkle befitting ║▀░▓████░▀▄
▄▀░████▓░▀║ its incantations. Most striking of all, however, ║▀░▓████░▀▄
▄▀░████▓░▀║ is Harvey's voice: she sings most of White Chalk ║▀░▓████░▀▄
▄▀░████▓░▀║ in a high, keening voice somewhere between a ║▀░▓████░▀▄
▄▀░████▓░▀║ whisper and a whimper. She sounds like a wraith ║▀░▓████░▀▄
▄▀░████▓░▀║ or a lost child, terrifyingly so on "The ║▀░▓████░▀▄
▄▀░████▓░▀║ Mountain," where she breaks the tension with a ║▀░▓████░▀▄
▄▀░████▓░▀║ spine-tingling shriek just before the album ends. ║▀░▓████░▀▄
▄▀░████▓░▀║ This frail persona is almost unrecognizable as ║▀░▓████░▀▄
▄▀░████▓░▀║ the woman who snarled about being a 50-foot ║▀░▓████░▀▄
▄▀░████▓░▀║ queenie -- yet few artists challenge themselves ║▀░▓████░▀▄
▄▀░████▓░▀║ to change their sound as much as she does, so ║▀░▓████░▀▄
▄▀░████▓░▀║ paradoxically, it's a quintessentially PJ Harvey ║▀░▓████░▀▄
▄▀░████▓░▀║ move. The album does indeed sound timeless, or at ║▀░▓████░▀▄
▄▀░████▓░▀║ least, not modern. White Chalk took five months ║▀░▓████░▀▄
▄▀░████▓░▀║ to record with Harvey's longtime collaborators ║▀░▓████░▀▄
▄▀░████▓░▀║ Flood, John Parish, and Eric Drew Feldman, but ║▀░▓████░▀▄
▄▀░████▓░▀║ these somber, cloistered songs sound like they ║▀░▓████░▀▄
▄▀░████▓░▀║ could be performed in a parlor, or channeled via ║▀░▓████░▀▄
▄▀░████▓░▀║ Ouija board. There is hardly any guitar (and ║▀░▓████░▀▄
▄▀░████▓░▀║ certainly nothing as newfangled as electric ║▀░▓████░▀▄
▄▀░████▓░▀║ guitar) besides the acoustic strumming on the ║▀░▓████░▀▄
▄▀░████▓░▀║ beautifully chilly title track, which could pass ║▀░▓████░▀▄
▄▀░████▓░▀║ for an especially gloomy traditional British folk ║▀░▓████░▀▄
▄▀░████▓░▀║ song. Lyrics like "The Devil"'s "Come here at ║▀░▓████░▀▄
▄▀░████▓░▀║ once! All my being is now in pining" could be ║▀░▓████░▀▄
▄▀░████▓░▀║ written by one of the Bront? sisters. On a deeper ║▀░▓████░▀▄
▄▀░████▓░▀║ level, White Chalk feels like a freshly unearthed ║▀░▓████░▀▄
▄▀░████▓░▀║ relic because it runs so deep and dark. Harvey ║▀░▓████░▀▄
▄▀░████▓░▀║ doesn't just capture isolation and anguish; she ║▀░▓████░▀▄
▄▀░████▓░▀║ makes fear, regret, and loneliness into entities. ║▀░▓████░▀▄
▄▀░████▓░▀║ In these beautiful and almost unbearably intimate ║▀░▓████░▀▄
▄▀░████▓░▀║ songs, darkness is a friend, silence is an enemy, ║▀░▓████░▀▄
▄▀░████▓░▀║ and a piano is a skeleton with broken teeth and ║▀░▓████░▀▄
▄▀░████▓░▀║ twitching red tongues. "When Under Ether" offers ║▀░▓████░▀▄
▄▀░████▓░▀║ a hallucinatory escape from some horrible reality ║▀░▓████░▀▄
▄▀░████▓░▀║ -- quite possibly abortion, since unwanted ║▀░▓████░▀▄
▄▀░████▓░▀║ children are some of the many broken family ties ║▀░▓████░▀▄
▄▀░████▓░▀║ that haunt the album -- and this is White Chalk's ║▀░▓████░▀▄
▄▀░████▓░▀║ single. What makes the album even more intriguing ║▀░▓████░▀▄
▄▀░████▓░▀║ is that it doesn't really have much in common ║▀░▓████░▀▄
▄▀░████▓░▀║ with the work of Harvey's contemporaries ║▀░▓████░▀▄
▄▀░████▓░▀║ (although Joanna Newsom's Ys and Scott Walker's ║▀░▓████░▀▄
▄▀░████▓░▀║ The Drift come to mind, mostly for their artistic ║▀░▓████░▀▄
▄▀░████▓░▀║ fearlessness) or even her own catalog. It rivals ║▀░▓████░▀▄
▄▀░████▓░▀║ Dance Hall at Louse Point for its willingness to ║▀░▓████░▀▄
▄▀░████▓░▀║ challenge listeners, but it's far removed from Uh ║▀░▓████░▀▄
▄▀░████▓░▀║ Huh Her, which was arguably more listenable but a ║▀░▓████░▀▄
▄▀░████▓░▀║ lot less remarkable. In fact, this may be ║▀░▓████░▀▄
▄▀░████▓░▀║ Harvey's most undiluted album yet. When she's at ║▀░▓████░▀▄
▄▀░████▓░▀║ the peak of her powers, as she is on this ║▀░▓████░▀▄
▄▀░████▓░▀║ frightening yet fearless album, the world she ║▀░▓████░▀▄
▄▀░████▓░▀║ creates is impossible to forget, or shake off ║▀░▓████░▀▄
▄▀░████▓░▀║ easily. White Chalk can make you shiver on a ║▀░▓████░▀▄
▄▀░████▓░▀║ sunny day. ║▀░▓████░▀▄
░ ▀▓████▀ ║ ║▄░████▓▀ ░
▀ ░████▓▄║ ║░▓████░ ▀
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▄ ░░▓███╠════════════════════════════════════════════QUOTES╢╣███▓░░ ▄ ▄
░▄▄ ▀▀██████║ ║██████▀▀ ▄▄░
▀░▓███████▄▄║ All reactionaries are paper tigers. In ║▄▄███████▓░▀
▀░▓███████▄▄║ appearance, the reactionaries are terrifying, but ║▄▄███████▓░▀
▀░▓███████▄▄║ in reality they are not so powerful. From a ║▄▄███████▓░▀
▀░▓███████▄▄║ long-term point of view, it is not the ║▄▄███████▓░▀
▀░▓███████▄▄║ reactionaries but the people who are really ║▄▄███████▓░▀
▀░▓███████▄▄║ powerful. ║▄▄███████▓░▀
▀░▓███████▄▄║ ║▄▄███████▓░▀
▀░▓███████▄▄║ -- Mao Zedong ║▄▄███████▓░▀
░▓█████▄░░ ▄║ ║▄ ░░▄█████▓░
░▄▄ ▀▀██████╟──────────────────────────────────────────────────╢██████▀▀ ▄▄░
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▄▄▀▀██████╟────────────────────────────────────────GROUP NEWS╢██████▀▀ ▄▄░
▄░▓███████▄║ DeBT is in need of SECURE affils ║▄▄███████▓░▀
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░████▓░░▀ ║ pre-release suppliers, bookware ║░ ▀░░▓████░▀
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▄ ░░▓███║ you the best of the old, new and forgotten in a ║███▓░░ ▄ ▄
▄▄▀▀██████║ ║██████▀▀ ▄▄░
▄░▓███████▄║ variety of sections. If you think you have ║▄▄███████▓░▀
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░████▓░░▀ ║ what it takes don't hesitate to contact us. ║░ ▀░░▓████░▀
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▄▀░████▓░▀║ DeBTisSlaV3rYSTuPiD@GMail.com ║▀░▓████░▀▄
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