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▄▄░▀████████▄▄▄║D e B T i s S l a V 3 r Y S T u P i D║░▄▄▄████████▀░ ▀
░▓█████▓░░░ ░ ╚═════╗ ╔════════╝▀ ░ ░░░▓█████▓░
▄▄███░▓████▓░░▀▀ ▀ ║DuBi0uSlY EnDoWs YoU WiTh║ ▀ ▀▀░░▓████▓░███▄▄
▄▀░████▓╔═══════════════════════╩═════════════════════════╩══════════════════════════╗▓████░▀▄
▐░ ▀▓████║ PJ_Harvey-Uh_Huh_Her-2004-DeBT_iNT ║████▓▀ ░▌
▀ ░████╚════════════════════════════════════════════════════════════════════════════╝████░ ▀
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▄░▓███████▄▄▄░ ARTiST.... PJ Harvey ░▄▄▄███████▓░▀
░▓█████▄░░ ▄ ▀ TiTLE..... Uh Huh Her █████▓░
▀░████▓░░▀ ░ ▀ LABEL..... Island ▀ ░ ▀░░▓████░▀
░▓███▓▓░ ▀ ▄▓▄ GENRE..... Alternative ▄▓▄ ▀ ░▓▓███▓░
▀▀░███▓░▄▄░ RiP.DATE.. 2011-04-29 ░▄▄░▓███░▀▀
▀ ▄███▀░░ STOREDATE. 2004-00-00 ░░▀███▄ ▀
░░▄▄██▀▀▀ SOURCE.... CD ▀▀▀██▄▄░░
░░▄▄██▀▀▀ QUALiTY... 214 kbps / 4410kHz / Joint Stereo ▀▀▀██▄▄░░
▄ ▄███▀░░ TRACKS.... 14 / 41:10 ░░▀███▄ ▄
▄▄░███▓░▄ ░ SIZE...... 67.08 MB ░ ▄░▓███░▄▄
░▓███▓▓░ ▄ ▄▓▄ RIPPER.... EAC Secure with LAME 3.98.4 ▄▓▄ ▄ ░▓▓███▓░
▄░████▓░░▄ ░ ▀ URL....... ░▓████░▄
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▄░▓███████▄▄▄░ ░▄▄▄███████▓░▀
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▀ ▄ ░░▓█▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀████▓░░ ▄
▄░███ NR. TRACKNAME TiME ████░▄
▄ ░████ ████░ ▄
░ ▄▓████ 1 The Life and Death of Mr. Badmouth 4:53 ████▓▄ ░
░ ▄▓████ 2 Shame 2:33 ████▓▄ ░
░ ▄▓████ 3 Who the Fuck? 2:09 ████▓▄ ░
░ ▄▓████ 4 Pocket Knife 3:44 ████▓▄ ░
░ ▄▓████ 5 The Letter 3:22 ████▓▄ ░
░ ▄▓████ 6 The Slow Drug 3:25 ████▓▄ ░
░ ▄▓████ 7 No Child of Mine 1:08 ████▓▄ ░
░ ▄▓████ 8 Cat on the Wall 3:03 ████▓▄ ░
░ ▄▓████ 9 You Come Through 2:48 ████▓▄ ░
░ ▄▓████ 10 It's You 4:13 ████▓▄ ░
░ ▄▓████ 11 The End 1:23 ████▓▄ ░
░ ▄▓████ 12 The Desperate Kingdom of Love 2:44 ████▓▄ ░
░ ▄▓████ 13 Seagulls 1:11 ████▓▄ ░
░ ▄▓████ 14 The Darker Days of Me & Him 4:34 ████▓▄ ░
░ ▄▓████ ---------------------------------------------------------████▓▄ ░
▀▄░████▓ ████░▄▀
░▓████▓▄ TOTAL TiME: 41:10 MIN ████▓░
░▓███████▄ TOTAL SIZE: 67.08 MB▄█████▓░
▀░▀████████▄ ▄█████▀░▀▀
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▄▄░▀█████╔════════════════════════════════════════════════════╗██████▀░▄▀
░▓█████▓░╟─────────────────────────────────────RELEASE NOTES╢░▓█████▓░
░▓████▓░░║ ║░░▓████▓░
▄▀░████▓░▀║ Even though she's not quite as overt about it as ║▀░▓████░▀▄
▄▀░████▓░▀║ Madonna or David Bowie, PJ Harvey remains one of ║▀░▓████░▀▄
▄▀░████▓░▀║ rock's expert chameleons. Her ever-changing sound ║▀░▓████░▀▄
▄▀░████▓░▀║ keeps her music open to interpretation, and her ║▀░▓████░▀▄
▄▀░████▓░▀║ seventh album, Uh Huh Her, is no different in ║▀░▓████░▀▄
▄▀░████▓░▀║ that it departs from what came before it. Uh Huh ║▀░▓████░▀▄
▄▀░████▓░▀║ Her -- a title that can be pronounced and ║▀░▓████░▀▄
▄▀░████▓░▀║ interpreted as an affirmation, a gasp, a sigh, or ║▀░▓████░▀▄
▄▀░████▓░▀║ a laugh -- is, as Harvey promised, darker and ║▀░▓████░▀▄
▄▀░████▓░▀║ rawer than the manicured Stories from the City, ║▀░▓████░▀▄
▄▀░████▓░▀║ Stories from the Sea. That album was a bid for ║▀░▓████░▀▄
▄▀░████▓░▀║ the mainstream that Harvey said she made just to ║▀░▓████░▀▄
▄▀░████▓░▀║ see if she could; this album sounds like she made ║▀░▓████░▀▄
▄▀░████▓░▀║ it because she had to. However, despite the ║▀░▓████░▀▄
▄▀░████▓░▀║ playful tantrum "Who the Fuck?" and the noisy mix ║▀░▓████░▀▄
▄▀░████▓░▀║ of pent-up erotic longing and frustration that is ║▀░▓████░▀▄
▄▀░████▓░▀║ "The Letter," Uh Huh Her isn't the Rid of Me ║▀░▓████░▀▄
▄▀░████▓░▀║ redux that one might envision as a reaction to ║▀░▓████░▀▄
▄▀░████▓░▀║ the previous album's gloss. Instead, Harvey uses ║▀░▓████░▀▄
▄▀░████▓░▀║ some of each of the sounds and ideas that she has ║▀░▓████░▀▄
▄▀░████▓░▀║ explored throughout her career. The gallery of ║▀░▓████░▀▄
▄▀░████▓░▀║ self-portraits, juxtaposed with snippets of ║▀░▓████░▀▄
▄▀░████▓░▀║ Harvey's notebooks, gracing Uh Huh Her's liner ║▀░▓████░▀▄
▄▀░████▓░▀║ notes underscores the feeling of culmination and ║▀░▓████░▀▄
▄▀░████▓░▀║ moving forward. The results aren't exactly ║▀░▓████░▀▄
▄▀░████▓░▀║ predictable, though, and that's part of what ║▀░▓████░▀▄
▄▀░████▓░▀║ makes songs like "The Life and Death of Mr. ║▀░▓████░▀▄
▄▀░████▓░▀║ Badmouth" interesting. Earlier in Harvey's ║▀░▓████░▀▄
▄▀░████▓░▀║ career, a track like this probably would have ║▀░▓████░▀▄
▄▀░████▓░▀║ exploded in feral fury, but here it simmers with ║▀░▓████░▀▄
▄▀░████▓░▀║ a crawling tension, switching atmospheric ║▀░▓████░▀▄
▄▀░████▓░▀║ keyboards for searing guitars. Indeed, keyboards ║▀░▓████░▀▄
▄▀░████▓░▀║ and odd instrumental flourishes abound on Uh Huh ║▀░▓████░▀▄
▄▀░████▓░▀║ Her, making it the most sonically interesting PJ ║▀░▓████░▀▄
▄▀░████▓░▀║ Harvey album since Is This Desire? Lyrically, ║▀░▓████░▀▄
▄▀░████▓░▀║ heartache, sex, and feminine roles are still ║▀░▓████░▀▄
▄▀░████▓░▀║ Harvey's bread and butter, but she manages to ║▀░▓████░▀▄
▄▀░████▓░▀║ find something new in these themes each time she ║▀░▓████░▀▄
▄▀░████▓░▀║ returns to them. "Pocket Knife" is an especially ║▀░▓████░▀▄
▄▀░████▓░▀║ striking example: a beautifully creepy murder ║▀░▓████░▀▄
▄▀░████▓░▀║ ballad, the song conjures images of hidden ║▀░▓████░▀▄
▄▀░████▓░▀║ feminine power -- a pocketknife concealed by a ║▀░▓████░▀▄
▄▀░████▓░▀║ wedding dress -- as well as lyrics like "I'm not ║▀░▓████░▀▄
▄▀░████▓░▀║ trying to cause a fuss/I just wanna make my own ║▀░▓████░▀▄
▄▀░████▓░▀║ fuck-ups." "You Come Through," meanwhile, is ║▀░▓████░▀▄
▄▀░████▓░▀║ nearly as direct and vulnerable as anything that ║▀░▓████░▀▄
▄▀░████▓░▀║ appeared on Stories from the City, Stories from ║▀░▓████░▀▄
▄▀░████▓░▀║ the Sea. Uh Huh Her isn't perfect; the track ║▀░▓████░▀▄
▄▀░████▓░▀║ listing feels top-loaded, some of the later ║▀░▓████░▀▄
▄▀░████▓░▀║ songs, such as "Cat on the Wall" and "It's You" ║▀░▓████░▀▄
▄▀░████▓░▀║ come close to sounding like generic PJ Harvey (if ║▀░▓████░▀▄
▄▀░████▓░▀║ such a thing is possible), and the minute-long ║▀░▓████░▀▄
▄▀░████▓░▀║ track of crying seagulls is either a distraction ║▀░▓████░▀▄
▄▀░████▓░▀║ or a palate cleanser, depending on your outlook. ║▀░▓████░▀▄
▄▀░████▓░▀║ Still, Uh Huh Her does so many things right, like ║▀░▓████░▀▄
▄▀░████▓░▀║ the gorgeous, Latin-tinged "Shame" and the ║▀░▓████░▀▄
▄▀░████▓░▀║ stripped-down beauty of "The Desperate Kingdom of ║▀░▓████░▀▄
▄▀░████▓░▀║ Love" (one of a handful of short, glimpse-like ║▀░▓████░▀▄
▄▀░████▓░▀║ songs that give the album an organic ebb and ║▀░▓████░▀▄
▄▀░████▓░▀║ flow), that its occasional stumbles are worth ║▀░▓████░▀▄
▄▀░████▓░▀║ overlooking. Perhaps the most nuanced album in PJ ║▀░▓████░▀▄
▄▀░████▓░▀║ Harvey's body of work, Uh Huh Her balances her ║▀░▓████░▀▄
▄▀░████▓░▀║ bold and vulnerable moments, but remains vital. ║▀░▓████░▀▄
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▀ ░████▓▄║ ║░▓████░ ▀
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░▄▄ ▀▀██████║ ║██████▀▀ ▄▄░
▀░▓███████▄▄║ There is a Destiny which has the control of our ║▄▄███████▓░▀
▀░▓███████▄▄║ actions, not to be resisted by the strongest ║▄▄███████▓░▀
▀░▓███████▄▄║ efforts of Human Nature. ║▄▄███████▓░▀
▀░▓███████▄▄║ ║▄▄███████▓░▀
▀░▓███████▄▄║ -- George Washington ║▄▄███████▓░▀
░▓█████▄░░ ▄║ ║▄ ░░▄█████▓░
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▄ ░░▓███║ you the best of the old, new and forgotten in a ║███▓░░ ▄ ▄
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▄▄░▀█████║ C O N T A C T D e B T ║██████▀░▄▀
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