M._Ward-End_Of_Amnesia-2001-DeBT_iNT
- Section
-
MP3/FLAC
- Group
- DeBT_iNT
- Size
- 0 B
- Files
- 0
- Date
- 2011-05-06
NFO
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▄▄░▀████████▄▄▄║D e B T i s S l a V 3 r Y S T u P i D║░▄▄▄████████▀░ ▀
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▄▄███░▓████▓░░▀▀ ▀ ║DuBi0uSlY EnDoWs YoU WiTh║ ▀ ▀▀░░▓████▓░███▄▄
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▐░ ▀▓████║ M._Ward-End_Of_Amnesia-2001-DeBT_iNT ║████▓▀ ░▌
▀ ░████╚════════════════════════════════════════════════════════════════════════════╝████░ ▀
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▄░▓███████▄▄▄░ ARTiST.... M. Ward ░▄▄▄███████▓░▀
░▓█████▄░░ ▄ ▀ TiTLE..... End of Amnesia █████▓░
▀░████▓░░▀ ░ ▀ LABEL..... Glitterhouse Records ▀ ░ ▀░░▓████░▀
░▓███▓▓░ ▀ ▄▓▄ GENRE..... Alternative ▄▓▄ ▀ ░▓▓███▓░
▀▀░███▓░▄▄░ RiP.DATE.. 2011-04-30 ░▄▄░▓███░▀▀
▀ ▄███▀░░ STOREDATE. 2001-07-17 ░░▀███▄ ▀
░░▄▄██▀▀▀ SOURCE.... CD ▀▀▀██▄▄░░
░░▄▄██▀▀▀ QUALiTY... 235 kbps / 4410kHz / Joint Stereo ▀▀▀██▄▄░░
▄ ▄███▀░░ TRACKS.... 14 / 53:22 ░░▀███▄ ▄
▄▄░███▓░▄ ░ SIZE...... 94.63 MB ░ ▄░▓███░▄▄
░▓███▓▓░ ▄ ▄▓▄ RIPPER.... EAC Secure with LAME 3.98.4 ▄▓▄ ▄ ░▓▓███▓░
▄░████▓░░▄ ░ ▀ URL....... ░▓████░▄
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▄░███ NR. TRACKNAME TiME ████░▄
▄ ░████ ████░ ▄
░ ▄▓████ 1 End of Amnesia 2:11 ████▓▄ ░
░ ▄▓████ 2 Color of Water 3:23 ████▓▄ ░
░ ▄▓████ 3 Half Moon 2:49 ████▓▄ ░
░ ▄▓████ 4 So Much Water 4:02 ████▓▄ ░
░ ▄▓████ 5 Bad Dreams 4:16 ████▓▄ ░
░ ▄▓████ 6 Archangel Tale 3:48 ████▓▄ ░
░ ▄▓████ 7 Silverline 2:20 ████▓▄ ░
░ ▄▓████ 8 Flaming Heart 3:54 ████▓▄ ░
░ ▄▓████ 9 Carolina 4:19 ████▓▄ ░
░ ▄▓████ 10 From a Pirate Radio Sermon, 1989 3:20 ████▓▄ ░
░ ▄▓████ 11 Psalm 3:50 ████▓▄ ░
░ ▄▓████ 12 Ella 3:41 ████▓▄ ░
░ ▄▓████ 13 Seashell Tale 3:49 ████▓▄ ░
░ ▄▓████ 14 O'Brien / O'Brien's Nocturne 7:40 ████▓▄ ░
░ ▄▓████ ---------------------------------------------------------████▓▄ ░
▀▄░████▓ ████░▄▀
░▓████▓▄ TOTAL TiME: 53:22 MIN ████▓░
░▓███████▄ TOTAL SIZE: 94.63 MB▄█████▓░
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░▓█████▓░╟─────────────────────────────────────RELEASE NOTES╢░▓█████▓░
░▓████▓░░║ ║░░▓████▓░
▄▀░████▓░▀║ M.Ward's second solo enterprise verifies the ║▀░▓████░▀▄
▄▀░████▓░▀║ artist as one of those few songwriters who stand ║▀░▓████░▀▄
▄▀░████▓░▀║ between the cracks of time, where he spins a ║▀░▓████░▀▄
▄▀░████▓░▀║ hallucinatory, new universe out of old-world ║▀░▓████░▀▄
▄▀░████▓░▀║ roots. Indeed, there's a real down-home, ║▀░▓████░▀▄
▄▀░████▓░▀║ unpolished luster to End of Amnesia, both in ║▀░▓████░▀▄
▄▀░████▓░▀║ execution and in songwriting, that gives it a ║▀░▓████░▀▄
▄▀░████▓░▀║ timeless, old-fashioned pallor. And yet there's ║▀░▓████░▀▄
▄▀░████▓░▀║ also something just slightly off in the songs, a ║▀░▓████░▀▄
▄▀░████▓░▀║ strange, disembodied quality that seems to come ║▀░▓████░▀▄
▄▀░████▓░▀║ at least partly from an ulterior place, be it ║▀░▓████░▀▄
▄▀░████▓░▀║ real or imagined. That attribute is precisely ║▀░▓████░▀▄
▄▀░████▓░▀║ what gives the music such a singular, distinctive ║▀░▓████░▀▄
▄▀░████▓░▀║ sound and vision. Ward comes off like a sort of ║▀░▓████░▀▄
▄▀░████▓░▀║ one-man the Band with nothing but a beat-up ║▀░▓████░▀▄
▄▀░████▓░▀║ guitar and his sepia croak of a voice. His ║▀░▓████░▀▄
▄▀░████▓░▀║ acoustic guitar playing has the kind of ║▀░▓████░▀▄
▄▀░████▓░▀║ impressive, gutsy virtuosity of Stephen Stills, ║▀░▓████░▀▄
▄▀░████▓░▀║ while the music is part folk-blues ¿ñ la Townes ║▀░▓████░▀▄
▄▀░████▓░▀║ Van Zandt and part deep Appalachian pallidness, ║▀░▓████░▀▄
▄▀░████▓░▀║ with a dash of Tin Pan Alley thrown in via the ║▀░▓████░▀▄
▄▀░████▓░▀║ odd foot stomp or honky tonk piano run. ║▀░▓████░▀▄
▄▀░████▓░▀║ Musicianship is superb, and as stark as the ║▀░▓████░▀▄
▄▀░████▓░▀║ instrumentation is, there is first and foremost a ║▀░▓████░▀▄
▄▀░████▓░▀║ special quality of songwriting that results in ║▀░▓████░▀▄
▄▀░████▓░▀║ acoustic instrumentals (the drone-like title ║▀░▓████░▀▄
▄▀░████▓░▀║ track, the wistful "Psalm") or nearly ║▀░▓████░▀▄
▄▀░████▓░▀║ instrumental ballads (the gauzy, sunlike picking ║▀░▓████░▀▄
▄▀░████▓░▀║ of "Color of Water"). The songs can be unsparing ║▀░▓████░▀▄
▄▀░████▓░▀║ in their desolation, sound-wise if not ║▀░▓████░▀▄
▄▀░████▓░▀║ necessarily in their worldview, although there is ║▀░▓████░▀▄
▄▀░████▓░▀║ certainly a sense of loss present throughout. One ║▀░▓████░▀▄
▄▀░████▓░▀║ gets the feeling, however, that the mood is less ║▀░▓████░▀▄
▄▀░████▓░▀║ a product of a personal feeling than it is a ║▀░▓████░▀▄
▄▀░████▓░▀║ personal perspective of a vanishing era of song, ║▀░▓████░▀▄
▄▀░████▓░▀║ one free of commercial constraint, marketing, or ║▀░▓████░▀▄
▄▀░████▓░▀║ trend. And yet the songs aren't long glances ║▀░▓████░▀▄
▄▀░████▓░▀║ backward so much as they are outgrowths, ║▀░▓████░▀▄
▄▀░████▓░▀║ seedlings from a great old uprooted tree trying ║▀░▓████░▀▄
▄▀░████▓░▀║ to recapture some of the biblical grandeur that ║▀░▓████░▀▄
▄▀░████▓░▀║ has wilted away, some of the lost importance, ║▀░▓████░▀▄
▄▀░████▓░▀║ trying to refill a shadow that's no longer there. ║▀░▓████░▀▄
▄▀░████▓░▀║ The album is a keeper, pure, simple, and ║▀░▓████░▀▄
▄▀░████▓░▀║ unaffected but certainly not unaffecting. ║▀░▓████░▀▄
░ ▀▓████▀ ║ ║▄░████▓▀ ░
▀ ░████▓▄║ ║░▓████░ ▀
▀░████▓╟──────────────────────────────────────────────────╢▓████░▀
▄ ░░▓███╠════════════════════════════════════════════QUOTES╢╣███▓░░ ▄ ▄
░▄▄ ▀▀██████║ ║██████▀▀ ▄▄░
▀░▓███████▄▄║ In anger we should refrain both from speech and ║▄▄███████▓░▀
▀░▓███████▄▄║ action. ║▄▄███████▓░▀
▀░▓███████▄▄║ ║▄▄███████▓░▀
▀░▓███████▄▄║ -- Pythagoras ║▄▄███████▓░▀
░▓█████▄░░ ▄║ ║▄ ░░▄█████▓░
░▄▄ ▀▀██████╟──────────────────────────────────────────────────╢██████▀▀ ▄▄░
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▄▄▀▀██████╟────────────────────────────────────────GROUP NEWS╢██████▀▀ ▄▄░
▄░▓███████▄║ DeBT is in need of SECURE affils ║▄▄███████▓░▀
░▓█████▄░░ ║ ║▄ ░░▄█████▓░
░████▓░░▀ ║ pre-release suppliers, bookware ║░ ▀░░▓████░▀
░▓███▓▓░ ║ ║▄ ░▓▓███▓░
▀▀░███▓░▄▄║ suppliers, iNT rippers, shell accounts, ║░▄▄░▓███░▀▀
▀ ▄███▀░║ ║░░▀███▄ ▀
░░▄▄█║ coders, crackers and anything else ║██▄▄░░
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░▓█████▓░║ that may be of use to us. ║░▓█████▓░
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▀ ░████▓▄║ DeBT is dedicated to bringing ║░▓████░ ▀
▀░████▓║ ║▓████░▀
▄ ░░▓███║ you the best of the old, new and forgotten in a ║███▓░░ ▄ ▄
▄▄▀▀██████║ ║██████▀▀ ▄▄░
▄░▓███████▄║ variety of sections. If you think you have ║▄▄███████▓░▀
░▓█████▄░░ ║ ║▄ ░░▄█████▓░
░████▓░░▀ ║ what it takes don't hesitate to contact us. ║░ ▀░░▓████░▀
░▓███▓▓░ ║ ║▄ ░▓▓███▓░
▀▀░███▓░▄▄║ Keep it scene. Keep it safe. ║░▄▄░▓███░▀▀
▀ ▄███▀░║ ║░░▀███▄ ▀
░░▄▄█║ ║██▄▄░░
▄▄░▀█████║ C O N T A C T D e B T ║██████▀░▄▀
░▓█████▓░║ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ║░▓█████▓░
░▓████▓░░║ ║░░▓████▓░
▄▀░████▓░▀║ DeBTisSlaV3rYSTuPiD@GMail.com ║▀░▓████░▀▄
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