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davek ▄▄▄ ▄▄▄ ▄▄▄ ▄ ▀▀█▄▄▄██▀ ▄▄▄ sac
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▄▀ O.R.G.A.N.i.C 2oo3 ▀▄
▄█▌ proudly presents ▐█▄
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▒███▌ 2 Many DJ's - Live at Hang the DJ (StuBru) 08 04 ▐███▒
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▀▀▓▓███████████████ Ripper...: ORGANiC TeaM ███████████████▓▓▀▀
▀▀▀▀▓▓███████▓ Source...: Live Session ▓███████▓▓▀▀▀▀
▀████▒ Quality..: 192k / Joint-Stereo ▒████▀
░████░ Grabber..: EAC ░████░
▒████ Encoder..: LAME v3.92 ████▒
▓████ Year.....: 2003 ████▓
████▓ Released.: Aug-05-2003 ▓████
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░████░ Size.....: 78,9 MB ░████▌
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▓██▒ ▐███▌ R elease N otes ▐███▌ ▒███
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▓██░ ▐██▓
▒██▌ It's difficult for me to overstate my ▐██▒
░██▌ enthusiasm for 2 Many DJs and what they've done ▐██░
░██▌ for the international music scene since ▐██░
░██▌ brothers David and Stephen Dewaele began ▐██░
░██▌ moonlighting from their supposed 'day job' in ▐██░
░██▌ the Belgian rock band Soulwax to play records ▐██░
░██▌ in nightclubs and bars. Stubbornly ▐██░
░██▌ unpretentious in their tastes, gleefully ▐██░
░██▌ determined to avoid genre-lisations, 2 Many DJs ▐██░
░██▌ come to the party with one clear aim: to get ▐██░
░██▌ you dancing. They achieve this by playing pop ▐██░
░██▌ music, rock music, electronic music, hip-hop ▐██░
░██▌ music, famous music, obscure music - and every ▐██░
░██▌ now and then, really bad music too. ▐██░
░██▌ ▐██░
░██▌ They also succeed by bringing a near-genius ▐██░
░██▌ instinct for what unlikely combinations of ▐██░
░██▌ records will work with each other: Green Velvet ▐██░
░██▌ with Led Zeppelin, perhaps; Nirvana with ▐██░
░██▌ Destiny's Child; The Stooges with Salt'n'Pepa. ▐██░
░██▌ These are the 'bootleg' mixes or 'mash-ups' of ▐██░
░██▌ which you may have heard about, but the ▐██░
░██▌ Dewaeles, by nature of their musical upbringing ▐██░
░██▌ and studio experience, do more than bounce a ▐██░
░██▌ couple of tracks together on hi-tech software: ▐██░
░██▌ they edit, loop, EQ, pitch control and edit ▐██░
░██▌ again to turn the result into something ▐██░
░██▌ entirely original. ▐██░
░██▌ ▐██░
░██▌ An outgrowth of their Belgian radio show, the 2 ▐██░
░██▌ Many DJ's 46 track megamix, As Heard On Radio ▐██░
░██▌ Soulwax Pt. 2, has become something of an ▐██░
░██▌ international sensation since its release on ▐██░
░██▌ the Belgian label Play It Again Sam in the ▐██░
░██▌ spring of last year. The album made many a Year ▐██░
░██▌ End List (including my own and the Village ▐██░
░██▌ Voice Pazz and Jop Poll), has sold well into ▐██░
░██▌ the six figures, and helped launch at least one ▐██░
░██▌ hit single: 'Danger! High Voltage' by Detroit's ▐██░
░██▌ Electric 6 (credited on the album as The ▐██░
░██▌ Wildbunch and featuring the White Stripes on ▐██░
░██▌ backing vocals). I've played As Heardà yet ▐██░
░██▌ again while writing this intro and still can't ▐██░
░██▌ tire of its programming and segueing: I ▐██░
░██▌ maintain that it's not just the Last Great Mix ▐██░
░██▌ CD, but one of the most perfect party mixes ▐██░
░██▌ ever packaged to the public. ▐██░
░██▌ ▐██░
░██▌ 'As Heard' would not have meant so much to me ▐██░
░██▌ if I hadn't witnessed the duo perform so many ▐██░
░██▌ equally riotous gigs without the benefit of ▐██░
░██▌ studio time and computer technology: there are ▐██░
░██▌ few DJs around who can transform a room's ▐██░
░██▌ energy so rapidly as this unassuming pair. Not ▐██░
░██▌ only that, their unrepentant celebration of ▐██░
░██▌ apparently conflicting styles arrived on the ▐██░
░██▌ scene at the perfect moment - just when dance ▐██░
░██▌ music was so busy navel-gazing that it had lost ▐██░
░██▌ sight of where it was going, allowing a number ▐██░
░██▌ of rockists to take over the clubs with their ▐██░
░██▌ own equally narrow focus. 2 Many DJs are not ▐██░
░██▌ only capable of playing to both audiences, they ▐██░
░██▌ more or less insist upon it. And while they've ▐██░
░██▌ performed their share of exclusive gigs ▐██░
░██▌ (Halloween and New Year's Eve at New York ▐██░
░██▌ City's ultra-hip Tribeca Grand Hotel), they're ▐██░
░██▌ just as likely to drop in on seedy bars ▐██░
░██▌ unannounced and for free: in Manhattan, they've ▐██░
░██▌ regularly shown up at the downtown dives Lit ▐██░
░██▌ and Plant, and at the recent Winter Music ▐██░
░██▌ Conference in Miami they also chose small rooms ▐██░
░██▌ that simulate a house party atmosphere over the ▐██░
░██▌ impersonal megaclubs. ▐██░
░██▌ ▐██░
░██▌ There are further explanations for my own ▐██░
░██▌ enthusiasm. 2 Many DJs' genre-busting playlists ▐██░
░██▌ remind me of my own DJing experiences in the ▐██░
░██▌ early 90s, when it was entirely expected to ▐██░
░██▌ play several different styles of music in one ▐██░
░██▌ night û and for some of it to be overtly ▐██░
░██▌ commercial and not necessarily 'cool'. And, on ▐██░
░██▌ an even more personal level, included on the ▐██░
░██▌ Hank The DJ shows (which have been archived at ▐██░
░██▌ the Soulwax site and have also been pressed up ▐██░
░██▌ as CD bootlegs) are such cult classics as ▐██░
░██▌ 'Boominbackatcha' by Freq Nasty, 'Same Old ▐██░
░██▌ Show' (with The Selecter loop) by Basement ▐██░
░██▌ Jaxx, 'Plastic Dreams' by Jaydee, 'Closer' by ▐██░
░██▌ NIN and 'Killer' by Adamski, all of which ▐██░
░██▌ indicate that only do 2 Many DJ's have great ▐██░
░██▌ ethics and great skills, they also have superb ▐██░
░██▌ taste. (Their occasionally lapses, a la Nik ▐██░
░██▌ Kershaw's 'Dancing Girls' and Paul McCartney's ▐██░
░██▌ 'Temporary Secretary' are the exceptions that ▐██░
░██▌ prove the rule.) ▐██░
░██▌ ▐██░
░██▌ Finally, by careening from their ongoing work ▐██░
░██▌ as a rock band into a job as radio DJs and ▐██░
░██▌ producers of unlikely mixes and 'mash-ups,' ▐██░
░██▌ Stephen and David have challenged conventional ▐██░
░██▌ career expectations for the modern musician and ▐██░
░██▌ faced down (in court) the petty guardians of ▐██░
░██▌ the industry. They're part of a new generation ▐██░
░██▌ that's changing the way we absorb and purchase ▐██░
░██▌ music, and they're doing it because they love ▐██░
░██▌ the music. Nothing more contrived than that. ▐██░
░██▌ ▐██░
░██▌ We talked extensively in October over a long ▐██░
░██▌ lunch at the Tribeca Grand while Stephen was ▐██░
░██▌ nursing a cold from constant travel and lack of ▐██░
░██▌ sleep. We talked so much that I was scared to ▐██░
░██▌ transcribe the interview. My thanks to Anisha ▐██░
░██▌ for taking on that brave task and dealing with ▐██░
░██▌ their thick accents, occasional lapses of ▐██░
░██▌ English grammar and the many references to ▐██░
░██▌ obscure Belgian techno producers and English ▐██░
░██▌ glam bands. Yes, Frank the Wolf does make more ▐██░
░██▌ sense than Frank de Wulf... ▐██░
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████▓ 01. many dj's 57:27 ▓████
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█████ Total Playing Time ........................... 57:27 █████
█████ Total Size .................................... 78,9 MB █████
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█████ Group news and Contact info █████
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█████ ███▓█
█████ OGi. Short for ORGANiC. MUSiC that is ORGANiC. █████
█▓▓██ ORGANiC means ANY decent ELECTRONiC / RNB MUSiC ██▓▓█
█████ is what WE will cover. █████
█████ Nothing MORE, Nothing Less. Pure MUSiC, Pure █████
█████ QUALiTY. Because QUALiTY matters. Not QUANTiTY. █████
█████ Don't try to find our releases or to ask after █████
█████ them, you will have no luck. Only for Sceners. █████
█████ Don't try to email us or to find our www page coz █████
█████ we do not have one. Only one IRC efnet chan #OGi █████
█████ █████
▓████▌ OGi is on the hunt for the following : ▐████▓
▒████▌ -10+/100+ Mbit sites with decent storage/affils ▐████▒
░████▌ (DVDR/Anime support is a plus) ▐████░
░████▌ -Talented Rippers who can supply unreleased ▐████░
▐████▌ material (cd,vinyl,cds,cdm,...) are welcome. ▐████░
░████▌ -Talented Liveset Rippers from ALL countries ▐████▌
▐████▌ (.nl,.de,.uk,.us,...) drop us a line in #OGi ▐████▌
▐████▌ on Efnet because we definitely want you. ▐████░
▐████▌ -People who can supply legit BNC's and Shells. ▐████░
░████▌ -Siteops who are willing to put OGi on as Dump. ▐████▌
▐████▓ - - - - - - - - - - - - - - ▐████▌
▐████▓ .O.R.G.A.N.i.C. ▐████▌
▐████▓ ▄▄▄ 2oo3 ▐████▌
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▄▄▄████▀ ▓███▓ Last Updated: 09/04/03 ▀████▄▄▄
███▀▀▀▀▀ ▓███▓ by Sp^iδt ▀▀▀▀▀██
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