Metalheadz_Platinum-Sinistarr_ft_Redeyes-METHPLA012-VINYL-2011-sour
NFO
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: : release no ( 10794 ) \ rating |
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: : artist (Sinistarr ft Redeyes ) | .---. |
: : title (Mainstay / Solar 9 ) | 0 | | |
: : record label (Metalheadz Platinum (METHPLA012) ) | 9 | | |
: : genre (Drum & Bass ) | 8 |%%%| |
: : release date (2011/05/11) | 7 |%%%| |
: : street date (2011/06/06) | 6 |%%%| |
: : | 5 |%%%| |
: : media type vinyl (x) tape ( ) cd ( ) radio ( ) | 4 |%%%| |
: : cover sfv m3u cover (x) sfv (x) m3u (x) cue ( ) | 3 |%%%| |
: : | 2 |%%%| |
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: : :.: (02 tracks) (11:58 min) ( 21,6 mb) | `---' |
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nr times track titles
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| A 6:23 Sinistarr - Mainstay |
| B 5:35 Sinistarr ft Redeyes - Solar 9 |
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| | | |
| | Ever since Goldie and his contemporaries | |
| | helped to shape and form drum & bass into a | |
| | globally recognised genre of music there have | |
| | been constant detractions claiming that the | |
| | style has run out of steam and itÆs all been | |
| | done before. However, each time D&B feels | |
| | stagnant and outdated, an artist always pops | |
| | up with a completely fresh take on the | |
| | formula, something invigorating and | |
| | surprising (think High Contrast in 2001). * | |
| | One listen to this single on Metalheadz | |
| | premiere æPlatinumÆ imprint and you may just | |
| | be convinced that wouldnÆt be too high praise | |
| | to lie at SinistarrÆs door. Uniting | |
| | interesting sounds, a production style that | |
| | just flows with an audible sense of class and | |
| | an attitude to drum & bass that escapes the | |
| | constant flow of ædancefloor bangersÆ, | |
| | Sinistarr has crafted a twotrack masterpiece | |
| | from the comfort of his studio. * æMainstayÆ | |
| | manages to walk the tightrope between the | |
| | minimal side drum & bass and more uptempo, | |
| | musical tracks. Instead of languishing in | |
| | sound design and intensive structuring of | |
| | each bar, Sinistarr throws synth bleeps, | |
| | progressive chords and intricate melodies, | |
| | crisp beats and sliding bass notes all into a | |
| | blender and simply whizzes to perfection. * | |
| | On the flip Sinistarr teams up with Redeyes | |
| | on æSolar 9Æ (those who know their D&B gossip | |
| | will no doubt be aware of how historic a day | |
| | this must be...). Proving that D&B is more | |
| | about the music than it is petty differences, | |
| | this one rolls out with similar | |
| | against-the-grain attitude as the A side. | |
| | Montage samples say ôYou canÆt tell us how to | |
| | play our musicö and the scene is set for | |
| | another effortlessly different Metalheadz | |
| | Platinum single. Sounds to us like drum & | |
| | bass just got interesting again! | |
| | | |
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| |
| This release may contain copyrighted material, however SOUR guarantees |
| that this material was at least available to one person "on the street" |
| and that the possession of this material is in no way privileged. |
| |
| SOUR has been releasing good quality drum'n'bass, jungle & oldskool rips to |
| the internet drum'n'bass public since summer 1999. Originally a small |
| operation, we have now reached levels of international acclaim. |
| |
| SOUR is dedicated to both the availability and promotion of music to the |
| public, and our rips are intended to reflect these ideals. Specifically: |
| |
| . SOUR is dedicated to the promotion of new music that is currently |
| available to buy. If you like something you hear, you are obliged to |
| attempt to purchase an original copy. |
| |
| . SOUR is dedicated to the promotion of old music that may no longer be |
| available to buy. |
| |
| . SOUR is dedicated to the expansion and infiltration of drum'n'bass |
| worldwide! We provide a service where none is available, specifically in |
| many remote countries where traditional distributors can not afford to |
| target. Also, the availability of drum'n'bass in an easily accessible |
| form expands the potential for real world sales to people who may not |
| otherwise have considered buying drum'n'bass. |
| |
| . SOUR is dedicated to the expansion of the online and offline real world |
| scenes. With more listeners enjoying what they hear, clubs and venues can |
| only expect MORE people to attend events; DJ's can only expect MORE |
| people to pay to see THEM. |
| |
| By accident of today's current real world distribution arrangements, many |
| artists will find that SOUR releases IMPROVE their real world sales; |
| especially for items only on vinyl. This is the basis upon which SOUR |
| operates. |
| |
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[ sour productions(c) 1999-2011 ]
Files
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