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▄░████▓░ ▀ ▓░░░░░░░░░░░░░░░░░▓ ▀ ▓████░▄
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▄ █▀▀███████╔════════════════════█═══════════════════╗████████▀▀█░ ▄▓▄
▄▄░▀████████▄▄▄║D e B T i s S l a V 3 r Y S T u P i D║░▄▄▄████████▀░ ▀
░▓█████▓░░░ ░ ╚═════╗ ╔════════╝▀ ░ ░░░▓█████▓░
▄▄███░▓████▓░░▀▀ ▀ ║DuBi0uSlY EnDoWs YoU WiTh║ ▀ ▀▀░░▓████▓░███▄▄
▄▀░████▓╔═══════════════════════╩═════════════════════════╩══════════════════════════╗▓████░▀▄
▐░ ▀▓████║ Burzum-Hlidskjalf-1999-DeBT_iNT ║████▓▀ ░▌
▀ ░████╚════════════════════════════════════════════════════════════════════════════╝████░ ▀
▀ ▀▀█████▀░████ ▄ ▄ ░▓████░▀ ████▀▀ ▀
▄ ░░▓████▀▀░ ░▀▀████▓░░ ▄ ▄
▄▄▀▀███████████▀▀▀ ▀▀████████████▀▀ ░
▄░▓███████▄▄▄░ ARTiST.... Burzum ░▄▄▄███████▓░▀
░▓█████▄░░ ▄ ▀ TiTLE..... Hlidskjalf █████▓░
▀░████▓░░▀ ░ ▀ LABEL..... Misanthropy Records ▀ ░ ▀░░▓████░▀
░▓███▓▓░ ▀ ▄▓▄ GENRE..... Black Metal ▄▓▄ ▀ ░▓▓███▓░
▀▀░███▓░▄▄░ RiP.DATE.. 2011-05-04 ░▄▄░▓███░▀▀
▀ ▄███▀░░ STOREDATE. 1999-12-07 ░░▀███▄ ▀
░░▄▄██▀▀▀ SOURCE.... CD ▀▀▀██▄▄░░
░░▄▄██▀▀▀ QUALiTY... 223 kbps / 4410kHz / Joint Stereo ▀▀▀██▄▄░░
▄ ▄███▀░░ TRACKS.... 8 / 33:42 ░░▀███▄ ▄
▄▄░███▓░▄ ░ SIZE...... 57.12 MB ░ ▄░▓███░▄▄
░▓███▓▓░ ▄ ▄▓▄ RIPPER.... EAC Secure with LAME 3.98.4 ▄▓▄ ▄ ░▓▓███▓░
▄░████▓░░▄ ░ ▀ URL....... ░▓████░▄
░▓█████▄░░ ▄ ▄ ░░▄█████▓░
▄░▓███████▄▄▄░ ░▄▄▄███████▓░▀
░▀▀ ▀▀████████████▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄████████████▀▀▀▀
▀ ▄ ░░▓█▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀████▓░░ ▄
▄░███ NR. TRACKNAME TiME ████░▄
▄ ░████ ████░ ▄
░ ▄▓████ 1 Tuistos Herz 6:13 ████▓▄ ░
░ ▄▓████ 2 Der Tod Wuotans 6:43 ████▓▄ ░
░ ▄▓████ 3 Ansuzgardaraiwo 4:28 ████▓▄ ░
░ ▄▓████ 4 Die Liebe Nerpus' 2:14 ████▓▄ ░
░ ▄▓████ 5 Frijos Einsames Trauern 6:15 ████▓▄ ░
░ ▄▓████ 6 Einf¿╣hlungsverntogen 3:55 ████▓▄ ░
░ ▄▓████ 7 Frijos Goldene Tranen 2:38 ████▓▄ ░
░ ▄▓████ 8 Der Weinende Hadnur 1:16 ████▓▄ ░
░ ▄▓████ ---------------------------------------------------------████▓▄ ░
▀▄░████▓ ████░▄▀
░▓████▓▄ TOTAL TiME: 33:42 MIN ████▓░
░▓███████▄ TOTAL SIZE: 57.12 MB▄█████▓░
▀░▀████████▄ ▄█████▀░▀▀
▄▓▄▀ ░█▀▀█████████████▄▄ ▄ ▄ ▄ ▄ ▄▄█████████████▀▀█ ▀
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█ ░░ ░ ▀░░░▀▀▓███░▀ ▄█▓▀ ▐░▌ ▀ ▀▓█▄ ▀░███▓▀▀░░░▀ ░ ░░ █▄ ▄
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▄▄░▀█████╔════════════════════════════════════════════════════╗██████▀░▄▀
░▓█████▓░╟─────────────────────────────────────RELEASE NOTES╢░▓█████▓░
░▓████▓░░║ ║░░▓████▓░
▄▀░████▓░▀║ Hliü0è8skj¿ólf, named for the all seeing throne ║▀░▓████░▀▄
▄▀░████▓░▀║ of Odin, is the sixth Burzum full-length, the ║▀░▓████░▀▄
▄▀░████▓░▀║ second written and recorded during Varg ║▀░▓████░▀▄
▄▀░████▓░▀║ Vikernes's incarceration. Like it's predecessor, ║▀░▓████░▀▄
▄▀░████▓░▀║ Dauü0è8i Baldrs, it was written purely as an ║▀░▓████░▀▄
▄▀░████▓░▀║ ambient/neo-classical work, with no black metal ║▀░▓████░▀▄
▄▀░████▓░▀║ involved. This time, however, a keyboard was ║▀░▓████░▀▄
▄▀░████▓░▀║ acquired for the recording, so the tones sound a ║▀░▓████░▀▄
▄▀░████▓░▀║ little richer perhaps than the MIDI used ║▀░▓████░▀▄
▄▀░████▓░▀║ previously. The problem is that the heightened ║▀░▓████░▀▄
▄▀░████▓░▀║ production quality this creates is counteracted ║▀░▓████░▀▄
▄▀░████▓░▀║ here by the drab minimalism used in these ║▀░▓████░▀▄
▄▀░████▓░▀║ compositions. Burzum is no stranger to the ║▀░▓████░▀▄
▄▀░████▓░▀║ aesthetic, and in the past, has triumphed with ║▀░▓████░▀▄
▄▀░████▓░▀║ the strategy, but where Dauü0è8i Baldrs possessed ║▀░▓████░▀▄
▄▀░████▓░▀║ some sweeping, rousing architecture that stood ║▀░▓████░▀▄
▄▀░████▓░▀║ tall in the memory, there are very few moments ║▀░▓████░▀▄
▄▀░████▓░▀║ here that create that same effect. ║▀░▓████░▀▄
▄▀░████▓░▀║ ║▀░▓████░▀▄
▄▀░████▓░▀║ This is ultimately less Medieval in structure, ║▀░▓████░▀▄
▄▀░████▓░▀║ and has more of a New Age vibe about it. The ║▀░▓████░▀▄
▄▀░████▓░▀║ sparse nature of the compositions remind me of ║▀░▓████░▀▄
▄▀░████▓░▀║ the Japanese artist Kitaro, though not as skilled ║▀░▓████░▀▄
▄▀░████▓░▀║ at the spaces in between the subtle melodies. ║▀░▓████░▀▄
▄▀░████▓░▀║ Hliü0è8skj¿ólf is almost pure mood, with few if ║▀░▓████░▀▄
▄▀░████▓░▀║ any dominant strings of notes being assembled ║▀░▓████░▀▄
▄▀░████▓░▀║ through its conjuration. There are exceptions to ║▀░▓████░▀▄
▄▀░████▓░▀║ this rule, like "Der Tod Wuotans (The Death of ║▀░▓████░▀▄
▄▀░████▓░▀║ Wotan)", or the brief passages of "Der weinende ║▀░▓████░▀▄
▄▀░████▓░▀║ Hadnur (The Weeping Hadnur)" and "Die Liebe ║▀░▓████░▀▄
▄▀░████▓░▀║ Nerü0ï6us (The Love of Nerthus)" where spritely ║▀░▓████░▀▄
▄▀░████▓░▀║ melody is evoked, but sadly even these come off ║▀░▓████░▀▄
▄▀░████▓░▀║ as rather bland in the long run. I felt the more ║▀░▓████░▀▄
▄▀░████▓░▀║ powerful pieces were "Tuistos Herz (Tuisto's ║▀░▓████░▀▄
▄▀░████▓░▀║ Heart)", which involves sheer New Age nuance with ║▀░▓████░▀▄
▄▀░████▓░▀║ shimmering synthesizers and thrumming atmosphere, ║▀░▓████░▀▄
▄▀░████▓░▀║ and the dour and incredibly sparse ║▀░▓████░▀▄
▄▀░████▓░▀║ "Einf¿╣hlungsvermü0ï2gen (The Power of Empathy)", ║▀░▓████░▀▄
▄▀░████▓░▀║ with a very faint hint of windchime-like noise ║▀░▓████░▀▄
▄▀░████▓░▀║ behind the deeper chime percussion and solemn ║▀░▓████░▀▄
▄▀░████▓░▀║ keys. ║▀░▓████░▀▄
▄▀░████▓░▀║ ║▀░▓████░▀▄
▄▀░████▓░▀║ Though I had previously juggled this and the ║▀░▓████░▀▄
▄▀░████▓░▀║ post-hiatus, 2010 album Belus back and forth as ║▀░▓████░▀▄
▄▀░████▓░▀║ to which was my least favorite of Burzum's ║▀░▓████░▀▄
▄▀░████▓░▀║ full-length albums, it is Hliü0è8skj¿ólf which ║▀░▓████░▀▄
▄▀░████▓░▀║ inevitably comes up with the shortest straw. ║▀░▓████░▀▄
▄▀░████▓░▀║ Certainly this is not a bad background piece if ║▀░▓████░▀▄
▄▀░████▓░▀║ you're caught in contemplation or desire ║▀░▓████░▀▄
▄▀░████▓░▀║ something tranquil for nature or navel gazing, ║▀░▓████░▀▄
▄▀░████▓░▀║ and several gleaming moments are caught within ║▀░▓████░▀▄
▄▀░████▓░▀║ the amber, but the ideas do not feel as well ║▀░▓████░▀▄
▄▀░████▓░▀║ formed as anything the Norseman had previously ║▀░▓████░▀▄
▄▀░████▓░▀║ recorded, and it feels almost interchangeable ║▀░▓████░▀▄
▄▀░████▓░▀║ with a large host of New Age and minimalist ║▀░▓████░▀▄
▄▀░████▓░▀║ ambient projects I've heard. It's the most ║▀░▓████░▀▄
▄▀░████▓░▀║ peaceful thing Vikernes has ever written, and the ║▀░▓████░▀▄
▄▀░████▓░▀║ biggest contrast to his black metal works, so ║▀░▓████░▀▄
▄▀░████▓░▀║ it's surprising in that regard, but it doesn't ║▀░▓████░▀▄
▄▀░████▓░▀║ paint in truly compelling shades. I realize many ║▀░▓████░▀▄
▄▀░████▓░▀║ loathe Dauü0è8i Baldrs due to its crude and ║▀░▓████░▀▄
▄▀░████▓░▀║ cheesy MIDI polish, but at least that album had ║▀░▓████░▀▄
▄▀░████▓░▀║ an ominous zeal about it that I enjoy, and in ║▀░▓████░▀▄
▄▀░████▓░▀║ truth most of those tracks have never abandoned ║▀░▓████░▀▄
▄▀░████▓░▀║ my memory. I enjoy the packaging, concept and the ║▀░▓████░▀▄
▄▀░████▓░▀║ written narrative here (much like the last two ║▀░▓████░▀▄
▄▀░████▓░▀║ works), but I am rarely if ever struck with the ║▀░▓████░▀▄
▄▀░████▓░▀║ desire to listen to it. ║▀░▓████░▀▄
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▀░▓███████▄▄║ What is essential in war is victory, not ║▄▄███████▓░▀
▀░▓███████▄▄║ prolonged operations. ║▄▄███████▓░▀
▀░▓███████▄▄║ ║▄▄███████▓░▀
▀░▓███████▄▄║ -- Sun Tzu ║▄▄███████▓░▀
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▄ ░░▓███║ you the best of the old, new and forgotten in a ║███▓░░ ▄ ▄
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▄░▓███████▄║ variety of sections. If you think you have ║▄▄███████▓░▀
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▀ ▄███▀░║ ║░░▀███▄ ▀
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▄▄░▀█████║ C O N T A C T D e B T ║██████▀░▄▀
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