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░▀▀ ▀▀████████████▀▀ ,` ` | / \ | ▀▀████████████▀▀▀▀
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▄ █▀▀███████╔════════════════════█═══════════════════╗████████▀▀█░ ▄▓▄
▄▄░▀████████▄▄▄║D e B T i s S l a V 3 r Y S T u P i D║░▄▄▄████████▀░ ▀
░▓█████▓░░░ ░ ╚═════╗ ╔════════╝▀ ░ ░░░▓█████▓░
▄▄███░▓████▓░░▀▀ ▀ ║DuBi0uSlY EnDoWs YoU WiTh║ ▀ ▀▀░░▓████▓░███▄▄
▄▀░████▓╔═══════════════════════╩═════════════════════════╩══════════════════════════╗▓████░▀▄
▐░ ▀▓████║ Burzum-Daudi_Baldrs-1997-DeBT_iNT ║████▓▀ ░▌
▀ ░████╚════════════════════════════════════════════════════════════════════════════╝████░ ▀
▀ ▀▀█████▀░████ ▄ ▄ ░▓████░▀ ████▀▀ ▀
▄ ░░▓████▀▀░ ░▀▀████▓░░ ▄ ▄
▄▄▀▀███████████▀▀▀ ▀▀████████████▀▀ ░
▄░▓███████▄▄▄░ ARTiST.... Burzum ░▄▄▄███████▓░▀
░▓█████▄░░ ▄ ▀ TiTLE..... Daudi Baldrs █████▓░
▀░████▓░░▀ ░ ▀ LABEL..... Misanthropy Records ▀ ░ ▀░░▓████░▀
░▓███▓▓░ ▀ ▄▓▄ GENRE..... Black Metal ▄▓▄ ▀ ░▓▓███▓░
▀▀░███▓░▄▄░ RiP.DATE.. 2011-05-03 ░▄▄░▓███░▀▀
▀ ▄███▀░░ STOREDATE. 1997-00-00 ░░▀███▄ ▀
░░▄▄██▀▀▀ SOURCE.... CD ▀▀▀██▄▄░░
░░▄▄██▀▀▀ QUALiTY... 223 kbps / 4410kHz / Joint Stereo ▀▀▀██▄▄░░
▄ ▄███▀░░ TRACKS.... 6 / 39:10 ░░▀███▄ ▄
▄▄░███▓░▄ ░ SIZE...... 65.42 MB ░ ▄░▓███░▄▄
░▓███▓▓░ ▄ ▄▓▄ RIPPER.... EAC Secure with LAME 3.98.4 ▄▓▄ ▄ ░▓▓███▓░
▄░████▓░░▄ ░ ▀ URL....... ░▓████░▄
░▓█████▄░░ ▄ ▄ ░░▄█████▓░
▄░▓███████▄▄▄░ ░▄▄▄███████▓░▀
░▀▀ ▀▀████████████▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄████████████▀▀▀▀
▀ ▄ ░░▓█▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀████▓░░ ▄
▄░███ NR. TRACKNAME TiME ████░▄
▄ ░████ ████░ ▄
░ ▄▓████ 1 Daudi Baldrs 8:49 ████▓▄ ░
░ ▄▓████ 2 Hermodr a Helferd 2:41 ████▓▄ ░
░ ▄▓████ 3 Balferd Baldrs 6:05 ████▓▄ ░
░ ▄▓████ 4 I Heimr Heljar 2:02 ████▓▄ ░
░ ▄▓████ 5 Illa Tidandi 10:29 ████▓▄ ░
░ ▄▓████ 6 Moti Ragnarokum 9:04 ████▓▄ ░
░ ▄▓████ ---------------------------------------------------------████▓▄ ░
▀▄░████▓ ████░▄▀
░▓████▓▄ TOTAL TiME: 39:10 MIN ████▓░
░▓███████▄ TOTAL SIZE: 65.42 MB▄█████▓░
▀░▀████████▄ ▄█████▀░▀▀
▄▓▄▀ ░█▀▀█████████████▄▄ ▄ ▄ ▄ ▄ ▄▄█████████████▀▀█ ▀
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▄▄░▀█████╔════════════════════════════════════════════════════╗██████▀░▄▀
░▓█████▓░╟─────────────────────────────────────RELEASE NOTES╢░▓█████▓░
░▓████▓░░║ ║░░▓████▓░
▄▀░████▓░▀║ Dauü0è8i Baldrs ('Death of Balder') is yet ║▀░▓████░▀▄
▄▀░████▓░▀║ another anomaly in the long string of anomalies ║▀░▓████░▀▄
▄▀░████▓░▀║ that have festooned the career of Varg Vikernes. ║▀░▓████░▀▄
▄▀░████▓░▀║ Recorded entirely during his prison sentence, and ║▀░▓████░▀▄
▄▀░████▓░▀║ without the benefit of musical instruments, it ║▀░▓████░▀▄
▄▀░████▓░▀║ certainly had its work cut out for it, and yet, ║▀░▓████░▀▄
▄▀░████▓░▀║ fascinatingly, it succeeds despite this. Was it ║▀░▓████░▀▄
▄▀░████▓░▀║ too costly a risk to take? We can each answer ║▀░▓████░▀▄
▄▀░████▓░▀║ this only for ourselves. I personally know ║▀░▓████░▀▄
▄▀░████▓░▀║ several people who despise this recording with a ║▀░▓████░▀▄
▄▀░████▓░▀║ passion, thinking it some blasphemy upon the ║▀░▓████░▀▄
▄▀░████▓░▀║ damnable Earth, or a mere grab at cash during his ║▀░▓████░▀▄
▄▀░████▓░▀║ incarceration, sold upon the name Burzum alone. ║▀░▓████░▀▄
▄▀░████▓░▀║ But certainly, anyone who sits through the entire ║▀░▓████░▀▄
▄▀░████▓░▀║ 40 minutes can hear that there is in fact a stout ║▀░▓████░▀▄
▄▀░████▓░▀║ effort placed into its haunting drought. All ║▀░▓████░▀▄
▄▀░████▓░▀║ atmospherics. Somnolent compositions of a folk ║▀░▓████░▀▄
▄▀░████▓░▀║ saga being played out as puppets on a dimly lit ║▀░▓████░▀▄
▄▀░████▓░▀║ stage. ║▀░▓████░▀▄
▄▀░████▓░▀║ ║▀░▓████░▀▄
▄▀░████▓░▀║ This is a MIDI album. Not a metal album. It's got ║▀░▓████░▀▄
▄▀░████▓░▀║ more in common with cryptic Super Nintendo role ║▀░▓████░▀▄
▄▀░████▓░▀║ playing games than Hvis Lyset Tar Oss or Det Som ║▀░▓████░▀▄
▄▀░████▓░▀║ Engang Var, as if Tchaikovsky had penned some ║▀░▓████░▀▄
▄▀░████▓░▀║ lost Final Fantasy score. Yet, the aesthetic ║▀░▓████░▀▄
▄▀░████▓░▀║ choices made through the compositions are ║▀░▓████░▀▄
▄▀░████▓░▀║ theatrical, ritual and maintain a persistent ║▀░▓████░▀▄
▄▀░████▓░▀║ gravitas. Part of this is the packaging, which ║▀░▓████░▀▄
▄▀░████▓░▀║ is, like Filosofem, brilliantly conceived. In ║▀░▓████░▀▄
▄▀░████▓░▀║ fact, it's the best looking Burzum CD period, ║▀░▓████░▀▄
▄▀░████▓░▀║ including artwork by Tanya Stene; the lyrics and ║▀░▓████░▀▄
▄▀░████▓░▀║ poetry incorporated to guide the listener through ║▀░▓████░▀▄
▄▀░████▓░▀║ the imagery being evoked in the music, despite ║▀░▓████░▀▄
▄▀░████▓░▀║ the lack of vocals on the album. I might have ║▀░▓████░▀▄
▄▀░████▓░▀║ liked having English translations in the booklet, ║▀░▓████░▀▄
▄▀░████▓░▀║ but they are provided on the official website for ║▀░▓████░▀▄
▄▀░████▓░▀║ any who want to read them. Certainly for ║▀░▓████░▀▄
▄▀░████▓░▀║ something this minimalist, Varg and the label ║▀░▓████░▀▄
▄▀░████▓░▀║ have gone all out. There was no stopping his ║▀░▓████░▀▄
▄▀░████▓░▀║ vision, confinement or not. ║▀░▓████░▀▄
▄▀░████▓░▀║ ║▀░▓████░▀▄
▄▀░████▓░▀║ Musically, the material ranges from a martial, ║▀░▓████░▀▄
▄▀░████▓░▀║ Medieval framework to a more lush, melodic folk ║▀░▓████░▀▄
▄▀░████▓░▀║ landscape, all of which captivate the desperation ║▀░▓████░▀▄
▄▀░████▓░▀║ of Balder's saga. The quality is a bit lopsided, ║▀░▓████░▀▄
▄▀░████▓░▀║ and I can say I enjoy four of the songs greatly ║▀░▓████░▀▄
▄▀░████▓░▀║ and the other two not so much. "Dauü0è8i Baldrs" ║▀░▓████░▀▄
▄▀░████▓░▀║ itself is the opener, and the nearly 9 minutes ║▀░▓████░▀▄
▄▀░████▓░▀║ portray an ominous descent, a conflagration of ║▀░▓████░▀▄
▄▀░████▓░▀║ dour dreamstuff that is carried through a number ║▀░▓████░▀▄
▄▀░████▓░▀║ of melodic, eerie lines and a rather stout ║▀░▓████░▀▄
▄▀░████▓░▀║ contrast in the percussive use of the horn. ║▀░▓████░▀▄
▄▀░████▓░▀║ "Hermoü0è8r ü0å9 Helferü0è8 (Hermodr on a Journey ║▀░▓████░▀▄
▄▀░████▓░▀║ to Hel)" is far shorter, clocking in under 3 ║▀░▓████░▀▄
▄▀░████▓░▀║ minutes, and features a flighty repetition of ║▀░▓████░▀▄
▄▀░████▓░▀║ pianos with a flute-like narrative. "B¿ólferü0è8 ║▀░▓████░▀▄
▄▀░████▓░▀║ Baldrs (Balder's Burning)" returns to the vibes ║▀░▓████░▀▄
▄▀░████▓░▀║ of the first track, only it runs dry within the ║▀░▓████░▀▄
▄▀░████▓░▀║ first few minutes, and it's not a favorite here. ║▀░▓████░▀▄
▄▀░████▓░▀║ ║▀░▓████░▀▄
▄▀░████▓░▀║ "I Heimr Heliar (In Hel's Home)" is steady and ║▀░▓████░▀▄
▄▀░████▓░▀║ bombastic, like a march, but all too brief, and ║▀░▓████░▀▄
▄▀░████▓░▀║ then the album curves into the dire eaves of ║▀░▓████░▀▄
▄▀░████▓░▀║ "Illa Tiü0è8andi (Ill Tidings)", which is ║▀░▓████░▀▄
▄▀░████▓░▀║ incredibly drawn out to over 10 minutes, ║▀░▓████░▀▄
▄▀░████▓░▀║ ultimately a bit too repetitive even for a man ║▀░▓████░▀▄
▄▀░████▓░▀║ who on his prior album included a 25 minute ║▀░▓████░▀▄
▄▀░████▓░▀║ ambient track. "M¿«ti Ragnarokum (Towards ║▀░▓████░▀▄
▄▀░████▓░▀║ Ragnarok)", on the other hand, is beautiful, ║▀░▓████░▀▄
▄▀░████▓░▀║ perhaps my favorite tune on the whole disc, with ║▀░▓████░▀▄
▄▀░████▓░▀║ a powerful sense of melancholy evoked through the ║▀░▓████░▀▄
▄▀░████▓░▀║ piano and the sweeping symphonic discourse, then ║▀░▓████░▀▄
▄▀░████▓░▀║ the stalking violin string segues that morph into ║▀░▓████░▀▄
▄▀░████▓░▀║ pianos and back again to the creepy melodies. ║▀░▓████░▀▄
▄▀░████▓░▀║ When I say it feels very Metroid, I mean no ║▀░▓████░▀▄
▄▀░████▓░▀║ insult whatsoever. There are likely only a ║▀░▓████░▀▄
▄▀░████▓░▀║ handful of folks who will understand what I'm ║▀░▓████░▀▄
▄▀░████▓░▀║ getting at, but this piece creates a similar, ║▀░▓████░▀▄
▄▀░████▓░▀║ isolated vibe to that game's old score, which I ║▀░▓████░▀▄
▄▀░████▓░▀║ worship. ║▀░▓████░▀▄
▄▀░████▓░▀║ ║▀░▓████░▀▄
▄▀░████▓░▀║ In the end, this is an enjoyable departure, an ║▀░▓████░▀▄
▄▀░████▓░▀║ enduring experiment, but it does suffer a few ║▀░▓████░▀▄
▄▀░████▓░▀║ flaws. For one, this is the one of the only cases ║▀░▓████░▀▄
▄▀░████▓░▀║ where some of the repetition that has proven ║▀░▓████░▀▄
▄▀░████▓░▀║ crucial to Vikernes' compositions in the past ║▀░▓████░▀▄
▄▀░████▓░▀║ creeps out and bites the album on the ass. It's ║▀░▓████░▀▄
▄▀░████▓░▀║ hardly crippling, but at least two of the central ║▀░▓████░▀▄
▄▀░████▓░▀║ tracks ("B¿ólferü0è8 Baldrs" and "Illa ║▀░▓████░▀▄
▄▀░████▓░▀║ Tiü0è8andi") needed something more to them to ║▀░▓████░▀▄
▄▀░████▓░▀║ round out their considerable, 16 minute chunk of ║▀░▓████░▀▄
▄▀░████▓░▀║ the ritual. Also, this is intensely crude, even ║▀░▓████░▀▄
▄▀░████▓░▀║ for MIDI, it was basically shunted over to a tape ║▀░▓████░▀▄
▄▀░████▓░▀║ recorder. The format is pretty damn charming, but ║▀░▓████░▀▄
▄▀░████▓░▀║ I'd honestly love to hear a few of these pieces ║▀░▓████░▀▄
▄▀░████▓░▀║ worked out with an actual orchestra. That said, ║▀░▓████░▀▄
▄▀░████▓░▀║ Dauü0è8i Baldrs is what it is, a musician's ║▀░▓████░▀▄
▄▀░████▓░▀║ perseverance through a near depletion of any and ║▀░▓████░▀▄
▄▀░████▓░▀║ all musical resources. One can envision its ║▀░▓████░▀▄
▄▀░████▓░▀║ creator coming up with these bits in confinement, ║▀░▓████░▀▄
▄▀░████▓░▀║ how much more haunting they must have felt within ║▀░▓████░▀▄
▄▀░████▓░▀║ the folds of that imagination. I wouldn't mind ║▀░▓████░▀▄
▄▀░████▓░▀║ hearing more in this style, but that doesn't seem ║▀░▓████░▀▄
▄▀░████▓░▀║ likely. ║▀░▓████░▀▄
░ ▀▓████▀ ║ ║▄░████▓▀ ░
▀ ░████▓▄║ ║░▓████░ ▀
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▄ ░░▓███╠════════════════════════════════════════════QUOTES╢╣███▓░░ ▄ ▄
░▄▄ ▀▀██████║ ║██████▀▀ ▄▄░
▀░▓███████▄▄║ Anarchy wears two faces, both Creator and ║▄▄███████▓░▀
▀░▓███████▄▄║ Destroyer. Thus Destroyers topple empires; make a ║▄▄███████▓░▀
▀░▓███████▄▄║ canvas of clean rubble where creators can then ║▄▄███████▓░▀
▀░▓███████▄▄║ build a better world. Rubble, once achieved makes ║▄▄███████▓░▀
▀░▓███████▄▄║ further ruins' means irrelevant. Away with our ║▄▄███████▓░▀
▀░▓███████▄▄║ explosives, then! Away with our Destroyers! They ║▄▄███████▓░▀
▀░▓███████▄▄║ have no place within our better world. But let us ║▄▄███████▓░▀
▀░▓███████▄▄║ raise a toast to all our bombers, all our ║▄▄███████▓░▀
▀░▓███████▄▄║ bastards, most unlovely and most unforgivable, ║▄▄███████▓░▀
▀░▓███████▄▄║ let's drink their health, then meet with them no ║▄▄███████▓░▀
▀░▓███████▄▄║ more. ║▄▄███████▓░▀
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