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▄▄░▀████████▄▄▄║D e B T i s S l a V 3 r Y S T u P i D║░▄▄▄████████▀░ ▀
░▓█████▓░░░ ░ ╚═════╗ ╔════════╝▀ ░ ░░░▓█████▓░
▄▄███░▓████▓░░▀▀ ▀ ║DuBi0uSlY EnDoWs YoU WiTh║ ▀ ▀▀░░▓████▓░███▄▄
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▐░ ▀▓████║ VA-Pop_Ambient_2011-2011-DeBT_iNT ║████▓▀ ░▌
▀ ░████╚════════════════════════════════════════════════════════════════════════════╝████░ ▀
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▄░▓███████▄▄▄░ ARTiST.... VA ░▄▄▄███████▓░▀
░▓█████▄░░ ▄ ▀ TiTLE..... Pop Ambient 2011 █████▓░
▀░████▓░░▀ ░ ▀ LABEL..... Kompakt Germany ▀ ░ ▀░░▓████░▀
░▓███▓▓░ ▀ ▄▓▄ GENRE..... Ambient ▄▓▄ ▀ ░▓▓███▓░
▀▀░███▓░▄▄░ RiP.DATE.. 2011-05-14 ░▄▄░▓███░▀▀
▀ ▄███▀░░ STOREDATE. 2011-01-31 ░░▀███▄ ▀
░░▄▄██▀▀▀ SOURCE.... CD ▀▀▀██▄▄░░
░░▄▄██▀▀▀ QUALiTY... 230 kbps / 4410kHz / Joint Stereo ▀▀▀██▄▄░░
▄ ▄███▀░░ TRACKS.... 12 / 69:04 ░░▀███▄ ▄
▄▄░███▓░▄ ░ SIZE...... 120.13 MB ░ ▄░▓███░▄▄
░▓███▓▓░ ▄ ▄▓▄ RIPPER.... EAC Secure with LAME 3.98.4 ▄▓▄ ▄ ░▓▓███▓░
▄░████▓░░▄ ░ ▀ URL....... ░▓████░▄
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▀ ▄ ░░▓█▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀████▓░░ ▄
▄░███ NR. TRACKNAME TiME ████░▄
▄ ░████ ████░ ▄
░ ▄▓████ 1 ANBB Alva Noto & Blixa Bargeld - 4:50 ████▓▄ ░
░ ▄▓████ Bernsteinzimmer ████▓▄ ░
░ ▄▓████ 2 Marsen Jules - Once in a Moment 6:57 ████▓▄ ░
░ ▄▓████ 3 Triola - Dunkelraum 5:33 ████▓▄ ░
░ ▄▓████ 4 Wolfgang Voigt - Ruckverzauberung 1 4:49 ████▓▄ ░
░ ▄▓████ 5 Bhutan Tiger Rescue - Beginner's Waltz 7:28 ████▓▄ ░
░ ▄▓████ 6 Jurgen Paape - Ein Schoner Land 5:10 ████▓▄ ░
░ ▄▓████ 7 Bvdub - Make the Pain Go Away 5:54 ████▓▄ ░
░ ▄▓████ 8 Crato - 30.6.1881 5:56 ████▓▄ ░
░ ▄▓████ 9 Barnt - Libretto 5:17 ████▓▄ ░
░ ▄▓████ 10 Mikkel Metal - The Other Side pf You 4:31 ████▓▄ ░
░ ▄▓████ 11 Jens-Uwe Beyer - Volax 4:31 ████▓▄ ░
░ ▄▓████ 12 Thomas Fehlmann - Titan 8:08 ████▓▄ ░
░ ▄▓████ ---------------------------------------------------------████▓▄ ░
▀▄░████▓ ████░▄▀
░▓████▓▄ TOTAL TiME: 69:04 MIN ████▓░
░▓███████▄ TOTAL SIZE: 120.13 MB▄█████▓░
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░▓█████▓░╟─────────────────────────────────────RELEASE NOTES╢░▓█████▓░
░▓████▓░░║ ║░░▓████▓░
▄▀░████▓░▀║ Even though it's rooted in stasis, ambient music ║▀░▓████░▀▄
▄▀░████▓░▀║ is always evolving. The German label Kompakt, an ║▀░▓████░▀▄
▄▀░████▓░▀║ authority in the field, has driven both its ║▀░▓████░▀▄
▄▀░████▓░▀║ evolution and the entrenchment of certain habits ║▀░▓████░▀▄
▄▀░████▓░▀║ in the last decade. Label co-founder Wolfgang ║▀░▓████░▀▄
▄▀░████▓░▀║ Voigt's ambient techno with Gas and other ║▀░▓████░▀▄
▄▀░████▓░▀║ projects inspired a generation of frank ║▀░▓████░▀▄
▄▀░████▓░▀║ imitators, even as his label's Pop Ambient ║▀░▓████░▀▄
▄▀░████▓░▀║ compilations have pushed the limits of what ║▀░▓████░▀▄
▄▀░████▓░▀║ ambient can entail. The term has picked up such ║▀░▓████░▀▄
▄▀░████▓░▀║ varied connotations since Brian Eno coined it ║▀░▓████░▀▄
▄▀░████▓░▀║ that it's become hard to define clearly. As ║▀░▓████░▀▄
▄▀░████▓░▀║ usual, this year's Pop Ambient entry is an ║▀░▓████░▀▄
▄▀░████▓░▀║ opportunity to take the temperature of what ║▀░▓████░▀▄
▄▀░████▓░▀║ ambient means right now. ║▀░▓████░▀▄
▄▀░████▓░▀║ ║▀░▓████░▀▄
▄▀░████▓░▀║ Pop Ambient 2011 does suggest some common ║▀░▓████░▀▄
▄▀░████▓░▀║ properties of modern ambient music. It assumes an ║▀░▓████░▀▄
▄▀░████▓░▀║ air of immutability-- then, it changes. It ║▀░▓████░▀▄
▄▀░████▓░▀║ features cyclical phrases, layered drones, ║▀░▓████░▀▄
▄▀░████▓░▀║ sculptural textures, and flashes of traditional ║▀░▓████░▀▄
▄▀░████▓░▀║ instrumentation. It avoids crisp delineation of ║▀░▓████░▀▄
▄▀░████▓░▀║ sections, obscuring its internal dynamics to ║▀░▓████░▀▄
▄▀░████▓░▀║ create a sense of traveling without moving. It ║▀░▓████░▀▄
▄▀░████▓░▀║ has more in common with abstract visual art than ║▀░▓████░▀▄
▄▀░████▓░▀║ other music-- it calls attention to its materials ║▀░▓████░▀▄
▄▀░████▓░▀║ and features enigmatic subjects, like the scraped ║▀░▓████░▀▄
▄▀░████▓░▀║ and peeled paint fields of Gerhard Richter, the ║▀░▓████░▀▄
▄▀░████▓░▀║ colored light sculptures of Dan Flavin, and ║▀░▓████░▀▄
▄▀░████▓░▀║ especially the monumental land art of Robert ║▀░▓████░▀▄
▄▀░████▓░▀║ Smithson. Ambient insists that music is already ║▀░▓████░▀▄
▄▀░████▓░▀║ latent in the raw terrain of sound. ║▀░▓████░▀▄
▄▀░████▓░▀║ ║▀░▓████░▀▄
▄▀░████▓░▀║ But Pop Ambient 2011 provides exceptions to every ║▀░▓████░▀▄
▄▀░████▓░▀║ rule. "Bernsteinzimmer" by ANBB (that's Alva Noto ║▀░▓████░▀▄
▄▀░████▓░▀║ and Blixa Bargeld) conveys an abstracted but ║▀░▓████░▀▄
▄▀░████▓░▀║ palpable narrative via harmonic development and ║▀░▓████░▀▄
▄▀░████▓░▀║ whispers that suddenly break into an ║▀░▓████░▀▄
▄▀░████▓░▀║ authoritative voice. Against the notion that ║▀░▓████░▀▄
▄▀░████▓░▀║ ambient music is sonic wallpaper, it shockingly ║▀░▓████░▀▄
▄▀░████▓░▀║ commandeers the foreground. Triola's "Dunkelraum" ║▀░▓████░▀▄
▄▀░████▓░▀║ also taps into the current vogue for submerged ║▀░▓████░▀▄
▄▀░████▓░▀║ voices, but otherwise is merely an inert bed of ║▀░▓████░▀▄
▄▀░████▓░▀║ tone and texture that represents ambient music at ║▀░▓████░▀▄
▄▀░████▓░▀║ its most pro forma. ║▀░▓████░▀▄
▄▀░████▓░▀║ ║▀░▓████░▀▄
▄▀░████▓░▀║ Mikkel Metal and Bhutan Tiger Rescue take the ║▀░▓████░▀▄
▄▀░████▓░▀║ "pop" part to heart. The former's "The Other Side ║▀░▓████░▀▄
▄▀░████▓░▀║ Of You" places dreamy piano and drums amid a ║▀░▓████░▀▄
▄▀░████▓░▀║ radiant synthetic sunburst. The latter's ║▀░▓████░▀▄
▄▀░████▓░▀║ "Beginner's Waltz" is built around three lustrous ║▀░▓████░▀▄
▄▀░████▓░▀║ tones that sway endlessly, splashed with sleigh ║▀░▓████░▀▄
▄▀░████▓░▀║ bells and ethereal harmonies. Here, ambient music ║▀░▓████░▀▄
▄▀░████▓░▀║ is something superficial; a haze gathering around ║▀░▓████░▀▄
▄▀░████▓░▀║ repetitive tunes. That's not a ringing ║▀░▓████░▀▄
▄▀░████▓░▀║ endorsement, but it's hard to get mad at pretty ║▀░▓████░▀▄
▄▀░████▓░▀║ songs for conceptual reasons, and the Bhutan ║▀░▓████░▀▄
▄▀░████▓░▀║ Tiger Rescue track has an especially memorable ║▀░▓████░▀▄
▄▀░████▓░▀║ mood. At the other extreme, Crato conceives of ║▀░▓████░▀▄
▄▀░████▓░▀║ ambient as something closer to noise or ║▀░▓████░▀▄
▄▀░████▓░▀║ drone-metal: "30.6.1881" is a grayscale dirge ║▀░▓████░▀▄
▄▀░████▓░▀║ midway between Infinite Body and Svarte Greiner, ║▀░▓████░▀▄
▄▀░████▓░▀║ spooky but rote. ║▀░▓████░▀▄
▄▀░████▓░▀║ ║▀░▓████░▀▄
▄▀░████▓░▀║ But the most fertile influence on this year's ║▀░▓████░▀▄
▄▀░████▓░▀║ comp is classical music. Voigt offers orchestral ║▀░▓████░▀▄
▄▀░████▓░▀║ halos that wax and wane majestically, like an ║▀░▓████░▀▄
▄▀░████▓░▀║ overdubbed Arvo P?rt symphony. Marsen Jules ║▀░▓████░▀▄
▄▀░████▓░▀║ splices Glassian piano minimalism with a coiled, ║▀░▓████░▀▄
▄▀░████▓░▀║ pouncing filter odyssey, and the Orb's Thomas ║▀░▓████░▀▄
▄▀░████▓░▀║ Fehlmann creates a "cover" of Mahler's First. ║▀░▓████░▀▄
▄▀░████▓░▀║ Best of all is label co-founder J¿╣rgen Paape's ║▀░▓████░▀▄
▄▀░████▓░▀║ huge, swooping "Ein Sch?ner Land". Like Voigt's ║▀░▓████░▀▄
▄▀░████▓░▀║ offering, it has more false endings than a James ║▀░▓████░▀▄
▄▀░████▓░▀║ Brown song, and a dramatic sense of tension and ║▀░▓████░▀▄
▄▀░████▓░▀║ release. Its shapes are stalwart and high-relief. ║▀░▓████░▀▄
▄▀░████▓░▀║ Nothing feels vague or accidental. These are bona ║▀░▓████░▀▄
▄▀░████▓░▀║ fide compositions, relying on traditional ║▀░▓████░▀▄
▄▀░████▓░▀║ building blocks like tonality, counterpoint, and ║▀░▓████░▀▄
▄▀░████▓░▀║ motivic development instead of the haphazard ║▀░▓████░▀▄
▄▀░████▓░▀║ interaction of shimmering tones-- a style that ║▀░▓████░▀▄
▄▀░████▓░▀║ some of Kompakt's artists seem content with, even ║▀░▓████░▀▄
▄▀░████▓░▀║ as the founders who enshrined it keep pushing ║▀░▓████░▀▄
▄▀░████▓░▀║ forward. ║▀░▓████░▀▄
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▀░▓███████▄▄║ eventually. ║▄▄███████▓░▀
▀░▓███████▄▄║ ║▄▄███████▓░▀
▀░▓███████▄▄║ -- Jimi Hendrix ║▄▄███████▓░▀
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