London_Symphony_Orchestra-Mahler_Symphony_No_1-2010-DeBT_iNT
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- 2011-05-18
NFO
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▄▄░▀████████▄▄▄║D e B T i s S l a V 3 r Y S T u P i D║░▄▄▄████████▀░ ▀
░▓█████▓░░░ ░ ╚═════╗ ╔════════╝▀ ░ ░░░▓█████▓░
▄▄███░▓████▓░░▀▀ ▀ ║DuBi0uSlY EnDoWs YoU WiTh║ ▀ ▀▀░░▓████▓░███▄▄
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▐░ ▀▓████║ London_Symphony_Orchestra-Mahler_Symphony_No_1-2010-DeBT_iNT ║████▓▀ ░▌
▀ ░████╚════════════════════════════════════════════════════════════════════════════╝████░ ▀
▀ ▀▀█████▀░████ ▄ ▄ ░▓████░▀ ████▀▀ ▀
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▄▄▀▀███████████▀▀▀ ▀▀████████████▀▀ ░
▄░▓███████▄▄▄░ ARTiST.... London Symphony Orchestra ░▄▄▄███████▓░▀
░▓█████▄░░ ▄ ▀ TiTLE..... Mahler: Symphony No.1 █████▓░
▀░████▓░░▀ ░ ▀ LABEL..... Decca ▀ ░ ▀░░▓████░▀
░▓███▓▓░ ▀ ▄▓▄ GENRE..... Classical ▄▓▄ ▀ ░▓▓███▓░
▀▀░███▓░▄▄░ RiP.DATE.. 2011-05-08 ░▄▄░▓███░▀▀
▀ ▄███▀░░ STOREDATE. 2010-08-24 ░░▀███▄ ▀
░░▄▄██▀▀▀ SOURCE.... CD ▀▀▀██▄▄░░
░░▄▄██▀▀▀ QUALiTY... 230 kbps / 4410kHz / Joint Stereo ▀▀▀██▄▄░░
▄ ▄███▀░░ TRACKS.... 4 / 53:59 ░░▀███▄ ▄
▄▄░███▓░▄ ░ SIZE...... 94.11 MB ░ ▄░▓███░▄▄
░▓███▓▓░ ▄ ▄▓▄ RIPPER.... EAC Secure with LAME 3.98.4 ▄▓▄ ▄ ░▓▓███▓░
▄░████▓░░▄ ░ ▀ URL....... ░▓████░▄
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▀ ▄ ░░▓█▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀████▓░░ ▄
▄░███ NR. TRACKNAME TiME ████░▄
▄ ░████ ████░ ▄
░ ▄▓████ 1 Symphony No.1 In D - 1. Langsam. 15:40 ████▓▄ ░
░ ▄▓████ Schleppend ████▓▄ ░
░ ▄▓████ 2 Symphony No.1 In D - 2. Kraftig Bewegt 7:01 ████▓▄ ░
░ ▄▓████ 3 Symphony No.1 In D - 3. Feierlich Und 10:59 ████▓▄ ░
░ ▄▓████ Gemessen, Ohne Zu Schleppen ████▓▄ ░
░ ▄▓████ 4 Symphony No.1 In D - 4. St¿╣rmisch Bewegt 20:19 ████▓▄ ░
░ ▄▓████ ---------------------------------------------------------████▓▄ ░
▀▄░████▓ ████░▄▀
░▓████▓▄ TOTAL TiME: 53:59 MIN ████▓░
░▓███████▄ TOTAL SIZE: 94.11 MB▄█████▓░
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░▓█████▓░╟─────────────────────────────────────RELEASE NOTES╢░▓█████▓░
░▓████▓░░║ ║░░▓████▓░
▄▀░████▓░▀║ For all its popularity, there have been ║▀░▓████░▀▄
▄▀░████▓░▀║ relatively few outstanding recordings of the ║▀░▓████░▀▄
▄▀░████▓░▀║ Mahler First. The work is a minefield for ║▀░▓████░▀▄
▄▀░████▓░▀║ conductors given the many shifts in tempo, mood ║▀░▓████░▀▄
▄▀░████▓░▀║ and idiom within each movement. It can seem ║▀░▓████░▀▄
▄▀░████▓░▀║ something of a patchwork unless the conductor ║▀░▓████░▀▄
▄▀░████▓░▀║ manages the transitions expertly. ║▀░▓████░▀▄
▄▀░████▓░▀║ ║▀░▓████░▀▄
▄▀░████▓░▀║ It is interesting to compare Solti's LSO ║▀░▓████░▀▄
▄▀░████▓░▀║ recording from 1964 with his CSO version from ║▀░▓████░▀▄
▄▀░████▓░▀║ twenty years later. The latter, though well ║▀░▓████░▀▄
▄▀░████▓░▀║ enough played, seems slack by comparison with his ║▀░▓████░▀▄
▄▀░████▓░▀║ earlier account. In 1964 Solti never lets the ║▀░▓████░▀▄
▄▀░████▓░▀║ tension sag for a moment, even when Mahler shifts ║▀░▓████░▀▄
▄▀░████▓░▀║ into low gear (as he does for long stretches in ║▀░▓████░▀▄
▄▀░████▓░▀║ the first and fourth movements). He also handles ║▀░▓████░▀▄
▄▀░████▓░▀║ those tricky transitions with effortless aplomb. ║▀░▓████░▀▄
▄▀░████▓░▀║ The 1984 version, on the other hand, springs to ║▀░▓████░▀▄
▄▀░████▓░▀║ life only in fits and starts (basically when the ║▀░▓████░▀▄
▄▀░████▓░▀║ tempos pick up or when the dynamic level rises ║▀░▓████░▀▄
▄▀░████▓░▀║ above forte). ║▀░▓████░▀▄
▄▀░████▓░▀║ ║▀░▓████░▀▄
▄▀░████▓░▀║ 1964 was evidently a good year for both the LSO ║▀░▓████░▀▄
▄▀░████▓░▀║ and for Decca's engineers. The orchestra is ║▀░▓████░▀▄
▄▀░████▓░▀║ really on its toes; Solti demands, and gets, a ║▀░▓████░▀▄
▄▀░████▓░▀║ hairtrigger response from every section. The ║▀░▓████░▀▄
▄▀░████▓░▀║ recorded sound is quite remarkable for its ║▀░▓████░▀▄
▄▀░████▓░▀║ combination of pinpoint clarity and ambient ║▀░▓████░▀▄
▄▀░████▓░▀║ warmth. That magical opening of the first ║▀░▓████░▀▄
▄▀░████▓░▀║ movement is as evocative as one might wish, yet ║▀░▓████░▀▄
▄▀░████▓░▀║ everything significant is heard when the ║▀░▓████░▀▄
▄▀░████▓░▀║ contrapuntal complications ensue. ║▀░▓████░▀▄
▄▀░████▓░▀║ ║▀░▓████░▀▄
▄▀░████▓░▀║ Altogether a thrilling Mahler First, which ║▀░▓████░▀▄
▄▀░████▓░▀║ deserves to be ranked alongside the handful of ║▀░▓████░▀▄
▄▀░████▓░▀║ really great recordings of this work--Horenstein ║▀░▓████░▀▄
▄▀░████▓░▀║ II, Bernstein II and Kubelik (among the dozen or ║▀░▓████░▀▄
▄▀░████▓░▀║ so versions I have heard). Strongly recommended. ║▀░▓████░▀▄
░ ▀▓████▀ ║ ║▄░████▓▀ ░
▀ ░████▓▄║ ║░▓████░ ▀
▀░████▓╟──────────────────────────────────────────────────╢▓████░▀
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░▄▄ ▀▀██████║ ║██████▀▀ ▄▄░
▀░▓███████▄▄║ All men can see these tactics whereby I conquer, ║▄▄███████▓░▀
▀░▓███████▄▄║ but what none can see is the strategy out of ║▄▄███████▓░▀
▀░▓███████▄▄║ which victory is evolved. ║▄▄███████▓░▀
▀░▓███████▄▄║ ║▄▄███████▓░▀
▀░▓███████▄▄║ -- Sun Tzu ║▄▄███████▓░▀
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▄░▓███████▄║ DeBT is in need of SECURE affils ║▄▄███████▓░▀
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░████▓░░▀ ║ pre-release suppliers, bookware ║░ ▀░░▓████░▀
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