London_Symphony_Orchestra-Romantic_Russia_-_Borodin_-_Glinka_-_Mussorgsky_-_Tchaikovsky-1999-DeBT_iNT
- Section
-
MP3/FLAC
- Group
- DeBT_iNT
- Size
- 0 B
- Files
- 0
- Date
- 2011-05-21
NFO
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London_Symphony_Orchestra-Romantic_Russia_-_Borodin_-_Glinka_-_Mussorgsky_-_Tchaikovsky-1999-DeBT_iNT
▀ ░████╚════════════════════════════════════════════════════════════════════════════╝████░ ▀
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▄░▓███████▄▄▄░ ARTiST.... London Symphony Orchestra ░▄▄▄███████▓░▀
░▓█████▄░░ ▄ ▀ TiTLE..... Romantic Russia - Borodin / Glinka / █████▓░
▀░████▓░░▀ ░ ▀ LABEL..... Decca ▀ ░ ▀░░▓████░▀
░▓███▓▓░ ▀ ▄▓▄ GENRE..... Classical ▄▓▄ ▀ ░▓▓███▓░
▀▀░███▓░▄▄░ RiP.DATE.. 2011-05-10 ░▄▄░▓███░▀▀
▀ ▄███▀░░ STOREDATE. 1999-08-10 ░░▀███▄ ▀
░░▄▄██▀▀▀ SOURCE.... CD ▀▀▀██▄▄░░
░░▄▄██▀▀▀ QUALiTY... 225 kbps / 4410kHz / Joint Stereo ▀▀▀██▄▄░░
▄ ▄███▀░░ TRACKS.... 9 / 76:57 ░░▀███▄ ▄
▄▄░███▓░▄ ░ SIZE...... 130.92 MB ░ ▄░▓███░▄▄
░▓███▓▓░ ▄ ▄▓▄ RIPPER.... EAC Secure with LAME 3.98.4 ▄▓▄ ▄ ░▓▓███▓░
▄░████▓░░▄ ░ ▀ URL....... ░▓████░▄
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▄░███ NR. TRACKNAME TiME ████░▄
▄ ░████ ████░ ▄
░ ▄▓████ 1 London Symphony Orchestra - Ruslan and 5:02 ████▓▄ ░
░ ▄▓████ Lyudmila / Act 1 - Overture ████▓▄ ░
░ ▄▓████ 2 London Symphony Orchestra - Khovanshchina 5:05 ████▓▄ ░
░ ▄▓████ - Compl. & Orch. Rimsky-Korsakov - Prelude ████▓▄ ░
░ ▄▓████ 3 London Symphony Orchestra - A Night on the 11:11 ████▓▄ ░
░ ▄▓████ Bare Mountain - Arr. N. Rimsky-Korsakov ████▓▄ ░
░ ▄▓████ (1844-1908) ████▓▄ ░
░ ▄▓████ 4 London Symphony Orchestra - Overture 10:50 ████▓▄ ░
░ ▄▓████ Prince Igor ████▓▄ ░
░ ▄▓████ 5 London Symphony Chorus - Prince Igor / Act 13:47 ████▓▄ ░
░ ▄▓████ 2 - Polovtsian Dances and Chorus ████▓▄ ░
░ ▄▓████ 6 Paris Conservatoire Orchestra - Symphony 10:46 ████▓▄ ░
░ ▄▓████ No.2 in C minor, Op.17 "Little Russian" - ████▓▄ ░
░ ▄▓████ 1. Andante sostenuto - Allegro vivo ████▓▄ ░
░ ▄▓████ 7 Paris Conservatoire Orchestra - Symphony 6:20 ████▓▄ ░
░ ▄▓████ No.2 in C minor, Op.17 "Little Russian" - ████▓▄ ░
░ ▄▓████ 2. Andantino marziale, quasi moderato ████▓▄ ░
░ ▄▓████ 8 Paris Conservatoire Orchestra - Symphony 4:09 ████▓▄ ░
░ ▄▓████ No.2 in C minor, Op.17 "Little Russian" - ████▓▄ ░
░ ▄▓████ 3. Scherzo. Allegro molto vivace - Trio. ████▓▄ ░
░ ▄▓████ L'istesso tempo ████▓▄ ░
░ ▄▓████ 9 Paris Conservatoire Orchestra - Symphony 9:47 ████▓▄ ░
░ ▄▓████ No.2 in C minor, Op.17 "Little Russian" - ████▓▄ ░
░ ▄▓████ 4. Finale. Moderato assai - Allegro vivo - ████▓▄ ░
░ ▄▓████ Presto ████▓▄ ░
░ ▄▓████ ---------------------------------------------------------████▓▄ ░
▀▄░████▓ ████░▄▀
░▓████▓▄ TOTAL TiME: 76:57 MIN ████▓░
░▓███████▄ TOTAL SIZE: 130.92 MB▄█████▓░
▀░▀████████▄ ▄█████▀░▀▀
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░▓█████▓░╟─────────────────────────────────────RELEASE NOTES╢░▓█████▓░
░▓████▓░░║ ║░░▓████▓░
▄▀░████▓░▀║ Solti was always at his best in "orchestral ║▀░▓████░▀▄
▄▀░████▓░▀║ showpieces," such as those contained in this ║▀░▓████░▀▄
▄▀░████▓░▀║ Russian anthology from the early LP era ║▀░▓████░▀▄
▄▀░████▓░▀║ (Tchaikovsky in mono from the Fifties and the ║▀░▓████░▀▄
▄▀░████▓░▀║ other items in stereo from the Sixties). The ║▀░▓████░▀▄
▄▀░████▓░▀║ latter are particularly effective, thanks to ║▀░▓████░▀▄
▄▀░████▓░▀║ thrillingly virtuosic playing from the LSO. I ║▀░▓████░▀▄
▄▀░████▓░▀║ confess that I usually find the Mussorgsky-Rimsky ║▀░▓████░▀▄
▄▀░████▓░▀║ version of "Night on Bald Mountain" to be a ║▀░▓████░▀▄
▄▀░████▓░▀║ crashing bore, but not here. Solti had me ║▀░▓████░▀▄
▄▀░████▓░▀║ spellbound the whole way through. The Glinka ║▀░▓████░▀▄
▄▀░████▓░▀║ *Russlan and Ludmilla* Overture and the Borodin ║▀░▓████░▀▄
▄▀░████▓░▀║ potboilers from "Prince Igor" never sounded more ║▀░▓████░▀▄
▄▀░████▓░▀║ involving than here. The Glinka is scintillating ║▀░▓████░▀▄
▄▀░████▓░▀║ throughout, and the "Polovtsian Dances" fairly ║▀░▓████░▀▄
▄▀░████▓░▀║ sizzle with excitement, though Beecham brought a ║▀░▓████░▀▄
▄▀░████▓░▀║ special elegance to this piece that Solti cannot ║▀░▓████░▀▄
▄▀░████▓░▀║ match. Yet there is sufficient refinement in ║▀░▓████░▀▄
▄▀░████▓░▀║ Solti's approach to keep it from descending into ║▀░▓████░▀▄
▄▀░████▓░▀║ vulgarity. The recordings for these LSO sessions ║▀░▓████░▀▄
▄▀░████▓░▀║ are predictably spectacular: thrilling amplitude, ║▀░▓████░▀▄
▄▀░████▓░▀║ pinpoint clarity, powerful bass register, rich ║▀░▓████░▀▄
▄▀░████▓░▀║ string sonorities, characterful woodwinds, and ║▀░▓████░▀▄
▄▀░████▓░▀║ judgment-day brass. ║▀░▓████░▀▄
▄▀░████▓░▀║ ║▀░▓████░▀▄
▄▀░████▓░▀║ The Tchaikovsky "Little Russian" symphony is ║▀░▓████░▀▄
▄▀░████▓░▀║ another matter. It is good to have Solti's one ║▀░▓████░▀▄
▄▀░████▓░▀║ and only rendition of this piece; he does ║▀░▓████░▀▄
▄▀░████▓░▀║ predictably well by it (though Beecham, once ║▀░▓████░▀▄
▄▀░████▓░▀║ again, is more atmospheric). He is particularly ║▀░▓████░▀▄
▄▀░████▓░▀║ successful in the repetitive finale, where he ║▀░▓████░▀▄
▄▀░████▓░▀║ keeps things moving inexorably toward that ║▀░▓████░▀▄
▄▀░████▓░▀║ climactic gong stroke and the helter-skelter ║▀░▓████░▀▄
▄▀░████▓░▀║ denoument which follows. I wish I could say that ║▀░▓████░▀▄
▄▀░████▓░▀║ the playing of the Paris Conservatoire Orchestra ║▀░▓████░▀▄
▄▀░████▓░▀║ was worthy of the conductor's fizzing ║▀░▓████░▀▄
▄▀░████▓░▀║ interpretation, but, sadly, their individual and ║▀░▓████░▀▄
▄▀░████▓░▀║ collective efforts pale in comparison with the ║▀░▓████░▀▄
▄▀░████▓░▀║ LSO discmates. Solti generates enough excitement ║▀░▓████░▀▄
▄▀░████▓░▀║ throughout the work to justify an occasional ║▀░▓████░▀▄
▄▀░████▓░▀║ listen (and the conductor's admirers will surely ║▀░▓████░▀▄
▄▀░████▓░▀║ want to hear his interpretation), but otherwise ║▀░▓████░▀▄
▄▀░████▓░▀║ this must be counted as a less than fully ║▀░▓████░▀▄
▄▀░████▓░▀║ satisfactory "Little Russian." The very early ║▀░▓████░▀▄
▄▀░████▓░▀║ stereo recording from Decca (1956) doesn't ║▀░▓████░▀▄
▄▀░████▓░▀║ flatter the orchestra, either, but tends to ║▀░▓████░▀▄
▄▀░████▓░▀║ expose its deficiencies mercilessly. ║▀░▓████░▀▄
▄▀░████▓░▀║ ║▀░▓████░▀▄
▄▀░████▓░▀║ Whatever the deficiencies in the Tchaikovsky, I ║▀░▓████░▀▄
▄▀░████▓░▀║ enjoyed this reissue thoroughly. I hadn't ║▀░▓████░▀▄
▄▀░████▓░▀║ previously encountered any of these recordings, ║▀░▓████░▀▄
▄▀░████▓░▀║ and they held me in thrall from beginning to end. ║▀░▓████░▀▄
▄▀░████▓░▀║ Recommended to Solti fans, surely, but also to ║▀░▓████░▀▄
▄▀░████▓░▀║ lovers of "romantic Russian" repertoire. ║▀░▓████░▀▄
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